In the vein of Naomi Novik's New York Times bestseller Spinning Silver and Katherine Arden's national bestseller The Bear and the Nightingale, this unforgettable debut-- inspired by Hungarian history and Jewish mythology--follows a young pagan woman with hidden powers and a one-eyed captain of the Woodsmen as they form an unlikely alliance to thwart a tyrant. In her forest-veiled pagan village, Évike is the only woman without power, making her an outcast clearly abandoned by the gods. The villagers blame her corrupted bloodline--her father was a Yehuli man, one of the much-loathed servants of the fanatical king. When soldiers arrive from the Holy Order of Woodsmen to claim a pagan girl for the king's blood sacrifice, Évike is betrayed by her fellow villagers and surrendered. But when monsters attack the Woodsmen and their captive en route, slaughtering everyone but Évike and the cold, one-eyed captain, they have no choice but to rely on each other. Except he's no ordinary Woodsman--he's the disgraced prince, Gáspár Bárány, whose father needs pagan magic to consolidate his power. Gáspár fears that his cruelly zealous brother plans to seize the throne and instigate a violent reign that would damn the pagans and the Yehuli alike. As the son of a reviled foreign queen, Gáspár understands what it's like to be an outcast, and he and Évike make a tenuous pact to stop his brother. As their mission takes them from the bitter northern tundra to the smog-choked capital, their mutual loathing slowly turns to affection, bound by a shared history of alienation and oppression. However, trust can easily turn to betrayal, and as Évike reconnects with her estranged father and discovers her own hidden magic, she and Gáspár need to decide whose side they're on, and what they're willing to give up for a nation that never cared for them at all.

A Holocaust survivor shares Hanukkah with a loving family that gives him the courage to remember. Full color.

Alfred Kazin burst onto the American literary scene in 1942, when his first book, "On Native Grounds," announced the arrival of an important new literary critic. "A Walker in the City," his second, signaled the other direction his career would follow: author of several intense, intimate, and lyrical memoirs. Years later he would admit how he struggled writing it. He thought he wanted to concentrate on New York itself, describing a series of walks around the city. But what emerged was the story of his own boyhood encounters with it, starting from Brownsville, the Brooklyn Jewish neighborhood of his birth, then stretching out to alluring, mysterious Manhattan and from there to the world. Each walk is simultaneously a journey out and a journey in: outward, from the neighborhood to the land beyond, the great, electric, canyoned streets of the city; inward, into his own soul, as it grows and falls in love with books and language and literature, with music and metaphysics and politics, with the city and the country and the world and rapturously tries to take them all in.

"The novel is more than an important literary work and cultural document. It forms part of the traditional ritual of renewal of the American Way." -Sam B. Girgus "It is one of the best fictional studies of Jewish character available in English, and at the same time an intimate and sophisticated account of American business culture." --Isaac Rosenfeld The Rise of David Levinsky, written by the celebrated founder and editor of the Jewish Daily Forward, is an early Jewish-American treasure. According to the scholar Sam B. Girgus, "The novel is more than an important literary work and cultural document. It forms part of the traditional ritual of renewal of the American Way." Originally published in 1917, Abraham Cahan's realistic novel tells the story of a young Talmudic scholar who migrated from a small town in Russia to the melting pot of turn-of-the-century New York City. As the Jewish "greenhorn" rises from the depths of poverty to become a millionaire garment merchant, he discovers the awful price of assimilation.

'A strange and compelling new book from one of America's greatest living authors' Times Literary Supplement 'As cunning and rich as anything Ozick's written' Wall Street Journal 'One of our era's central writers. About a man ensnared by history, Antiquities is at once a warning against the hazards of nostalgia and an invitation to take a longer view of how we got to where we are' The New Yorker 'Ozick's prose urges the breathless reader along, her love of language rolling excitedly through her sentences like an ocean wave' New York Review of Books I remember nothing. I remember everything. I believe everything. I believe nothing. In 1949, Lloyd Wilkinson Petrie returns as a Trustee to the long-defunct boarding school that he attended as a child. There he is preparing a memoir about the subtle anti-Semitism that pervaded the school, about his fascination with the Egyptian archaeological adventures of his distant cousin, about the passions of a boyhood friendship with named Ben-Zion Elefantin, a mystifying older pupil. In this novella, and the three stories published alongside it, one of our most preeminent writers weaves together myth and mania, history and illusion to capture the shifting meanings of the past.

