A grand scale space opera about family, sacrifice, and survival told within an immense universe, both in scope and originality. A must-read cult spin-off of "The Incal," by Moebius and Jodorowsky, centering around the fascinating lineage of the ultimate warrior. This collection introduces the Metabaron’s bloodline and reveals the origins of their deep-seated principles. Find out the source of the family’s vast wealth, learn why every Metabaron has cybernetic implants, and why the only way to become the next Metabaron is for him to defeat his own father in a mortal combat. Follow each successive generation as it struggles to overcome the forces amassed against it in a galaxy corrupted by greed, power, and terror. A true classic in the pantheon of graphic storytelling and Science Fiction as a whole.

"The adventures of a young John Difool before he became the most famous Sci-Fi anti-hero. We are instantly plunged back into the unique atmosphere of the world of "The Incal," as we witness John Difool's search for his identity and his origins, his first meeting with Deepo, and the appearance of many of the series' key characters, such as the Metabaron or Diavaloo"--

Alexandro Jodorowsky steps up to the challenge of the short graphic novel story format by collaborating with an international panoply of artists. A collection of Sci-Fi short stories all written by Alexandro Jodorowsky ("The Incal", "The Metabarons") and illustrated by talent from various countries and different graphic traditions. The thematic thread of these tales: an asteroid spawned from the destruction of a planet produces sounds (a "howling shriek") which, when crossing an inhabited world, creates a change or imbalance within it…

The 27th century: beleaguered elites decide to melt the Greenland icecap. Why? - to open up a new continent, for colonisation by the unruly masses. How? - by harvesting the primordial heat of the Earth from Iceland's volcanoes. Nature fights back, and it all goes horribly wrong... In the early 1920s confirmed city-dweller Alfred Doblin - he was 15 before he saw his first cherry tree - became puzzled by a nagging sense of Nature: "I experienced Nature as a secret. Physics as the surface, begging for explanations. Textbooks... knew nothing of the secret. Every day I experienced Nature as the World Being, meaning: weight, colour, light, dark, its countless materials, as a cornucopia of processes that quietly mingle and criss-cross." Readers accustomed to following a story via Plot and Character may at first be disoriented by this epic of the future. Its structure is more symphonic than novelistic, driven by themes and motifs that emerge, fade back, emerge again in new orchestral voicings and new tempi. The prose - supple, rhythmic, harsh, elegiac, tender, unsparing - propels the reader on through scene after vivid scene. Mountains Oceans Giants is a literary counterpart to the painted dreams and nightmares of Hieronymus Bosch, in The Garden of Earthly Delights and The Last Judgement. Alfred Doblin, born in Szczecin in 1878, initially worked as a medical assistant and opened his own practice in Berlin in 1911. Doblin's first novel appeared in 1915/16. His greatest success was the novel Berlin Alexanderplatz published in 1929. In 1933 Doblin emigrated to France and finally to the USA. After the end of the 2nd World War he moved back to Germany, but then moved in 1953 with his family to Paris. He died on June 26, 1957. Berlin Alexanderplatz (translated by Michael Hofman) is published by Penguin in the UK and New York Review Books in the USA.

And the Rat Laughed is a unique book. Unlike other Holocaust-related books that focus on the historical horrific events, this novel deals with the act of remembering them. It resembles a relay race in which the characters transfer memory from one another, while travelling on the axis of time. The book begins in the last day of 1999, when a survivor Grandmother in Tel Aviv shares her tragic life story as a hidden child in a pit, with only a rat for company with her granddaughter. The day after – 2000 already – the granddaughter tells the legend of "Girl and Rat" to her teacher and in 2009 those who heard it through her classmates establish an internet website with poems. From now on this memory is spread all over the world and becomes a myth. In 2099 a future anthropologist discovers it and tries to uncover its mysterious roots. In her research, she reveals the first man who created this myth in the past. Father Stanislaw, a Catholic priest, saved that little Jewish girl (who later became the Grandmother in Tel Aviv) and returned her after the war to her Jewish people. In his personal journal he documented everything, to make sure the world will never forget. The chain of remembearers, therefore, moves from the present to the future and back to the past. The novel is written in 5 genres: story, legend, poems, science fiction and diary, creating a cycle of 150 years. And the Rat Laughed got acclaim for its use of unconventional and original literary devices and became a ground breaker for exploring the act of memory itself. How do we tell our painful story? Does it change while we recall it? How will our next recipient recall it in his own individual way? Is Art the only corridor to transfer emotional memory?