"A Millennial's groundbreaking investigation into why his generation is economically worse off than their parents, creating a radical and devastating portrait of what it means to be young in America. Millennials have been called lazy, entitled, narcissistic, and immature, but when you push aside the stereotypes, what actually unites this generation? The short answer: They've been had. Millennials are the hardest working and most educated generation in American history. They have poured unprecedented amounts of time and money into preparing themselves for the twenty-first-century workforce. Yet they are poorer, more medicated, more precariously employed, and have less of a social safety net than their parents or grandparents. Kids These Days asks why, and answers with a radical, brilliant, data-driven analysis of the economic and cultural forces that have shaped Millennial lives. Examining broad trends like runaway student debt, the rise of the intern, mass incarceration, social media, and more, Harris shows us a generation conditioned from birth to treat their lives and their efforts-their very selves and futures-as human capital to be invested. But what happens when children raised as investments grow up? Why are young people paying such a high price to train themselves for a system that exploits them? How can Millennials change or transcend what's been made of them? Gripping, mercilessly argued, deeply informed, and moving fluidly between critical theory, political policy, and pop culture, Kids These Days will wake you up, make you angry, and change how you see your place in the world. This is essential reading-not only for Millennials, but for anyone ready to take a hard look at how we got here and where we're headed if we don't change course fast"--

Amy Goodman, award-winning host of the daily internationally broadcast radio and television program Democracy Now!, breaks through the corporate media's lies, sound bites, and silence in this wide-ranging new collection of articles. "Amy Goodman has taken investigative journalism to new heights of exciting, informative, and probing analysis."--Noam Chomsky "You can learn more of the truth about Washington and the world from one week of Amy Goodman's Democracy Now! than from a month of Sunday morning talk shows. Make that a year of Sunday talk shows. That's because Amy, as you will discover on every page of this book, knows the critical question for journalists is how close they are to the truth, not how close they are to power."--From the Preface by Bill Moyers In place of the usual suspects--the "experts" who, in Goodman's words, "know so little about so much, explain the world to us, and get it so wrong"--this accessible, lively collection allows the voices the corporate media exclude and ignore to be heard loud and clear. From community organizers in New Orleans, to the courageous American soldiers who've said "No" to Washington's wars, to the victims of torture and police violence, we are given the extraordinary opportunity to hear ordinary people standing up and speaking out. Written with all of the fierce intelligence and passion for truth that millions have come to expect from Amy Goodman's reportage, Breaking the Sound Barrier proves the power that independent journalism can play in the struggle for a better world, one in which ordinary citizens are the true experts of their own lives and communities. Amy Goodman is an award-winning investigative journalist and syndicated columnist, author and the host/executive producer of Democracy Now! airing on nearly 800 stations worldwide. Goodman is the first journalist to receive the Right Livelihood Award, widely known as the 'Alternative Nobel Prize' for "developing an innovative model of truly independent grassroots political journalism that brings to millions of people the alternative voices that are often excluded by the mainstream media.". Goodman is the co-author with her brother, journalist David Goodman, of three New York Times bestsellers: Standing Up to the Madness, Static, and The Exception to the Rulers.

"Over the last twenty years, art has become more accessible than ever before. A painter can post their latest creation on Instagram and wait as the likes pile up; a budding filmmaker can shoot a clip on their iPhone, then upload it to YouTube for thousands to view. The digital landscape has fundamentally altered what it means to be creative, as well as how consumers interact with artistic production both economically and curatorially. William Deresiewicz, a leading critic of contemporary culture in America, argues that we are in the midst of an epochal transformation within art. Whereas the nineteenth century considered artists to be craftsmen and the twentieth century treated them as professionals, artists today are uniquely dependent upon themselves. The internet, along with decreases in art funding and the growing prevalence of gig economies, has forced artists to become responsible for every aspect of their work, from conception to promotion, from sales to legacy. In The Death of the Artist, Deresiewicz profiles those struggling to make a living through the arts, from the twenty-something college novelist with a multi-hyphenated job title to the midlife painter who must utilize social media to stay relevant. Deresiewicz shows what the birth of the "creative entrepreneur" signifies about our evolving society at large and what might be done to keep artists thriving, because we need them"--

"Known for his network of conservative Web sites ... the love-hate relationship between Breitbart and the media has turned him into one of the most polarizing figures of our time"--Page 4 of cover.