A traveler on the road to Jerusalem during the First Crusade of 1096, moving across a landscape of grotesque horror and extravagant beauty, meets God and Satan in all their forms

This first fully documented biography of Simon Wiesenthal, the legendary Nazi hunter, is also a brilliant character study of a man whose life was part invention but wholly dedicated to ensuring both that the Nazis be held responsible for their crimes and that the destruction of European Jewry never be forgotten. Like most Jews in Eastern Europe on the eve of Hitler's invasion of Poland, twenty-four-year-old Simon Wiesenthal did not grasp the nature of the Nazi threat. But six years later, when a skeletal Wiesenthal was liberated from the concentration camp at Mauthausen, he fully fathomed the crimes of the Nazis. Within days he had assembled a list of nearly 150 Nazi war criminals, the first of dozens of such lists he would make over a lifetime as a Nazi hunter. A hero in the eyes of many, Wiesenthal was also attacked for his unrelenting pursuit of the past, when others preferred to forget. For this new biography, rich in newsworthy revelations, historian and journalist Tom Segev has obtained access to Wiesenthal's private papers and to sixteen archives, including records of the U.S., Israeli, Polish, and East German secret services. Segev is able to reveal the intriguing secrets of Wiesenthal's life, including his stunning role in the capture of Adolf Eichmann, his relationship with Israel's Mossad, his controversial investigative techniques, his unlikely friendships with Kurt Waldheim and Albert Speer, and the nature of his rivalry with Elie Wiesel. Segev's challenge in writing this biography was Wiesenthal's own complicated relationship to truth. Wiesenthal told many versions of his life, his suffering in the camps, and his involvement with the arrest of individual Nazis. Segev shows that in order to gain the information he sought and twist the arms of reluctant government figures, Wiesenthal needed to seem more influential than he really was. For two generations of Americans, Simon Wiesenthal was a Jewish superhero--depicted on film by Ben Kingsley and Laurence Olivier--and the muse for a Frederick Forsyth thriller. Now Segev demonstrates that the truth of Wiesenthal's existence is as compelling as the fiction. "Simon Wiesenthal" is an unforgettable life of one of the great men of the twentieth century.

Noted folklorist Howard Schwartz retells 12 Jewish tales from around the world. Each tale combines elements of magic with a link to a Jewish holiday, giving new perspectives on Rosh Hashanah, Yom Kippur, Hanukkah, Purim, and Passover--plus Shabbat, the weekly Sabbath. These memorable stories of holiday miracles and miraculous escapes have been passed down orally for thousands of years. Now the best of them--from "A Flock of Angels" to "The Enchanted Menorah" and "The Magic Winecup"--have been collected, and enriched by Monique Passicot's luminous illustrations.

'A . . . tender love story . . . This book is alive. It pulses with warmth and intelligence' The Times A wickedly observed novel about falling in love at the end of your life, by the Man Booker Prize-winning author of The Finkler Question. At the age of ninety-something, Beryl Dusinbery is forgetting everything - including her own children. She spends her days stitching morbid samplers and tormenting her two carers with tangled tales of her husbands and affairs. Shimi Carmelli can do up his own buttons, walks without a frame and speaks without spitting. Among the widows of North London, he's whispered about as the last of the eligible bachelors. He forgets nothing -especially not the shame of a childhood incident that has long hung over him. There's very little left remaining for either of them. . . But perhaps just enough to heal some of the hurt inflicted along the way, and find new meaning in what's left. * SHORTLISTED FOR THE WINGATE LITERARY PRIZE 2020*

