Cross-Cultural Design is the first book to examine the challenges and rewards experienced by the world's leading communication professionals when handling assignments outside their own cultures. The solutions to these marketing problems are documented here in 309 stunning full-colour images, accompanied by the creators' provocative descriptions of their setbacks, triumphs and discoveries.The works shown range from designs for advertisements, corporate identity programmes, annual reports, films, packages, books, magazines, posters and signage to currency, postage stamps and environmental graphics. Among clients represented are banks, print media, software companies, airlines, governments and manufacturing firms.This anthology is introduced by Henry Steiner's stimulating essay "Spam Sushi and Chameleons", which articulates the issues and provides conceptual ideas for succeeding in the global marketplace. In the pages that follow, the work of such outstanding professionals as Saul Bass, Walter Bernard, Ken Cato, Ivan Chermayeff, Joe Duffy, Alan Fletcher, Dan Friedman, Milton Glaser, Eiko Ishioka, Tibor Kalman, Clement Mok, Erik Spiekermann and Henry Wolf is illustrated and discussed. This unique volume also includes much practical information, a contributors' directory, an extensive bibliography and a thorough index.Cross-Cultural Design will be welcomed as both a thought-provoking exploration of international design and an invaluable reference source for designers, advertising agencies, marketing professionals, business corporations, scholars and students.

Based on years of research conducted mostly in Arabic sources, Meir Litvak and Ester Webman track the evolution of post-World War II perceptions of the Holocaust and their parallel emergence in the wake of the Arab-Israeli conflict of 1948. Following the establishment of the State of Israel, Arab attitudes toward the Holocaust became entangled with broader anti-Zionist and anti-Semitic sentiments. Litvak and Webman track this discourse through the work of leading intellectuals and turn to representations of the Holocaust in the media and culture of Egypt, Lebanon, Jordan, and among the Palestinian people. Their chronological history, which spans sixty years, provides a remarkable perspective on the origins, development, and tenaciousness of anti-Holocaust belief. From Empathy to Denial is the first comprehensive investigation of Holocaust denial in the Arab world, and is based on years of painstaking historical research of mostly Arabic language sources. The authors explore how Holocaust denial emerged after the Second World War, how it paralleled the wider Arab-Israeli conflict after the establishment of the State of Israel in 1948 and how it subsequently became entangled with broader anti-Zionist and anti-Semitic sentiment. In particular Litvak and Webman look at the role of leading intellectuals, the media and other cultural forms in Egypt, Lebanon, Jordan and among the Palestinians and how their representation of the Holocaust has evolved in the last sixty years.

Alongside the Arab Spring, the 'Occupy' anti-capitalist movements in the West, and the events on the Maidan in Kiev, Russia has had its own protest movements, notably the political protests of 2011-12. As elsewhere in the world, these protests had unlikely origins, in Russia's case spearheaded by the 'creative class'. This book examines the protest movements in Russia. It discusses the artistic traditions from which the movements arose; explores the media, including the internet, film, novels, and fashion, through which the protesters have expressed themselves; and considers the outcome of the movements, including the new forms of nationalism, intellectualism, and feminism put forward. Overall, the book shows how the Russian protest movements have suggested new directions for Russian - and global - politics.

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