This third collection of short fiction by Gaiman includes previously published pieces of short fiction--stories, verse, and a Doctor Who story written for the series' fiftieth anniversary (Nothing o'clock). There is also "Black Dog," a new tale that revisits the world of his novel American Gods. The collection explores the masks we all wear and the people we are beneath them to reveal our vulnerabilities and our truest selves. Horror and ghosts stories, science fiction and fairy tales, fabulism and poetry explore the realm of experience and emotion. In "Adventure Story"--a thematic companion to The Ocean at the End of the Lane--Gaiman ponders death and the way people take their stories with them when they die. His social media experience "A Calendar of Tales" are short takes inspired by replies to fan tweets about the months of the year--stories of pirates and the March winds, an igloo made of books, and a Mother's Day card that portends disturbances in the universe. Gaiman offers his own spin on Sherlock Holmes in his award-nominated mystery tale "The Case of Death and Honey". And "Click-Clack the Rattlebag" explains the creaks and clatter we hear when we're all alone in the darkness.

Written between 1980 and 1986, the stories in The Lute and the Scars were transcribed from the manuscripts left by Danilo Kis following his death in 1989. Many are autobiographical. Others resurrect protagonists belonging to Kis's fellow Central European novelists.

"'The grave we dug for my brother Little remained empty even after we filled it back in. And nobody was going to admit it.' So begins Little, first published by Graywolf Press in 1995 when David Treuer was just twenty-four. The narrative unfolds to reveal the deeply entwined stories of the three generations of Little's family, including Stan, a veteran of the Vietnam War who believes Little is his son; Duke and Ellis, the twins who built the first house in Poverty after losing their community to smallpox and influenza; Jeannette, the matriarch who loved both Duke and Ellis and who walked hundreds of miles to reunite with them. Each of these characters carries a piece of the mystery of Little's short life. With rhythmic and unadorned prose, Treuer uncovers in even the most frost-hardened ground the resilience and humor of life in Poverty. From the unbearable cruelty of the institutions that systematically unraveled Native communities at the turn of the century, to the hard and hallow emptiness of a child's grave, Treuer has orchestrated a moving account of kinship and survival. In his new introduction, Treuer, now among the foremost writers of his generation, reflects on the germ of this novel and how it fits into his lasting body of work centered on Native life. More than a quarter of a century later, Little proves as vital and moving as ever"--

-- Brimming with Elkin's comic brilliance and singular wordplay, The Magic Kingdom tells the story of Eddy Bale, who, determined to learn from the ghastly experience of his son's long, drawn-out death, decides to raise enough money to take seven terminally ill children to Disney World in order to give them a dream vacation before they die. -- Stanley Elkin, a two-timer winner of the National Book Critics Award and three-time nominee for the National Book Award, is widely considered to be one of the most important writers of the contemporary period. Author of over a dozen novels and short story collections, his works include The Franchiser, George Mills, and Mrs. Ted Bliss. -- First published by Dutton (1985), most recent paperback by Thunder's Mouth (1991).

"With Death and So Forth, esteemed writer and editor Gordon Lish returns with a new book of scintillating short fiction. With his trademark precision, wit, and wiliness, Lish writes outside the margins and around the edges of the death, loss, and the fractiousness and fragmentation of language"--Provided by publisher.