The book "Public Opinion" is a critical assessment of functional democratic government, especially of the irrational and often self-serving social perceptions that influence individual behavior and prevent optimal societal cohesion. The detailed descriptions of the cognitive limitations people face in comprehending their socio-political and cultural environments leading them to apply an evolving catalogue of general stereotypes to a complex reality, rendered Public Opinion a seminal text in the fields of media studies, political science, and social psychology.

Selected and annotated by Gertrude Himmelfarb, a distinguished historian of Victorian thought, the writings in this volume address a wide range of subjects, including religion, politics, history, science, art, socialism, and feminism, by eminent figures of the Victorian era.

"If there is one genre that has captured the imagination of people in all walks of life throughout the world, it is the fairy tale. Yet we still have great difficulty understanding how it originated, evolved, and spread--or why so many people cannot resist its appeal, no matter how it changes or what form it takes. In this book, renowned fairy-tale expert Jack Zipes presents a provocative new theory about why fairy tales were created and retold--and why they became such an indelible and infinitely adaptable part of cultures around the world. Drawing on cognitive science, evolutionary theory, anthropology, psychology, literary theory, and other fields, Zipes presents a nuanced argument about how fairy tales originated in ancient oral cultures, how they evolved through the rise of literary culture and print, and how, in our own time, they continue to change through their adaptation in an ever-growing variety of media. In making his case, Zipes considers a wide range of fascinating examples, including fairy tales told, collected, and written by women in the nineteenth century; Catherine Breillat's film adaptation of Perrault's "Bluebeard"; and contemporary fairy-tale drawings, paintings, sculptures, and photographs that critique canonical print versions. While we may never be able to fully explain fairy tales, The Irresistible Fairy Tale provides a powerful theory of how and why they evolved--and why we still use them to make meaning of our lives."--Jacket.

"It is a collection of essays that takes up, in a mostly affirmative way, various challenges to the coherence of the "human body" as a figure through which culture is processed and oriented." Partial contents : The end of the world of White Men ; Class and its close relations : identities among women, servants, and machines ; Soft fictions and intimate documents : can feminism be posthuman? ; Reproducing the posthuman body : ectogenetic fetus, surrogate mother, pregnant man ; The seductive power of science in the making of deviant subjectivity ; Phantom and reel projections lesbians and the (serial) killing-machine ; "Death of the family."

In 1959, at the age of 22, Joanna Russ published her first science fiction story, “Nor Custom Stale,” in The Magazine of Science Fiction and Fantasy. In the forty-five years since, Russ has continued to write some of the most popular, creative, and important novels and stories in science fiction. She was a central figure, along with contemporaries Ursula K. Le Guin and James Tiptree, in revolutionizing science fiction in the 1960s and 1970s, and her 1970 novel The Female Man is widely regarded as one of the most successful and influential depictions of a feminist utopia in the entire genre. The Country You Have Never Seen gathers Joanna Russ’s most important essays and reviews, revealing the vital part she played over the years in the never-ending conversation among writers and fans about the roles, boundaries, and potential of science fiction. Spanning her entire career, the collection shines a light on Russ’s role in the development of new wave science fiction and feminist science fiction, while at the same time providing fascinating insight into her own development as a writer.