In this collection, one of the great classics of science fiction, Asimov set out the principles of robot behavior that we know as the Three Laws of Robotics. Here are stories of robots gone mad, mind-reading robots, robots with a sense of humor, robot politicians, and robots who secretly run the world, all told with Asimov's trademark dramatic blend of science fact and science fiction.

This collection of new translations brings together the small proportion of Kafka's works that he himself thought worthy of publication. It includes Metamorphosis, his most famous work, an exploration of horrific transformation and alienation; Meditation, a collection of his earlier studies; The Judgement, written in a single night of frenzied creativity; The Stoker, th[Bokinfo]

For more than four hundred years, the personal essay has been one of the richest and most vibrant of all literary forms. Distinguished from the detached formal essay by its friendly, conversational tone, its loose structure, and its drive toward candor and self-disclosure, the personal essay seizes on the minutiae of daily life-vanities, fashions, foibles, oddballs, seasonal rituals, love and disappointment, the pleasures of solitude, reading, taking a walk -- to offer insight into the human condition and the great social and political issues of the day. The Art of the Personal Essay is the first anthology to celebrate this fertile genre. By presenting more than seventy-five personal essays, including influential forerunners from ancient Greece, Rome, and the Far East, masterpieces from the dawn of the personal essay in the sixteenth century, and a wealth of the finest personal essays from the last four centuries, editor Phillip Lopate, himself an acclaimed essayist, displays the tradition of the personal essay in all its historical grandeur, depth, and diversity.

A collection of 36 of Asimov's most important robot short stories and essays, from Robbie, his first robot story, and the tales of Susan Calvin and the detective team of Lije Bailey and R. Daneel Olivaw, to the title story, written specifically for this volume.

In the Penal Colony ( In der Strafkolonie ) by Franz Kafka is presented here in a precise and faithful English translation. Written in 1914 and published in 1919, this stark and unforgettable story explores justice, obedience, and the cruelty of systems. It follows a visiting traveler to a remote island prison where executions are performed by a mechanical apparatus that inscribes the condemned man's sentence into his flesh. What unfolds is a confrontation between blind devotion to law and the dawning recognition of its absurdity. Kafka's calm, exact prose captures the horror of order turned against itself. Within this brief and haunting tale lies a vision of modern authority stripped of meaning. The officer's faith in the execution machine represents humanity's attachment to rules long after their purpose has decayed. Kafka portrays a civilization that worships efficiency over empathy and obedience over reason. The story's quiet tone and mechanical precision intensify its unease, leaving the reader to confront the terrifying logic of systems that operate without conscience. In the Penal Colony remains one of Kafka's most incisive works, combining psychological insight with moral clarity. It speaks to anyone who has questioned the power of institutions and the price of submission to them. This unabridged edition presents the complete text in a faithful, accessible translation that preserves Kafka's measured rhythm and disturbing lucidity. A cornerstone of twentieth-century literature and an essential read for those drawn to existential, philosophical, and allegorical fiction.

The second collection of short stories from the highly acclaimed author of THE AMAZING ADVENTURES OF KAVALIER & CLAY and WONDER BOYS. There are the two boys of the title story, locked in their own world of fantasy and make-believe, reaching out to each other to survive the terrible prospect of fatherlessness. 'House Hunting' shows us the grim spectacle of a couple whose marriage is in its death throes, and whose search for a happy home is doomed; in another story a couple struggle to overcome the effects of a brutal rape. Elsewhere, a family therapist comes face to face with the dark secret of his childhood, and an American football star down on his luck makes his peace with his father. The collection culminates in a daring and wonderfully baroque horror story, 'In the Black Mill', which chronicles the terrifying fate that befalls an archaeologist as he uncovers cannibalism and ritual sacrifice in a gloomy Pennsylvanian town. Serious in their subject matter, yet shot through with wit, humour and compassion, these nine short stories are testament to Chabon's ability to weave together comedy and tragedy with unforgettable results.

A stellar group of contemporary fiction masters offer their original takes on the tried-and-true genres of adventure, science fiction, crime story, romance, horror and more. Contributors include Michael Chabon, Roddy Doyle, Heidi Julavitz, Stephen King, Joyce Carol Oates, Amy Tan, Peter Straub, and Jonathan Safran Foer.

