This is the story of an ape-descended human called Douglas Adams who, in a field in Innsbruck in 1971, had an idea. This is also the story of what that idea became: The Hitchhiker's Guide to the Galaxy - of the original radio series which started it all and the five book trilogy, the TV series, almost-film, computer game, towel and website that followed. This revised edition comes up to date, covering Adams' recent work, his untimely death in May 2001 and posthumous publications.

New one-volume autobiography spans Asimov's life for the first time!As one of the most gifted and prolific writers of the twentieth century, Isaac Asimov became legendary for his inexhaustible creativity, wide-ranging intellectual curiosity, and talent for explaining complex subjects in clear, concise prose. While regaling his readers with an incredible opus of almost five hundred entertaining and illuminating science fiction and nonfiction books, he also found time to write a three-volume autobiography. Now these volumes have been condensed into one by Asimov's wife, Janet, who also shares excerpts from letters he wrote to her. Together these writings provide an intimate portrait of a creative genius whose love of learning and playing with ideas is evident on every page. Reading this autobiography is like sitting down with Isaac Asimov and experiencing his witty, engaging, and brilliant personality firsthand. We are treated to many marvelous stories about his upbringing in Depression-era Brooklyn, his early fascination with the new science fiction pulp magazines, the thrill of his first published story, the creation of his well-known story "Nightfall," the genesis of the Foundation series, and the evolution of his creative life as a writer. He also reveals his inner thoughts about and experiences with various luminaries in science and science fiction. Above all, Asimov's autobiography conveys unbounded enthusiasm for his craft, the infectious joy of learning and creating, complete intellectual honesty, his strong humanist convictions, and his infinite fund of good humor and optimism even at the end of his life - all told in the lively clear writing style that was his trademark. Although Janet Jeppson Asimov concludes this work with a shocking revelation about her husband's death, the volume is clearly intended as a celebration - as the title suggests - of a wonderful, creative life. As a poignant coda to this work, Janet has appended one short story that was Isaac's favorite, and his 400th essay on this thoughts about science.

"A perfect match of writer and subject: one of our most brilliant biographers takes on one of our greatest living playwrights--with his cooperation and access to a trove of hitherto unseen material. Tom Stoppard is a towering and beloved literary figure. Known for his dizzying narrative inventiveness and intense attention to language, he deftly deploys art, science, history, politics, and philosophy in works that span a remarkable spectrum of literary genres: theater, radio, film, TV, journalism, and fiction. His most acclaimed creations--Rosencrantz and Guildenstern are Dead, The Real Thing, Arcadia, The Coast of Utopia, Shakespeare in Love--remain as fresh and moving as when they dazzled their first audiences. Stoppard's life, too, is fascinating: born in Czechoslovakia, he escaped the Nazis with his mother and spent his early years in Singapore and India before arriving in England at age eight. Skipping university, he embarked on a brilliant career, becoming close friends over the years with an astonishing array of writers, actors, directors, musicians, and political figures, from Peter O'Toole, Harold Pinter, and Stephen Spielberg to Mick Jagger and Vaclav Havel. Having long described himself as a "bounced Czech," Stoppard was surprised to learn late in life of his Jewish family and the relatives he lost to the Holocaust, secrets his mother had kept from him. Lee's in-depth analysis seamlessly weaves Stoppard's life and work together into a vivid, insightful, and always riveting portrait of a remarkable man"--

This book speculates about the important inventions, scientific discoveries, and political and social developments, which may occur during the coming millennium. It does this by presenting -- through the eyes of a fictitious author living in the year 3000 -- a list of the 100 men and women who have had the greatest impact on world history and on the everyday lives of individuals. The hundred persons are ranked in order of their influence. The main section of the book consists of short biographies of those 100 persons, describing what each person accomplished, and why that person is so important. Forty-five of the entries are actual historical personages. These include such well known figures as Jesus Christ, Confucius, Charles Darwin, Christopher Columbus, Albert Einstein, and George Washington. Among the fifty-five entries from the third millennium are: Sue Ellen Green (who develops a cancer vaccine); Miguel Carranza (chief founder of the United World Federation); Stella Ricardo Garcia (architect and formscaper); Mika Kivikoski (who develops the technology to control the weather); and Shu Gungwu (who finds the solution to the baffling "mind-body problem"). Other topics treated include: space travel and space colonies; medical advances (such as artificial organs, and reversible sex-change operations); arts and entertainment (including music, literature, the visual arts, and sports and games); solar power; philosophy (including political theory, epistemology, semantics, and ethics); mathematics, pollution control, robots, brainwashing; nuclear warfare; robots; and artificial intelligence. The book includes a historical chart (listing the main events of both the actual past and the projected future), a list of honorable mentions (and their accomplishments); a glossary, and an extensive index.

