Since 9/11, one important question has persisted: What was really going on behind the scenes with intelligence services and government leaders during the time preceding that terrible day? After an eighteen-month investigation, Gerald Posner reveals much previously undisclosed information, including details about a secret deal between Saudi Arabia and Osama bin Laden; how the U.S. government missed several chances to kill or capture bin Laden; how the CIA tracked-and then lost-two of the hijackers when they entered the United States months before the attacks; the devastating consequences of the crippling rivalry between the CIA and FBI; and the startling account of top al Qaeda captive whose information subsequently led to a trail of mysterious deaths of Saudi Arabian princes and Pakistani military leaders. "Why America Slept exposes the frequent mistakes made by law enforcement and government agencies, and demonstrates how the failures to prevent 9/11 were tragically not an exception but typical. In the end, Posner makes a damning case that the terrorist attacks could have been prevented.

Who is Matt Cvetic? Hero? Scoundrel? Mole? The man who loosely provided the inspiration for the B-Grade cult movie I Was a Communist for the FBI had a life that was marred by alcoholism, damaged expectations, and greed. Cvetic, at the request of the FBI, joined a Pittsburgh branch of the CPUSA in 1943. He became one of many plants in the Party during that decade and gained the nickname "Pennsylvania's most significant mole." However, because of his erratic behavior, the FBI fired him in 1950, at which time he surfaced and suddenly became a celebrity through his testimony before the HUAC hearing. Journalist Richard Rovere described Cvetic as a "kept witness," a term that fits those who "made a business of being witnesses," thereby "befouling due process." Cvetic was the subject of a multipart series in the Saturday Evening Post. The articles bordered on fiction, but they gave Cvetic the national exposure he needed to secure a screen deal. Warner Brothers bought the story, made the movie, and enhanced Cvetic's celebrity as pop icon. In the mid-1950s, Cvetic was discredited as a witness by the courts. His career ended and he found a new niche on the Radical Right, yet he died in 1962 after years of fighting to uphold his image with the media. Today Cvetic's image is dimly remembered as he continues to fight "the Red Menace" on late-night television. Leab juxtaposes Cvetic's real life with his reel life. He chronicles his fall from grace, yet admits that Cvetic's life offers fascinating and useful insights into the creation, merchandising, and distribution of a reckless professional witness. Leab also writes about Cvetic's life prior to his involvement with the FBI, his glory days, and shows that there is much to be learned from the story of an "anti-Communist icon."

2020 Reprint of the 1957 Edition. Full facsimile of the original edition and not reproduced with Optical Recognition Software. Howard Fast (1914-2003) was one of the most prolific American writers of the twentieth century. He was a bestselling author of more than eighty works of fiction, nonfiction, poetry, and screenplays. The son of immigrants, Fast grew up in New York City and published his first novel upon finishing high school in 1933. In 1950, his refusal to provide the United States Congress with a list of possible Communist associates earned him a three-month prison sentence. During his incarceration, Fast wrote one of his best-known novels, Spartacus (1951). Throughout his long career, Fast matched his commitment to championing social justice in his writing with a deft, lively storytelling style. In The Naked God the well-known author tells of his disillusionment with Communism and his subsequent break with the Party. The book is Howard Fast's public repudiation of the Communist Party, of which he was a devoted member for thirteen years until reading about the full scope of atrocities committed by the Soviet Union under Stalin. As the bestselling author of Spartacus and Citizen Tom Paine, Howard Fast lent his writing talents and celebrity to the communist cause as a steadfast advocate and public figure. However, he felt increasingly ill at ease with the superior manner Party leaders took with rank-and-file members and with rumors of Soviet anti-Semitism. In The Naked God, his first book after officially leaving the Party in 1956, Howard Fast explores the reasons he joined and his long inner struggle with a political movement in which he never felt he truly belonged.