This collection of new translations brings together the small proportion of Kafka's works that he himself thought worthy of publication. It includes Metamorphosis, his most famous work, an exploration of horrific transformation and alienation; Meditation, a collection of his earlier studies; The Judgement, written in a single night of frenzied creativity; The Stoker, th[Bokinfo]

Franz Kafka's The Metamorphosis is about Gregor Samsa, a traveling salesman who wakes up one day to find that he has transformed into a giant insect. His family is disgusted with him, especially when he is no longer able to earn income. Gregor eventually dies after deciding that he is a burden to his family.

In the Penal Colony ( In der Strafkolonie ) by Franz Kafka is presented here in a precise and faithful English translation. Written in 1914 and published in 1919, this stark and unforgettable story explores justice, obedience, and the cruelty of systems. It follows a visiting traveler to a remote island prison where executions are performed by a mechanical apparatus that inscribes the condemned man's sentence into his flesh. What unfolds is a confrontation between blind devotion to law and the dawning recognition of its absurdity. Kafka's calm, exact prose captures the horror of order turned against itself. Within this brief and haunting tale lies a vision of modern authority stripped of meaning. The officer's faith in the execution machine represents humanity's attachment to rules long after their purpose has decayed. Kafka portrays a civilization that worships efficiency over empathy and obedience over reason. The story's quiet tone and mechanical precision intensify its unease, leaving the reader to confront the terrifying logic of systems that operate without conscience. In the Penal Colony remains one of Kafka's most incisive works, combining psychological insight with moral clarity. It speaks to anyone who has questioned the power of institutions and the price of submission to them. This unabridged edition presents the complete text in a faithful, accessible translation that preserves Kafka's measured rhythm and disturbing lucidity. A cornerstone of twentieth-century literature and an essential read for those drawn to existential, philosophical, and allegorical fiction.

These powerfully vivid stories from a great writer offer enormous pleasure, recognition and discovery. Ranging through the unreliable layers of family archaeology, they uncover earlier, vulnerable selves, moments of innocence or shame, and unfinished business, illumined by shocking flashes of unpredictable violence and pain, or glints of sly humour. In the brilliant cornerstone story the stuff of dreams is both real and imagined—rumoured fields of cannabis picked in secret by migrant workers, or a nightmare encounter on a dark city street. In “Night Training” a military recruit is scarred by his own complicity in a bizarre nightly ritual. From the image of a small boy entranced by his mother’s GI escort, yet still hoping for the return of a father missing in action, to “Sally’s Story” in which a comfort girl looks for comfort of her own, here are men and women in search of connection, or equally wary of it—whether with each other or with past selves. David Malouf evokes, like no other writer, dark shadows beneath the bright sun.

This selection from the first ten years of the Evergreen Review gives the full flavor of the energy, savvy, excitement, and gall that characterized the magazine during the days of its publication. It also happens to bring together some of the world’s best writers in one volume, in the company of their peers. Evergreen was more than another literary magazine. Founded by Barney Rossett of Grove Press and publishing from 1957 through 1973 (it now exists as an online only magazine), it was the voice of a movement that helped to change the attitudes and prejudices of the culture at large through the language of art—and succeeded. It was always damn the torpedoes and full speed ahead. Here are original short stories by Samuel Beckett and Jack Kerouac (with his “October in the Railroad Earth” predating the publication of On the Road ); Allen Ginsberg’s “Howl” (previously published only as a pamphlet); a selection from Lawrence Ferlinghetti’s A Coney Island of the Mind ; and a passage from Alexander Trocchi’s Cain’s Book . Also included are a fantastic sample of the original and iconic magazine covers which were works of art themselves—a heavily bearded Ginsberg cavorting in a sport coat and Uncle Sam top hat in 1966—and several reprinted comic strips; notably, Michael O’Donoghue’s “The Adventure of Phoebe Zeit-geist.”

Hailed as a masterpiece by Jean Genet, Marguerite Duras, and Jean-Paul Sartre, Tropisms is considered one of the defining texts of the nouveau roman movement. Nathalie Sarraute has defined her work as the "movements that are hidden under the commonplace, harmless instances of our everyday lives." Like figures in a grainy photograph, Sarraute's characters are blurred and shadowy, while her narrative never develops beyond a stressed moment. Instead, Sarraute brilliantly finds and elaborates subtle details--when a relationship changes, when we fall slightly deeper into love, or when something innocent tilts to the smallest degree toward suspicion.

In this collection of four linked stories, newly reissued by Grove, Will Self takes aim at the disease and decay that target the largest of human organs: the liver. Set in locales as toxic as a London drinking club and mundane as a clinic in an orderly Swiss city, the stories distill the hard lives of their subjects, whether alcoholic, drug addict, or cancer patient. In "Foie Humaine," set at the Plantation Club, it's always a Tuesday afternoon in midwinter, and the shivering denizens of this dusty realm spend their days observing its proprietor as he force-feeds the barman vodka-spiked beer. Joyce Beddoes, protagonist of "Leberknödel," has terminal liver cancer and is on her way to be euthanized in Zurich when, miraculously, her disease goes into remission. In "Prometheus," a young copywriter at London's most cutting-edge ad agency has his liver nibbled by a griffon thrice daily, but he's always in the pink the following morning and ready to make that killer pitch. If blood and bile flow through liverish London, the two arteries meet in "Birdy Num Num," where career junky Billy Chobham performs little services for the customers who gather to wait for the Man, while in his blood a virus pullulates. A moving portrayal of egos, appetites, and addictions, Liver is an extraordinary achievement from one of the most talented minds working today.

Featuring interviews with Chris Hardwick on The Nerdist Podcast and Marc Maron on WTF with Marc Maron Bad Sex On Speed is a savage, careening, hyper-real nightmare of a novel, taking us to the depths of Amphetamine America. Told with no concession to traditional narrative, in the voices of those in the grips and on the fringes, the stories that emerge are at once devastating, hysterical, and--perhaps most terrifying of all--going on all around you, all the time. Stahl digs deep into the psyche of the most demented and dispossessed among us, returning with a vision so unsparing that those not prepared to experience the screaming depths of speed psychosis up close and on the page should back slowly away and return to their lives unscathed.