One of the most imaginative figures to emerge from the science fiction field. Olaf Stapledon left an indelible mark on many other writers, from Arthur C. Clarke to Saul Bellows, but never won a mass following himself. This study by a renowned American literary critic provides a long-needed introduction to the life and work of the man Brian Aldiss called "the great classical example, the cold pitch of perfection as he turns scientific concepts into ontological epic prose poems, the ultimate science fiction writer." Probing the recurrent themes and images of Stapledon's novels -- which include Last and First Men, Odd John, Star Maker, and Sirius -- Leslie A. Fiedler brilliantly illuminates the complexity and richness that underlie Stapledon's fiction. As Fiedler demonstrates, Stapledon was very much a product of the 1930s, embracing a set of leftist attitudes that were common to many other "Oxbridge-educated sons of the English upper classes." But, as Fiedler further shows, there is much more to Stapleton's books than their superficial ideological content: his works are unique in their awe-inspiring vision of the breadth of the physical universe and the depths of the human psyche. "Certainly since encountering him," Fielder writes, "I have never been able to stare up at thee night sky with the same secure faith that either God exists or he does not; anymore than I have been able between sleeping and waking to be sure that the nighttime "I" preparing to dream is identical with or totally different from the conscious "I" about to surrender its dominion."

"A major influence on the BBC and independent television in Britain in the 1960s, as well as on CBC and the National Film Board in Canada, Sydney Newman acted as head of drama at a key period in the history of television. For the first time, his comprehensive memoirs--written in the years before his death in 1997--are being made public. Born to a poor Jewish family in the tenements of Queen Street in Toronto, Newman's artistic talent got him a job at the NFB under John Grierson. He then became one of the first producers at CBC TV before heading overseas to the U.K. where he revitalized drama programming. Harold Pinter and Alun Owen were playwrights whom Newman nurtured, and their contemporary, socially conscious plays were successful, both artistically and commercially. At the BBC, overseeing a staff of 400, he developed a science fiction show that flourishes to this day: Doctor Who. Providing further context to Newman's memoir is an in-depth biographical essay by Graeme Burk, which positions Newman's legacy in the history of television, and an afterword by one of Sydney's daughters, Deirdre Newman."--

Judith Merril was a pioneer of twentieth-century science fiction, a prolific author, and editor. She was also a passionate social and political activist. In fact, her life was a constant adventure within the alternative and experimental worlds of science fiction, left politics, and Canadian literature. Better to Have Loved is illustrated with original art works, covers from classic science fiction magazines, period illustrations, and striking photography.

"Recollections of one of the grand masters of science fiction, on his storied career as a celebrated author and on his relationships with other luminaries in the field. This memoir is filled with all the humor and irreverence Harry Harrison's readers have come to expect from the New York Times bestselling author of the uproarious Stainless Steel Rat series. This also includes black and white photos spanning his sixty-year career"--

Seven essays on science fiction: Introduction Robert Silverberg: sounding brass, tinkling cymbal Alfred Bester: my affair with science fiction Harry Harrison: the beginning of the affair Damon Knight: Knight piece Frederick Pohl: ragged claws Brian Aldiss: magic & bare boards Appendices: how we work, selected bibliographies

This is very much not an academic book, though it is, as one would expect, throughout infomed by Steiner's vast and polyglot reading, from the classics through to contemporary science, across fiction, poetry, theology and philosophy It is rather in a genre of its own, littered with entertaining anecdotes, and the closest we will get to an autobiography.