A provocative, unprecedented anthology featuring original short stories on what it means to be an American from thirty bestselling and award-winning authors with an introduction by Pulitzer Prize–winning author Viet Thanh Nguyen: “This chorus of brilliant voices articulating the shape and texture of contemporary America makes for necessary reading” (Lauren Groff, author of Fates and Furies ). When Donald Trump claimed victory in the November 2016 election, the US literary and art world erupted in indignation. Many of America’s preeminent writers and artists are stridently opposed to the administration’s agenda and executive orders—and they’re not about to go gentle into that good night. In this “masterful literary achievement” (Kurt Eichenwald, author of Conspiracy of Fools) , more than thirty of the most acclaimed writers at work today consider the fundamental ideals of a free, just, and compassionate democracy through fiction in an anthology that “promises to be both a powerful tool in the fight to uphold our values and a tribute to the remarkable voices behind it” (Anthony D. Romero, executive director of the ACLU). With an introduction by Pulitzer Prize-winning author, Viet Thanh Nguyen, and edited by bestselling author Jonathan Santlofer, this powerful anthology includes original, striking art from fourteen of the country’s most celebrated artists, cartoonists, and graphic novelists, including Art Spiegelman, Roz Chast, Marilyn Minter, and Eric Fischl. Transcendent, urgent, and ultimately hopeful, It Occurs to Me That I Am America takes back the narrative of what it means to be an American in the 21st century.

This selection from the first ten years of the Evergreen Review gives the full flavor of the energy, savvy, excitement, and gall that characterized the magazine during the days of its publication. It also happens to bring together some of the world’s best writers in one volume, in the company of their peers. Evergreen was more than another literary magazine. Founded by Barney Rossett of Grove Press and publishing from 1957 through 1973 (it now exists as an online only magazine), it was the voice of a movement that helped to change the attitudes and prejudices of the culture at large through the language of art—and succeeded. It was always damn the torpedoes and full speed ahead. Here are original short stories by Samuel Beckett and Jack Kerouac (with his “October in the Railroad Earth” predating the publication of On the Road ); Allen Ginsberg’s “Howl” (previously published only as a pamphlet); a selection from Lawrence Ferlinghetti’s A Coney Island of the Mind ; and a passage from Alexander Trocchi’s Cain’s Book . Also included are a fantastic sample of the original and iconic magazine covers which were works of art themselves—a heavily bearded Ginsberg cavorting in a sport coat and Uncle Sam top hat in 1966—and several reprinted comic strips; notably, Michael O’Donoghue’s “The Adventure of Phoebe Zeit-geist.”

The #1 national bestseller now revised and updated with a new Epilogue. Now aged 75, Peter C. Newman at last tells the story of his stranger-than-fiction life. Try to keep up as we follow his many lives: as a pampered child in a Czech chateau; a Jewish kid in short pants being machine-gunned by Nazi fighter planes on the beach at Biarritz, en route to the last ship to escape from France in 1940; as a refugee on an Ontario farm; as an outsider on a scholarship at Upper Canada College; as a Financial Post journalist, then an author whose Renegade in Power made Canadian politics dramatic and disrespectfully exciting for the first time; as the man who revealed the secrets of the rulers of the Canadian business world in The Canadian Establishment , and other huge business success stories, including The Establishment Man , on Conrad Black; or the millionaire who turned his back on business books and tackled Canadian history ( Company of Adventurers and other triumphs), in a career where his work has dominated the bestseller lists in politics, business, history, and current affairs. In the midst of all this were his years at the Toronto Star and Maclean’s where, as editor, he took the magazine weekly – a huge accomplishment. He is still a legend there, where his columns continue to run. He knew and wrote about every prime minister from Louis St. Laurent to Paul Martin and every prominent Canadian – hero or villain – in between. Yet his most interesting character is – Peter C. Newman. Incredibly, this central figure known to millions of Canadians sees himself as a perennial outsider. In personal terms, the rich little Czech boy whose nannies never stayed talks frankly about his marriages and the women he has known before his ultimate marriage to his beloved Alvy. His enthusiasms – from jazz to the Canadian Navy, not to mention his adventures on his beloved sailboat – make for a rich portrait of an astonishingcharacter, one who never stops being controversial.