A New York Times “Books for Summer Reading” selection Winner of the 2003 National Jewish Book Award for History By the time he died in 1993 at the age of 73, Irving Howe was one of the twentieth century’s most important public thinkers. Deeply passionate, committed to social reform and secular Jewishness, ardently devoted to fiction and poetry, in love with baseball, music, and ballet, Howe wrote with such eloquence and lived with such conviction that his extraordinary work is now part of the canon of American social thought. In the first comprehensive biography of Howe’s life, historian Gerald Sorin brings us close to this man who rose from Jewish immigrant poverty in the 1930s to become one of the most provocative intellectuals of our time. Known most widely for his award-winning book World of Our Fathers, a rich portrayal of the East European Jewish experience in New York, Howe also won acclaim for his prodigious output of illuminating essays on American culture and as an indefatigable promoter of democratic socialism as can be seen in the pages of Dissent, the journal he edited for nearly forty years. Deeply devoted to the ideal of democratic radicalism and true equality, Howe was constantly engaged in a struggle for decency and basic fairness in the face of social injustice. In the century of Auschwitz, the Gulag, and global inter-ethnic mass murder, it was difficult to sustain political certainties and take pride in one's humanity. To have lived a life of conviction and engagement in that era was a notable achievement. Irving Howe lived such a life and Gerald Sorin has done a masterful job of guiding us through it in all its passion and complexity.

""A uniquely nuanced and engaging perspective on the oddness of Hollywood...Superhero goes inside baseball in all the best ways: unbiased, at times ridiculous, and wonderfully, uncomfortably accurate. It begs to be read because it is so damned good." -Amanda Seyfried A-list actor Peter Compton and producing partner Marci Levy exist in the rarefied air of Hollywood's elite. Their status as a married power couple is unmatched, their presence in any room transformative and god-like. But as their private jet lands in Atlanta to begin production on a tentpole superhero movie, even their privileged position will come under threat by the massive pressures of such an undertaking. Compton, a self-educated recovering addict, sees the role of Sparta comics superhero Major Machina as the opportunity to transcend his already stratospheric platform. As director Joel Slavkin, Oscar-winning DP Javier Benavidez, and a crew of hundreds arrive in Atlanta to begin shooting, it doesn't take long for the production to be embroiled in the tension and egos that drive the film. But when video of Peter's disastrous on-set behavior goes viral, Peter and Marci's partnership will be challenged as it never has before. As the stakes grow ever higher, it may just take a superhero to save them. With his signature wit and razor sharp dialog, Tim Blake Nelson invites the reader to walk alongside him as he enters the closely-guarded world of industrial strength cinema"--

In August 1948, 545 passengers boarded an overcrowded, clapped-out vessel in Marseilles to face an uncertain future in Australia and New Zealand. they came from displaced persons camps in Germany, death camps in Poland, labour camps in Hungary, gulags in Siberia and stony Aegean islands. there were those who had been hunted by the Nazis and those who had welcomed them; those who had followed the Communists and those who had fled from them. the epic voyage lasted almost three months and was marked by conflict and controversy until it seemed as though this hellship had absorbed the traumas of its passengers. As the conditions on board deteriorated, tension and violence simmered above and below decks. But romances and seductions also flourished, and lifelong bonds were formed. Diane Armstrong set sail on the Derna with her parents when she was nine years old. Like a detective searching for clues, she has located over a hundred of the passengers. through their recollections and memorabilia, as well as archival documents, she has recreated the voyage and traced what became of their hopes and dreams. the result is the unique portrayal of a migrant ship and its passengers.

Continuing the adventures of the lovable "fools" of Helm begun in "The Wise Men of Helm", this book is illustrated with whimsical drawings. These humorous stories are just right for children.

The year is 2015, and 21-year-olds Yoav and Uri have just completed their compulsory military service in the Israel Defense Forces. In keeping with national tradition, they take a year off for rest, recovery, and travel. They come to New York City and begin working for Yoav's distant cousin, David King-a proud American patriot, Republican, and Jew, and the recently divorced proprietor of King's Moving Inc., a heavyweight in the Tri-State area's moving and storage industries. What starts off as a profitable if eerily familiar job-an "Occupation"-quickly turns violent, when they encounter one homeowner seeking revenge

'Feinstein's triumph is to write so well that she makes Lena's predicament not only moving, in a perfunctory dismissive way, but also painful ... [she has] an accurate and acute feeling for language, and pauses, and silence.' Guardian Lena's seemingly contented family life is coming apart at the seams. Her husband Ben has been having an affair with the au pair, and as their relationship slides he retreats more and more into his work in a science lab. Sons Alan and Michael may appear happy enough, but this is far from the case - both are responding to a physical world which they alone inhabit. And Lena - desperately lost and seeking an identity of her own, both inside and outside of her family unit - increasingly finds solace at the bottom of a bottle. An exploration of just how lonely - and how magic - a marriage can be, The Circle is a poignant, poetic and incredibly assured debut novel.

