"The book is arranged by theme and occasion: Memorials and Patriotic Speeches, War and Revolution Speeches, Tributes and Eulogies, Debates and Argumentation, Trial Speeches, Gallows and Farewell Speeches, Sermons, Inspirational Speeches, Lectures and Instructive Speeches, Speeches of Social Responsibility, Media Speeches, Political Speeches (in Safire's words, "the anthologist's mother's milk"), and Commencement Addresses. Each speech is expertly introduced by the editor, who places the speech's occasion in historical context and analyzes the particular techniques that give the speech its force and effect. William Safire enlivens many of these introductions with personal anecdotes of the circumstances of the speechmaker and the speech. His Introduction is a brisk, compact, effective short course in how to make a great speech - with a cornucopia of examples to follow." "No one faced with the need to go before an audience of any size to argue, persuade, uplift, introduce, memorialize, or amuse should be without Lend Me Your Ears. It serves equally as a work of permanent reference use and as a treasure-house for the browser in search of inspiration, instruction, and entertainment. In this anthology, editor and subject matter have met to result in a book that draws from the ages - and that will last for decades as the definitive word on human eloquence."--BOOK JACKET.

NEW YORK TIMES BESTSELLER • A fascinating portrait of journalism and the people who make it, told through pieces collected from the incomparable six-decade career of bestselling author and longtime New Yorker writer Calvin Trillin “ The Lede contains profiles . . . that are acknowledged classics of the form and will be studied until A.I. makes hash out of all of us.”—Dwight Garner, The New York Times LONGLISTED FOR THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD I’ve been writing about the press almost as long as I’ve been in the game. At some point, it occurred to me that disparate pieces from various places in various styles amounted to a picture from multiple angles of what the press has been like over the years since I became a practitioner and an observer. Calvin Trillin has reported serious pieces across America for The New Yorker, covered the civil rights movement in the South for Time, and written comic verse for The Nation . But one of his favorite subjects over the years—a superb fit for his unique combination of reportage and humor—has been his own professional environment: the American press. In The Lede, Trillin gathers his incisive, often hilarious writing on reporting, reporters, and the media world that is their orbit. He writes about a legendary crime reporter in Miami, a swashbuckling New York Times reporter, and an erudite film critic in Dallas who once a week transformed himself from an appreciator of the French nouvelle vague into a crude connoisseur of movies like Mother Riley Meets the Vampire . There are pieces on the House of Lords aspirations of a North American press baron, the paucity of gossip columns in Russia, the embroilment of a weekly newspaper in a missing person case, and the founding of a publication called Beautiful Spot: A Magazine of Parking . Uniting all of this is Trillin’s signature combination of empathy, humor, and graceful prose. The Lede is an unparalleled portrait of one of our fundamental American institutions from a master journalist.

From across the far reaches of the internet, the community at Fark.com presents . . . Raiders of the Lost Plot: The 2024 Fark Fiction Anthology! Our editors have worked feverishly to bring you the best short fiction of 2024 from the minds and imaginations at Fark, the online community where snark is king and wit reigns supreme. Gods and devils, angels and piglets, mysteries and the mysterious. Space smugglers and fantastic beasts, murders, mayhem, and one very, very important dog all come together with much, much more. And even better, for the ninth year in a row, all proceeds from the sale of this anthology will benefit an excellent children's charity chosen by the posters at Fark.com. So strap in, put a fedora on your squirrel, and get ready, because adventures await and there's all sorts of plots to find! Table of Contents: SOTA by Jason Allard Boring Alice by Mark Suszko Starthief Night by Ann Hosler Transcripture by Anthony Fabbri The Friendly Night Skies by Mark Zec Sunshine Superplant by Charles Montgomery Forbidden Isle by Gevera Bert Piedmont Sen of the Forest by Jaque Davison The Seeker by Dan McKay Strays by Stephen D. Ball The Celestial Bureaucracy by Vincent Spiezio Arzool the Destroyer and the Piglet of Doom by Brian Bander Psycho by Fred Blonder Catastrophe by Maddi Davidson Toking the Eleventh Dimension by Margret A. Treiber Employee 103 by Sim Tree Saffron by R. A. Willis Whom the Gods Would Destroy by D. Paul Angel Empty Country by Otto Marxhausen The Party of the Second Part by Eolas Pellor Accounts of a Haunting by Simina Lungu It Came from the Swamp by Lisa Lahey The Welcoming Flames by Christopher Pate Bell, Book, and Candle by James Defton Welcome to My World by Willin D. Fenster Who Murdered Colonel Sherrington-Smyth? by Joseph Benedetto The Beach House by Ed Ahern Mail Order Bride by Margaret Karmazin False Flag by Philip Ekstrom The House in North Woods by Tennessee Kaplan Against Flesh and Blood by Clayton Emery

Experience the wit and charm of 18th-century Italian comedy with "The Comedies of Carlo Goldoni," a collection of plays from one of Europe's most celebrated playwrights. This carefully prepared edition, edited with an insightful introduction by Helen Zimmern, showcases Goldoni's enduring contribution to theater. Carlo Goldoni revitalized Italian drama, moving away from the improvisational style of commedia dell'arte to create fully realized characters and engaging plots. This anthology offers a glimpse into his mastery, demonstrating why his works continue to be studied and enjoyed today. Explore universal themes of love, family, and social class through Goldoni's distinctly Italian lens. Whether you're a student of literature, a theater enthusiast, or simply appreciate classic comedies, this collection provides a rich and rewarding reading experience. "The Comedies of Carlo Goldoni" is a testament to the power of theater to entertain, enlighten, and endure. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Herman Heijermans, Jr.'s "The Good Hope" remains a powerful and enduring work of Dutch drama. This poignant play offers a stark glimpse into the lives of fishermen and the harsh realities of the fishing industry. A significant example of European drama, "The Good Hope" uses the stage to explore themes of tragedy and offer incisive social commentary. Originally published as part of "In The Drama: A Quarterly Review of Dramatic Literature," this carefully restored edition preserves the historical integrity of Heijermans' compelling work. Exploring the dramatic lives of fishers, "The Good Hope" resonates with its timeless portrayal of human struggle against the backdrop of a demanding and unforgiving industry. This drama is a testament to the power of theater to illuminate social issues and capture the human spirit. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.