Over 400,000 words. More than 1,000 pages, including nine novellas, unpublished teleplays, rare, never before collected short stories, and a small volume's worth of introductions and commentary. Each of the more than 30 stories will feature a full-page black and white illustration commissioned especially for this volume by Tim Truman, Mark A. Nelson, Janet Aulisio, Ron Brown and other fine artists. Lettered: 52 signed leatherbound copies, housed in a handcrafted traycase, with original art not in the Limited or Trade editions This is copy ZZ.

From one of the preeminent literary voices in Israel comes a darkly funny collection of surrealist stories exploring the increasingly complex relationship between humans and technology. Set in our world, alternate realities, distant futures, and the immortal realm, the stories in Autocorrect traverse the wide range of human experience. With wit and creativity, Keret blends the absurd and the profound, juxtaposing life's smallest details with weighty existential questions. A man names an asteroid after his wife only to find that it's on a collision course with Earth in "For the Woman Who Has Everything." In "Squirrels," a widower's husband reincarnates as a rodent, and "Eating Olives at the End of the World" considers proper social etiquette in the face of destruction. Keret's collection speaks to the uncertainty and fragility of our time, expertly capturing its misunderstandings and miscommunications. His stories probe society's uncomfortable truths, searching for meaning in our ever-changing world.

This collection of horror stories features bizarre worlds, forces that can bring back the dead, eerie creatures, and more.

NEW YORK TIMES BESTSELLER • A fascinating portrait of journalism and the people who make it, told through pieces collected from the incomparable six-decade career of bestselling author and longtime New Yorker writer Calvin Trillin “ The Lede contains profiles . . . that are acknowledged classics of the form and will be studied until A.I. makes hash out of all of us.”—Dwight Garner, The New York Times LONGLISTED FOR THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD I’ve been writing about the press almost as long as I’ve been in the game. At some point, it occurred to me that disparate pieces from various places in various styles amounted to a picture from multiple angles of what the press has been like over the years since I became a practitioner and an observer. Calvin Trillin has reported serious pieces across America for The New Yorker, covered the civil rights movement in the South for Time, and written comic verse for The Nation . But one of his favorite subjects over the years—a superb fit for his unique combination of reportage and humor—has been his own professional environment: the American press. In The Lede, Trillin gathers his incisive, often hilarious writing on reporting, reporters, and the media world that is their orbit. He writes about a legendary crime reporter in Miami, a swashbuckling New York Times reporter, and an erudite film critic in Dallas who once a week transformed himself from an appreciator of the French nouvelle vague into a crude connoisseur of movies like Mother Riley Meets the Vampire . There are pieces on the House of Lords aspirations of a North American press baron, the paucity of gossip columns in Russia, the embroilment of a weekly newspaper in a missing person case, and the founding of a publication called Beautiful Spot: A Magazine of Parking . Uniting all of this is Trillin’s signature combination of empathy, humor, and graceful prose. The Lede is an unparalleled portrait of one of our fundamental American institutions from a master journalist.

"Since Dracula first appeared, vampires have become the ghoul of choice for many horror fans. Today, vampires can be anyone, [and] in this collection of [13] chilling, funny, and sensitive stories the undead include even the girl next door. Any reader with the slightest thirst for blood won't go away hungry." —BL. 1992 Best Books for Young Adults (ALA) 1992 Books for the Teen Age (NY Public Library)

A powerful meditation on political resistance and the global search for justice From the ‘War on Terror’ to resistance in Ramallah and traumatic dislocation in the Middle East, Berger explores the uses of art as an instrument of political resistance. Visceral and passionate, Hold Everything Dear is a profound meditation on the far extremes of human behaviour, and the underlying despair. Looking at Afghanistan, Palestine and Iraq, he makes an impassioned attack on the poverty and loss of freedom at the heart of such unnecessary suffering. These essays offer reflections on the political at the core of artistic expression and at the center of human existence itself.

"A stunning, unclassifiable work by one of the 20th century's greatest thinkers and writers, this book is an inspiring amalgam of letters, poetry, and profound musings on everything from Caravaggio to the nature of time itself. 'Those who read or listen to our stories see everything as though through a lens. This lens is the secret of narration, and it is ground anew in every story, ground between the temporal and the timeless ...In our brief mortal lives, we are grinders of these lenses'. When John Berger wrote this apparently unclassifiable book, it was to become a sensation, translated into nine languages and indelible from the minds of those who read it. This stunning work is a shoebox filled with delicate love letters containing poetry and thoughts on mortality, art, love, and absence, capturing moments in time that hover above Berger's surprising landscapes. From his lyrical description of the works of Caravaggio and profound explorations of death and immigration to the sight of some lilac at dusk in the mountains, this is a beautiful and most intimate response to the world around us"-- Provided by publisher.

