An unprecedented glimpse into the formation of the legendary talent of Leonard Cohen. Before the celebrated late-career world tours, before the Grammy awards, before the chart-topping albums, before 'Hallelujah' and 'So Long, Marianne' and 'Famous Blue Raincoat', the young Leonard Cohen wrote poetry and fiction and yearned for literary stardom. [Bokinfo]

NEW YORK TIMES BESTSELLER • A fascinating portrait of journalism and the people who make it, told through pieces collected from the incomparable six-decade career of bestselling author and longtime New Yorker writer Calvin Trillin “ The Lede contains profiles . . . that are acknowledged classics of the form and will be studied until A.I. makes hash out of all of us.”—Dwight Garner, The New York Times LONGLISTED FOR THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD I’ve been writing about the press almost as long as I’ve been in the game. At some point, it occurred to me that disparate pieces from various places in various styles amounted to a picture from multiple angles of what the press has been like over the years since I became a practitioner and an observer. Calvin Trillin has reported serious pieces across America for The New Yorker, covered the civil rights movement in the South for Time, and written comic verse for The Nation . But one of his favorite subjects over the years—a superb fit for his unique combination of reportage and humor—has been his own professional environment: the American press. In The Lede, Trillin gathers his incisive, often hilarious writing on reporting, reporters, and the media world that is their orbit. He writes about a legendary crime reporter in Miami, a swashbuckling New York Times reporter, and an erudite film critic in Dallas who once a week transformed himself from an appreciator of the French nouvelle vague into a crude connoisseur of movies like Mother Riley Meets the Vampire . There are pieces on the House of Lords aspirations of a North American press baron, the paucity of gossip columns in Russia, the embroilment of a weekly newspaper in a missing person case, and the founding of a publication called Beautiful Spot: A Magazine of Parking . Uniting all of this is Trillin’s signature combination of empathy, humor, and graceful prose. The Lede is an unparalleled portrait of one of our fundamental American institutions from a master journalist.

A one-man think-tank for the New Left, Paul Goodman wrote over thirty books, most of them before his decade of fame as a social critic in the Sixties. A Paul Goodman Reader that does him justice must be a compendious volume, with excerpts not only from best-sellers like Growing Up Absurd, but also from his landmark books on education, community planning, anarchism, psychotherapy, language theory, and poetics. Samples as well from The Empire City, a comic novel reviewers compared to Don Quixote, prize-winning short stories, and scores of poems that led America's most respected poetry reviewer, Hayden Carruth, to exclaim, "Not one dull page. It's almost unbelievable." Goodman called himself as an old-fashioned man of letters, which meant that all these various disciplines and occasions added up to a single abiding concern for the human plight in perilous times, and for human promise and achieved grandeur, love and hope.

Marina Budhos, whose parents came from two different immigrant streams, always listens for the story within the story. Here, in fourteen intimate conversations and many short interviews, teenagers from all over the world reveal their most personal struggles and triumphs. Remix features Muslim girls from traditional families and Guyanese boys who know every hot new club, Hmong athletes, Russians in Disneyland, Central Americans sustained by community and tempted by gangs, Koreans facing extreme pressures to succeed, and many others. Filled with insights about American teenage culture and moving stories about the special challenges immigrants face, Remix shows all the voices of the new America.