Dramatizations of aspects of American life seen through the comic or tragic predicament of American Jews.

A short story and a novella which, together, tell an exquisitely powerful and moving tale of the Holocaust. Both The Shawl and Rosa won first prize in the O. Henry Prize Stories and were chosen for Best American Short Stories.

The five short novellas which comprise this anthology were written between 1890 and World War I. All share a common setting-the Eastern European Jewish town or shtetl, and all deal in different ways with a single topic-the Jewish confrontation with modernity. The authors of these novellas are among the greatest masters of Yiddish prose. In their work, today's reader will discover a literary tradition of considerable scope, energy, and variety and will come face to face with an exceptionally memorable cast of characters and with a human community now irrevocably lost.In her general introduction, Professor Wisse traces the development of modern Yiddish literature in the late 19th and early 20th centuries and describes the many shifts that took place between the Yiddish writers and the world about which they wrote. She also furnishes a brief introduction for each novella, giving the historical and biographical background and offering a critical interpretation of the work.

A collection of Yiddish stories that give a keen sense of Jewish culture, history, humor and feeling.

Contents: The snow - Ducky's death - Nina of Ashkelon - (etc).

This anthology presents an ambitious cross-section of Jewish American short fiction. It covers a full century of extraordinary writings, from turn-of-the-century immigrant fiction to stories by some of the finest young contemporary American writers. To read through its pages is to encounter a remarkable?and remarkably diverse?literary tradition. The volume opens with stories by two important immigrant writers from the early twentieth century, Abraham Cahan and Anzia Yezierska. There follows a generous selection of modern Jewish American stories by such celebrated authors as Isaac Bashevis Singer, Saul Bellow, Grace Paley, Tillie Olsen, Bernard Malamud, and Philip Roth. The collection concludes with a rich sampling of stories by contemporary writers whose works illustrate the impressive variety and vitality of recent Jewish American fiction. Equally suited to scholars, students, and general readers, American Jewish Fiction provides an invaluable survey of literary works that have enriched and transformed American?and world?literature.

Isaiah Spiegel was an inmate of the Lodz Ghetto from its inception in 1940 until its liquidation in 1944. While there, he wrote short stories depicting Jewish life in the ghetto and managed to hide them before he was deported to Auschwitz. After being freed, he returned to Lodz to retrieve and publish his stories. The stories examine the relationship between inmates and their families, their friends, their Christian former neighbors, the German soldiers, and, ultimately, the world of hopelessness and desperation that surrounded them. In using his creative powers to transform the suffering and death of his people into stories that preserve their memory, Spiegel succeeds in affirming the humanity and dignity the Germans were so intent on destroying. Originally published as Malchut geto (Malkhes geto) in Yiddish.

In That's Life, William Herrick's view of humanity is unsparing yet compassionate. He sees life as commitment--to ideals, friends, family--but no one, least of all Herrick, said it was going to be easy. His portraits of the members of a distinctly American family--a novella, five short stories, and a group of five letters--comprise not quite a novel but more than a collection of stories. "I think of it as a co-operative structure," the author says, "in which each character owns and occupies his or her own place, yet it is the entire family which operates the building. To simplify matters, I call the book a fiction." And so we learn the past and present of each of the Millers: Max and Rebecca, Rebecca's mother Ruth (in an old folks' home), and the three Miller children--Eli, an obsessive artist, Peter, an amateur student of life as he bums rides across the country, and teen-ager Nina, a not-so-innocent working-class child away at prep school on a scholarship. But we learn about them in counterpoint and mosaic as Herrick turns our attention, and our allegiance, first to one member of the family and then another. There are few books where human weaknesses are so fully displayed and yet where human endurance and capacity for joy are so palpably present.

From Kirkus Reviews paper 0-8142-0780-4 A second collection from English professor (U. of Mass.) and critic Clayton, the first winner of the Sandstone Prize for Short Fiction. Clayton's new volume is, in many ways, a maturing of the concerns of his previous collection. As in Bodies of the Rich (1984), he focuses on the minutiae of daily life as a reflection of the ways in which his intelligent, middle-class protagonists express and experience loss. In Radiance, the protagonists are almost all Jews, assimilated to varying degrees but aware of and generally comfortable with their ethnic/religious identity. What they arent comfortable with is their lives--marriage as an act of settling for less, marriages that are failing or have long since dissolved, friends and family who die, parents who commit suicide. For several of his low-key heroes--in ``Glory,'' ``Open-Heart Surgery,'' and the most fully realized piece here, ``The Man Who Could See Radiance''--coping with loss takes the form of a sort of magic realist device in which people see and feel beyond their senses, becoming aware of a larger presence that may be understood as having a religious significance. The use of this device in three stories out of only ten, though, makes for a certain repetitiveness. Two tales, ``Muscles'' and ``Time Exposure,'' about episodes in an unhappy marriage that involves the husband's domineering brotherall as experienced by the couples sonhave the feeling of sketches for a novel-in-progress; theyre affecting but seem unfinished. Still, Clayton's best, ``Talking to Charlie'' and ``History Lessons,'' have a poignance that comes from an intense sensitivity to the quiet suffering that most often goes unexpressed in the rush of daily life. Uneven but distinctive short fiction from an author with a genuine gift. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved. Product Description A collection of short stories about the lives of assimilated American Jews, who attempt to reach an opening into the spiritual realm while dealing with unsuccessful marriages, middle-class life, and the unhappiness of existence Review ...[Clayton writes] with compassion, simplicity and power... -- The New York Times Book Review, Patrick Farrell

Review An expert weaver, Stollman brings together themes of religion, science, and love into an emotional whole. -- Kirkus Reviews, January 1, 2003 Stollman's weightier fictions - elegantly written and wise - returns literature to its rightful role. -- Miami Herald, March 2, 2003 Product Description A collection of short stories by the author of The Far Euphrates and The Illuminated Soul represents his earlier works as published in such literary magazines as American Short Fiction, the Yale Review, and Tikkun and explores such themes as the impact of the past on the present and of one person on another. 12,500 first pirnting. From Library Journal A story collection from the author of two celebrated novels: The Far Euphrates and The Illuminated Soul. Copyright 2002 Reed Business Information, Inc. About the Author Aryehlev Stollman is a neuroradiologist and the author of two books, The Illuminated Soul and The Far Euphrates, which is an American Library Association Notable Book, a Los Angeles Times Book Review Recommended Book of the Year, and the winner of a Wilbur Award and Lambda Award.