The eighth in a series of superb science fiction. The Alpha series of anthologies center on no particular theme except that of literary quality and importance to the science fiction genre. Here is another set of the best stories, stories which were ahead of their epoch when they were new, which display a freshness and vigor that make them almost indistinguishable from the best of today's s-f, and which set the standard by which modern writers have guided their careers. A DUSK OF IDOLS: Not only are the gods cruel, but they can make you like it. THE HUMAN OPERATORS: The great ships possess unlimited cruising range--and unbounded ferocity. WARM: It's just a simple guessing game: to be? or not to be? KLYSTERMAN'S SILENT VIOLIN: Powerful weapons are a fine thing--but you wouldn't want your lover to marry one. THE NEW REALITY: It's amazing how much destruction you can wreak with a few simple tools--if you put your mind to it. These and six other tales of the highest quality--the most amazing conviction

The seventh in a series of superb science fiction. The Alpha series of anthologies center on no particular theme except that of literary quality and importance to the science fiction genre. Since its inception in 1970, the Alpha series has been dedicated to the proposition that science fiction can be a literature not only of stimulating and unfamiliar ideas but also of skilful and vigorous writing. Thus far Alpha has offered sixty-odd stories that exemplify the best of science fiction: challenging, provocative views of the universe, presented in crisp, sparkling prose. The volumes in the series offer some of the liveliest work produced in the short-story form anywhere in the world, and not just of the science-fiction category. Alpha serves a secondary purpose: to rescue from oblivion stories that might otherwise be undeservedly forgotten. Herewith, the seventh feast of outstanding fiction.

The second in a series of superb science fiction. The Alpha series of anthologies center on no particular theme except that of literary quality. Two criteria were used in the selecting of these stories—literary merit and importance to the genre. The result is that the variety of subjects is matched only by the richness and diversity of their handling—brilliant, frightening, clever, bizarre, powerful, witty, funny—and several steps in-between. Whatever else these stories may be doing, they all explore the interplay between human beings and the technological society man has created for himself. Good science fiction simultaneously peers into remote realms of space and time and holds a mirror to the contemporary moment; and if the reflection in that mirror is somewhat distorted, so be it. Blame not the messenger for bearing bad tidings. Herewith ten stories which demonstrate the unsettling kinds of insights that science fiction alone can offer. More are on the way. The nine volumes of this series provide an exciting cumulative view of a field in which some of the most vigorous and inventive fiction of our times has been produced. Simply put, here is the best science fiction from the best science fiction writers.

The first in a series of superb science fiction. Alpha is, aside from the first letter of the Greek alphabet, a term that denotes excellence and primacy in a variety of disciplines: in nuclear physics, for example, it is the name of a particle of unusually large mass and charge. It seemed a useful label to attach to this volume, the first of an intended series of collections of science fiction stories. The Alpha series of anthologies will center on no particular theme except that of literary quality. The presence in any one volume of a cluster of stories bearing other thematic resemblance-as in this volume, where there are four or five time-travel stories-will be purely coincidental. I propose to cull the files of the science fiction magazines for stories that an educated and sophisticated reader will find stimulating, and to assemble them in books of roughly equal size that will appear once a year over the next few years. Some of the stories will be fifteen or twenty years old and richly in need of restoration to print. Others will be quite recent: the literary level of the science fiction short story has undergone an extraordinary transformation in the past few years, a fact that demands recognition here. Appropriately enough, this first volume of the ALPHA series covers a roster of writers from A to Z. Specifically, Aldiss to Zelazny-although this coincidence in alphabet is merely incidental to the fact that both these gentlemen, and the several others represented in this anthology, all write superb science fiction. Two criteria were used in the selecting of these stories-literary merit and importance to the genre. The result is that the variety of subjects is matched only by the richness and diversity of their handling-brilliant, frightening, clever, bizarre, powerful, witty, funny-and several steps in-between. So much for policy. The nine volumes of this series provide an exciting cumulative view of a field in which some of the most vigorous and inventive fiction of our times has been produced. Simply put, here is the best science fiction from the best science fiction writers.