The best stories pull readers in and keep them turning the pages, eager to find the answer to the question, “And then what happened?” Edited by Neil Gaiman, a literary magician whose acclaimed work defies easy categorization and transcends all boundaries, and “master anthologist” (Booklist) Al Sarrantonio, Stories is a groundbreaking collection that reinvigorates and expands the boundaries of imaginative fiction, affording some of the best writers in the world—from Peter Straub and Chuck Palahniuk to Roddy Doyle and Diana Wynne Jones, Stewart O’Nan and Joyce Carol Oates to Walter Mosley, Jodi Picoult, the volume’s editors, and others—the opportunity to work together, defend their craft, and realign misconceptions. A brilliant and visionary compendium of diverse tales, Stories will transform your view of the world and ignite a new appreciation for the limitless realm of exceptional fiction.

"We Install offers a showcase of styles, from humor--in "Father of the Groom," a scientist with a penchant for wild experimentation helps his love-struck son by synthesizing a wedding ring out of two carrots--to classic science fiction, as in the Hugo Award-winning "Down in the Bottomlands" and "Hoxbomb," in which a regular guy just trying to make a living selling scooters has to deal with some very odd competition. The alternate history tale "Drang von Osten" begins on a bloody battlefield in World War II and ends somewhere quite different. In the brand-new "Logan's Law," a man discovers that sometimes, second chances really do work out. The book's three essays tackle the diverse subjects of how to write alternate history, Tolkien's The Lord of the Rings, and the history of Chanukah"--

From Sholom Aleichem to Avram Davidson, Isaac Bashevis Singer to Tony Kushner, the Jewish literary tradition has always been one rich in the supernatural and the fantastic. In these pages, gathered from the best short fiction of the last ten years, twenty authors prove that their heritage is alive and well -- in the spaces between stars that an alphabet can bridge, folklore come to life and histories become stories, and all the places where old worlds and new collide and change.

Novel Gazing is the first collection of queer criticism on the history of the novel. The contributors to this volume navigate new territory in literary theory with essays that implicitly challenge the "hermeneutic of suspicion" widespread in current critical theory. In a stunning introductory essay, Eve Kosofsky Sedgwick delineates the possibilities for a criticism that would be "reparative" rather than cynical or paranoid. The startlingly imaginative essays in the volume explore new critical practices that can weave the pleasures and disorientations of reading into the fabric of queer analyses. Through discussions of a diverse array of British, French, and American novels—including major canonical novels, best-sellers, children’s fiction, and science fiction—these essays explore queer worlds of taste, texture, joy, and ennui, focusing on such subjects as flogging, wizardry, exorcism, dance, Zionist desire, and Internet sexuality. Interpreting the works of authors as diverse as Benjamin Constant, Toni Morrison, T. H. White, and William Gibson, along with canonical queer modernists such as James, Proust, Woolf, and Cather, contributors reveal the wealth of ways in which selves and communities succeed in extracting sustenance from the objects of a culture whose avowed desire has often been not to sustain them. The dramatic reframing that these essays perform will make the significance of Novel Gazing extend beyond the scope of queer studies to literary criticism in general. Contributors . Stephen Barber, Renu Bora, Anne Chandler, James Creech, Tyler Curtain, Jonathan Goldberg, Joseph Litvak, Michael Lucey, Jeff Nunokawa, Cindy Patton, Jacob Press, Robert F. Reid-Pharr, Eve Kosofsky Sedgwick, Melissa Solomon, Kathryn Bond Stockton, John Vincent, Maurice Wallace, Barry Weller

In Menachem's Seed , Carl Djerassi , world-renowned scientist and inventor of the birth-control pill, brings us a new novel that explores the human--and passionate--side of science. Melanie Laidlaw and Menachem Dvir meet at a series of international conferences where jet-setting scientists come together to discuss the global implications of their discoveries. Melanie runs a foundation that awards grants for innovations in reproductive technology; Menachem is an infertile nuclear engineer and a married man. Naturally, they fall in love. What follows is a story of sexual steam, stolen seed, and religious conversion--a very modern romance that hinges on a cutting-edge scientific breakthrough. As Melanie and Menachem discover, what science makes possible, only two hearts can make right.

"Recognized as a leading author of stories published during the Golden Age of science fiction (many in collaboration with his wife, Catherine L. Moore), Henry Kuttner also wrote stories for the horror pulp magazines of the late 30s and early 40s. Terror in the House assembles more than forty rare works from the fragile pages of "Weird Tales" and other pulp magazines of the day. Several tales are set in H.P. Lovecraft's "Cthulhu Mythos" while others are examples of the "weird menace" stories (where a seemingly supernatural plot is resolved with a commonplace ending). Also included are Kuttner's first science fictions stories and his few forays into the "spicy" pulps. Richard Matheson provides a preface and Dr. Garyn G. Roberts' lengthy introduction examines Kuttner's background and influences for these early works"--Dust jacket flap.