National bestseller: This "harrowing" true story of two Jewish families who survived hiding in the heart of the Nazi capital "honors the human spirit" (Andrea Dworkin). In January 1943, unable to flee Germany, the four members of the Arndt family went underground to avoid deportation to Auschwitz. Ellen Lewinsky and her mother, Charlotte, joined them; a year later, Bruno Gumpel arrived. Hiding in a small factory near Hitler's bunker, without identification cards or food-ration stamps, they were dependent on German strangers for survival. When Russian soldiers finally rescued the group in April 1945, the families were near death from starvation. But their will to live triumphed and two months later, four of the survivors--Erich Arndt and Ellen Lewinsky, and Ruth Arndt and Bruno Gumpel--reunited in a double wedding ceremony. Survival in the Shadows chronicles the previously untold story of the largest group of German Jews to have survived hiding in Berlin through the final and most deadly years of the Holocaust. Relayed to Barbara Lovenheim by three survivors from the group, the riveting story is a touching portrayal of the bravery of these seven Jews, and a heartfelt acknowledgment of the fortitude and humanity of the compassionate Germans who kept them alive.

But this is just part of the story, a little part of it. For I Sleep in Hitler's Room is also a book about modern anti-Semitism, about hate that refuses to disappear, about a disease that won't get cured and a curse that won't let go. All told in the clearest of style and most amazing of humor. But this is not fiction. From beginning to end "I Sleep in Hitler's Room" is a true tale, a tale about a country that created the Holocaust and a story about a continent that moves in the direction of creating another. The target group, as in the last round, is the same: the "Jews." Why is Europe, the cradle of our civilization, so obsessed with Jews? Read "I Sleep in Hitler's Room" to find the answer. "I Sleep in Hitler's Room" will make you think, make you worry, make you cry, and make you laugh out loud. It is a book you will never forget. Ever. Buy it today. And run to tell all your friends. Traveling across Germany and seeking out that elusive quality that is the German character, playwright and journalist Tuvia Tenenbom wonders whether he has identified it in any one of several striking social phenomena--the proclivity of Germans to join clubs and group activities; how their aptitude for visual design shapes their architecture and their daily life; how their daily life is suffused with soccer and beer, the omnipresent beverage for all occasions; how they proudly self-define themselves by their achievements in precision technology; and, what is most disturbing to this son of Holocaust survivors, how their crushing awareness of their dark history coexists with virulent anti-Semitism and a stubborn obsession with Israel. Tenenbom integrates deep seriousness with the most lighthearted comic touch in this critical but affectionate look at both left and right in contemporary German politics and society. Listen in on his meetings with leaders in German industry and media, including former chancellor Helmut Schmidt, as well as with scores of private citizens whose everyday conversation Tenenbom ponders even as he gently teases them.

This is the untold story of how some of Germany's top aristocrats contributed to Hitler's secret diplomacy during the Third Reich, providing a direct line to their influential contacts and relations across Europe, especially in Britain, where their contacts included the press baron and Daily Mail owner Lord Rothermere and the future King Edward VIII. Using previously unexplored sources from Britain, Germany, the Netherlands, the Czech Republic, and the USA, this book unravels the story of top-level go-betweens such as the Duke of Coburg, grandson of Queen Victoria, and the seductive Stephanie von Hohenlohe, who rose from a life of poverty in Vienna to become a princess and an intimate of Adolf Hitler. As Urbach shows, Coburg and other senior aristocrats were tasked with some of Germany's most secret foreign policy missions from the First World War onwards, culminating in their role as Hitler's trusted go-betweens, as he readied Germany for conflict during the 1930s and later, in the Second World War. Tracing what became of these high-level go-betweens in the years after the Nazi collapse in 1945, from prominent media careers to sunny retirements in Marbella, the book concludes with an assessment of their overall significance in the foreign policy of the Third Reich.

In this wry, candid, and sometimes poignant memoir, Peter Owen recalls his lonely Jewish boyhood in Nazi Germany and migration to England where he survived the London Blitz, a teenage dalliance with aspiring actress Fenella Fielding, and working with a motley variety of book publishers. He founded his eponymous publishing firm in 1951, becoming one of the youngest publishers in Britain. A pioneer of books on social themes, gay and lesbian writing, and literature in translation, Owen's authors included ten Nobel laureates and brought Hermann Hesse, Ezra Pound, and Anaïs Nin to a wider audience. Enjoying their success, he and his wife Wendy were memorably stylish and eccentric figures at the literary parties of the 1960s and 1970s. Owen describes his often hilarious encounters with many of those he published, including John Lennon, Yoko Ono, and Salvador Dalí, his adventures in Japan with Yukio Mishima and Shūsaku Endō, and in Morocco with Tennessee Williams and Paul and Jane Bowles. As one of the last of the great émigré publishers, his death in 2016 aged 89 signalled the end of a literary era.

How was the re-emerging Jewish religious practice after 1945 shaped by traditions before the Shoah? To what extent was it influenced by new inspirations through migration and new cultural contacts? By analysing objects like prayer books, musical instruments, Torah scrolls, audio documents and prayer rooms, this volume shows how the post-war communities created new Jewish musical, architectural and artistic forms while abiding by the tradition. This peer-reviewed volume presents contributions to the conference "Jewish communities in Germany in Transition", held in July 2021, as well as the results of a related research project carried out by two university institutions and two museums: the Bet Tfila - Research Unit for Jewish Architecture (Technische Universität Braunschweig), the European Center for Jewish Music (Hanover University for Music, Drama and Media), the Braunschweigisches Landesmuseum, and the Jewish Museum Augsburg Swabia. For the first time, post war synagogues in Germany and their objects were researched on a broad and interdisciplinary basis - regarding history of architecture, art history of their furniture and ritual objects as well as liturgy and musicology. The project was funded by the Federal Ministry of Education and Research (BMBF) during the years 2018 to 2021 in its funding line "The Language of Objects".

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