New one-volume autobiography spans Asimov's life for the first time!As one of the most gifted and prolific writers of the twentieth century, Isaac Asimov became legendary for his inexhaustible creativity, wide-ranging intellectual curiosity, and talent for explaining complex subjects in clear, concise prose. While regaling his readers with an incredible opus of almost five hundred entertaining and illuminating science fiction and nonfiction books, he also found time to write a three-volume autobiography. Now these volumes have been condensed into one by Asimov's wife, Janet, who also shares excerpts from letters he wrote to her. Together these writings provide an intimate portrait of a creative genius whose love of learning and playing with ideas is evident on every page. Reading this autobiography is like sitting down with Isaac Asimov and experiencing his witty, engaging, and brilliant personality firsthand. We are treated to many marvelous stories about his upbringing in Depression-era Brooklyn, his early fascination with the new science fiction pulp magazines, the thrill of his first published story, the creation of his well-known story "Nightfall," the genesis of the Foundation series, and the evolution of his creative life as a writer. He also reveals his inner thoughts about and experiences with various luminaries in science and science fiction. Above all, Asimov's autobiography conveys unbounded enthusiasm for his craft, the infectious joy of learning and creating, complete intellectual honesty, his strong humanist convictions, and his infinite fund of good humor and optimism even at the end of his life - all told in the lively clear writing style that was his trademark. Although Janet Jeppson Asimov concludes this work with a shocking revelation about her husband's death, the volume is clearly intended as a celebration - as the title suggests - of a wonderful, creative life. As a poignant coda to this work, Janet has appended one short story that was Isaac's favorite, and his 400th essay on this thoughts about science.

Stripped naked and pursued across cactus-studded plains by a band of armed Blackfoot Indians, John Colter escaped certain death to become the one of the most durable characters in western American history. But Colter's harrowing tale was not beyond the ordinary when compared to the adventures of other American explorers. In The Devil May Care, popular historian and travel writer Tony Horwitz has culled through the American National Biography and selected fifty stirring biographies of adventurers who had no one's footsteps to follow in--and yet contributed enormously to our understanding of the world. Horwitz introduces us to fascinating individuals such as John Ledyard, the first American to see what would become the Pacific Northwest, and Elisha Kent Kane, America's first arctic hero, who stumbled upon an extremely strange remedy for scurvy while icebound off of Ellesmere Island. Having set off into the unknown many times himself as a foreign correspondent, Horwitz brings a subtle sense of humor and a reporter's eye for detail to a collection that offers a glimpse inside the lives of historic Americans who brazenly challenged danger as they pursued their wanderlust to extreme climates and forbidding environments. Beginning with a short essay, Horwitz seeks his own definition of exploration, drawing on some of his research into the voyages of Captain James Cook and considering its larger implications throughout history. Archival photographs as well as a lively and personal introduction to each story by Horwitz further enhance the appeal of a volume that winds its way through several centuries of American exploration, affirming that the best adventure stories are the true ones.

"Quiara Alegria Hudes was the sharp-eyed girl on the stairs while her family danced in her grandmother's tight South Philly kitchen, "frizzy hair cut short, bangs teased into stiff clouds, sweat glistening in the summer fog, pamper-butt babies weaving between legs." Quiara was awed by her aunts and uncles and cousins, but haunted by the secrets of the family and the unspoken stories of the barrio -- even as she tried to find her own voice in the sea of language around her, written and spoken, English and Spanish, bodies and books, Western art and sacred altars. Her family became her private pantheon, a gathering of powerful orishas with tragic wounds and she vowed to tell their stories--but first she'd have to get off the stairs and join the dance; she'd have to find her langauge. This is an inspired exploration of home, family, memory, and belonging, narrated by the obsessed girl who fought to become an artist so she could capture the world she loved in all its wild and delicate beauty"--

"Philip Roth (1933-2018) is one of the most celebrated American writers of his age. Born in Newark, New Jersey -- where his short stories and thirty-one books were often set -- he wrote with immense ambition and drive, along with a keen awareness of what must be done to produce great literature. Yet despite rubbing shoulders with the Kennedys and engaging in a spate of famous and infamous romances, he viewed himself as socially withdrawn, living much like an "unchaste monk" (his words). In this original and lucid biography, Steven J. Zipperstein captures Roth's complex life and the astonishing range of his self-reflective writings-from "Goodbye, Columbus" and "Portnoy's complaint" to the Pulitzer Prize-winning "American pastoral" and "The plot against America." Employing extensive archival research and well over one hundred interviews, including conversations with Roth himself, Zipperstein provides an intimate and probing look at one of the twentieth century's most influential authors, placing his work in the context of Jewishness, freedom, and sexuality in America"-- Provided by publisher.