A new collection of stories by Scotiabank Giller Prize finalist Gary Barwin that puts the fab in fabulist. Scandal at the Alphorn Factory: New and Selected Short Fiction, 1984-2024 couples brand new and uncollected stories with selections of the most playful and ambitious of Barwin's previous collections, including Cruelty to Fabulous Animals , Big Red Baby , Doctor Weep and Other Strange Teeth , and I, Dr. Greenblatt, Orthodontist, 251-1457 . Barwin's prose kicks against short fiction's more traditional forms: these are pieces that flirt with poetry and playwriting. Whole stories--and worlds--are packed into single compact paragraphs. There are narrators and fleas and lists and imperatives and Hitler's moustache and radiant happiness. Known as a "whiz-bang storyteller" who can deliver magical, dream-like sequences and truisms about the human condition in the same paragraph, Barwin's trademark brilliance, wit, and originality are on display in this can't-miss collection of short fiction.

Myron Brinig's debut novel, Singermann, originally published in 1929, tells the story of a Jewish family, the Singermanns who immigrate to the mining city of (Silver Bow) Butte, Montana during the early heydays of the west. Follow Moses, his wife Rebecca, and their six children as they navigate the complexities of their rapidly changing world. From the eldest son's unexpected journey into Christian Science to the youngest's fascination with writing, each member of the Singermann clan embarks on a unique path that challenges the family's tightly held beliefs. Themes of the immigrant experience, religion, labor unrest, childhood, and homosexuality, are all told in an honest and captivating voice (the book is largely based on the author's own life). Singermann is groundbreaking and compelling and worthy of being available again!

From February 1942 to July 1944, Oskar Rosenfeld served in the statistics department of the Lodz ghetto. A playwright and journalist, he kept his own notes on life and conditions in the ghetto for a fictionalized account he hoped to write one day. Though Rosenfeld eventually perished at Auschwitz, In the Beginning Was the Ghetto projects his voice at last to the wider world.

Carole Balin introduces us to dozens of Jewish women writers from late nineteenth- and early twentieth- century Tsarist Russia, focusing on five who were among the most prolific. Their extant literary remains include not only fiction, poetry, drama, translations, and essays, but also memoirs, autobiographies, diaries, and letters. Balin contextualizes the works of each within the culture in which she lived and wrote. Miriam Markel-Mosessohn (1839-1920) toiled to advance the goals of the Russian Haskalah (Enlightenment), translated German works into Hebrew, tried her hand at poetry, and became a foreign correspondent for a Hebrew newspaper at the age of 48. Hava Shapiro (1879-1943) published short stories and newspaper articles in Hebrew, earned a doctorate at the University of Berne, and was an active participant in the writing circle convened at the Warsaw home of Y. L. Peretz. Rashel Mironovna Khin (1861-1928) wrote numerous short stories and plays in Russian, two of which were staged at Moscow's Malyi Theater. Feiga Israilevna Kogan (1891-1974) composed books of Symbolist poetry in Russian while harboring a love of Hebrew, which she nurtured at the Society for Lovers of the Hebrew Language. Sofia Dubnova-Erlikh (1885-1986) was the daughter of historian Simon Dubnov, the wife of socialist Genrikh Erlikh, and an accomplished poet, essayist, biographer, and political activist in her own right. The life-like and touching portraits that emerge of these talented writers allow us a penetrating view of Jewish women within their Russian-Jewish milieu that is far more nuanced than the images of housewife and revolutionary currently held in collective Jewish memory. The lives and works of these women help to tell a larger story of Jewish cultural history in the Russian Empire.

This is the first in a series of books compiling my short stories I've written over the past twelve or more years. I am a book ghost writer and editor of long standing, and these stories reflect a variety of different genres, including fiction and nonfiction, where I wrote either for practice or in order to improve my writing. Original, suspenseful tales; gripping, humorous, including horror, science fiction, narrative nonfiction, and a host of other topics as perceptively descriptive stories, which should help you perceive the Universe in a whole new intrinsically original and realistic light.