""One of the most brilliant, articulate, and courageous critics of white privilege in the nation."--Michael Eric DysonTim Wise is one of America's most prolific public intellectuals. His critically acclaimed books, high-profile media interviews, and year-round speaking schedule have established him as a leading voice for racial equity. In Under the Affluence, Wise builds on his fierce critique of racial privilege to discuss a related issue: class disparity and a culture of cruelty that demonizes those in need.As Wise demonstrates, there was a time when the hardship of fellow Americans stirred feelings of sympathy, civic responsibility, and direct support for policies meant to alleviate poverty. But today, mainstream discourse increasingly blames low-income folks for their own situation, and the notion of an intractable "culture of poverty" has pushed our country in an especially ugly direction. Wise shows how the wealthy elite have commandeered discussions about class, moving the nation toward scorn and disengagement from the marginalized.With clarity and precision, Wise not only documents growing contempt for the nation's have-nots, but also explores the underlying forces that perpetuate it. In doing so, he demonstrates how classism, racism, and sexism are inextricably linked, and how popular culture contributes to a deepening indifference to those who are struggling. Finally, Wise shows that far from a culture of poverty, it is the culture of affluence and power that deserves the blame for America's simmering economic and social crises.Tim Wise is the author of many books, including Dear White America and Colorblind"--

"One Virus, Two Countries: What Covid-19 tells us about South Africa offers a searing analysis of government and expert scientists' responses to the pandemic. Friedman argues that South Africa is two societies in one - a 'First World' which resembles Western Europe and North America, and a 'Third World' which looks much like the rest of Africa or South Asia. The South African state, the media and the scientific community have largely tried to deal with the virus through a 'First World' lens in which much of the country was either invisible or a problem - not a partner. Friedman argues this approach prevented the country from responding in a way which would have protected most citizens. This is why case numbers and deaths are so high: South Africa has done worse than the rest of Africa not despite the fact that it has a 'more developed' health system, but because it does. One Virus, Two Countries is a controversial book that will rouse much needed debate about South Africa's health and economic system in a context of serious inequality." --

n this sharply argued volume, Orit Rozin reveals the flaws in the conventional account of Israeli society in the 1950s, which portrayed the Israeli public as committed to a collectivist ideology. In fact, major sectors of Israeli society espoused individualism and rejected the state-imposed collectivist ideology. Rozin draws on archival, legal, and media sources to analyze the attitudes of black-market profiteers, politicians and judges, middle-class homemakers, and immigrants living in transit camps and rural settlements. Part of a refreshing trend in recent Israeli historiography to study the voices, emotions, and ideas of ordinary people, Rozin’s book provides an important corrective to much extant scholarly literature on Israel’s early years.

Renowned as a passionate Canadian, bestselling author Mel Hurtig has combed through world statistics to see how Canada really measures up — and the results are astonishing, and often shocking. This book is about how Canada has changed, very much for the worse, in the last twenty years. As a result of these profound (often hidden) changes, we are no longer the people we think we are. To take one example, the Canadian media usually leaves us with the impression that Canadians are really heavily taxed. Yes, compared to the U.S.A., the usual point of comparison. No, compared to other countries with our standard of living, other OECD countries, for example; there we come in 23rd on the high-tax scale. The shocks in this book build up, chapter by chapter. How do we rank in the world in voter turnout? Try 109th. Number of physicians per 100,000 population? Try 54th. Our rank in reducing pollution? 126th out of 146 countries. Some of the statistics are internal, comparing Canada then and now. They back up two of the book’s most powerful themes: the failure of Canadian big business to turn record profits into ongoing investment in our country, and (no coincidence) the sellout of our assets at a rate that no other country would allow. This statistics-based book ranges across all areas of our lives — including health, wages, productivity, culture, the media (“the most concentrated in the world”), and much else. Mel Hurtig’s message is that we can’t do anything to fix the direction we’re drifting in unless we recognize it — and recognize The Truth About Canada . From the Hardcover edition.