Vladimir Jabotinsky (1880-1940) was a man of huge paradoxes and contradictions and has been the most misunderstood of all Zionist politicians--a first-rate novelist, a celebrated Russian journalist, and the founder of the branch of Zionism now headed by Benjamin Netanyahu. This biography, the first in English in nearly two decades, undertakes to answer central questions about Jabotinsky as a writer, a political thinker, and a leader. Hillel Halkin sets aside the stereotypes to which Jabotinsky has been reduced by his would-be followers and detractors alike. Halkin explains the importance of Odessa, Jabotinsky's native city, in molding his character and outlook; discusses his novels and short stories, showing the sometimes hidden connections between them and Jabotinsky's political thought, and studies a political career that ended in tragic failure. Halkin also addresses Jabotinsky's position, unique among the great figures of Zionist history, as both a territorial maximalist and a principled believer in democracy. The author inquires why Jabotinsky was often accused of fascist tendencies though he abhorred authoritarian and totalitarian politics, and investigates the many opposed aspects of his personality and conduct while asking whether or not they had an ultimate coherence. Few figures in twentieth-century Jewish life were quite so admired and loathed, and Halkin's splendid, subtle book explores him with empathy and lucidity

In 1906, Harriet Levy was talked into moving to Paris by her friend Alice B. Toklas and suddenly found herself immersed in a strange world peopled by artists who spoke a language she could not understand--a colorful world that she could only remotely observe in black and white. Paris Portraits is a short masterpiece. This sparkling manuscript, long hidden in the archives of the University of California's Bancroft Library, brings to life a vibrant and mythic time and place. Through Harriet's eyes, we circulate among the artists and patrons in the salons of Gertrude and Sarah Stein, overhear conversations between the up-and-coming Matisse and his students, and see Gertrude Stein's reaction when she learns of Picasso putting his hand on Toklas's knee. We're present when, while reading the poetry of Tagore, Harriet looks up and for the first time, sees--really sees and understands with the heart--what Matisse is doing.

Garry, it's Alan. Look, I'm calling because I just felt the need to tell someone that I'm forty-four years old, and about an hour ago, for the first time in my life, I put suntan lotion on my ass. I'll explain later. Bye. In Clothing Optional, Alan Zweibel offers a collection of laugh-out-loud personal narratives, essays, short fiction, dialogues, and even a few whimsical drawings. Zweibel first made a name for himself as one of the original writers for Saturday Night Live, but his career's humble beginnings included creating one-liners for Catskill comedians at seven dollars a pop. That experience is only one of the hysterically inspired anecdotes (Comic Dialogue) in this quirky compilation. Zweibel confesses his first love, as a young Hebrew school student, for Abraham's wife, Sarah (At this point, Sarah's husband had been dead for more than three thousand years-so, really, who would I be hurting?); recounts the time he was sent to a nudist resort to write an article (The fact that I brought luggage is, in itself, worthy of some discussion); offers a touching tribute to Saturday Night Live writer and mentor Herb Sargent (Herb was New York. But an older, more romantic New York that took place in black and white like the kind of TV I grew up on and wanted to be a part of someday); and imagines a scenario in which Sergeant Joe Friday, the stiff, monotoned character from Dragnet, is inexplicably partnered with Snoop Dogg (Damn, Friday. You gotta learn to chill. Take some free time and kick it with your boys) Every piece is punctuated with the same wit and insight that have come to define Zweibel's humor. Unhinged and hilarious, Clothing Optional is an unguidedtour through the uniquely peculiar life and mind of a man who The New York Times said has earned a place in the pantheon of American pop culture.

"In The Damned Don't Cry -- They Just Disappear, literary historian and Lamba Award--winning novelist Harlan Greene has created a portrait of a nearly forgotten Southern writer, unearthing information from archives, rare books, film libraries, and small-town newspapers. Greene brings Harry Hervey (1900-1951) to life and explicates his works to reveal him as a hardworking writer and master of many genres, bravely unwilling to conform to conventional values. As Greene illustrates, Hervey's novels, short stories, nonfiction books, and film scripts contain complex mixtures of history and thinly disguised homoerotic situations and themes. They blend local color, naturalism, melodrama, and psychological and sexual truths that provide a view of the circles in which he moved. Living openly with his male lover in Savannah, Georgia, and Charleston, South Carolina, Hervey set novels in these cities that scandalized the locals and critics as well. He challenged the sexual mores of his day, sometimes subtly and at other times brazenly presenting texts that told one story to gay male readers, while still courting a mainstream audience. His novels and nonfiction may have been coded and thus escaped detection in their day, but twenty-first-century readers can decipher them easily" --

"After reading Cocktails with Molotov, you'll wonder if there's anything Barry Farber hasn't done, if there's anywhere he hasn't been. From a young age, Farber had a knack for being in the right place at the right time. In Cocktails with Molotov, Barry Farber's collection of real life short stories, you'll read of his encounters with Alfred Hitchcock, the King of Albania, and Buzz Aldrin; of his knowledge of 26 foreign languages and how foreign language came through for him in the knick of time. He shares tales from his childhood in North Carolina and his time spent venturing abroad, from his life as a young reporter and as a seasoned journalist, along with astounding narratives of everything in between. A lifelong seeker of adventures and excitement, Barry Farber's lighthearted and humorous storytelling will keep you occupied for hours"--Jacket.