"What if you woke up one morning and found you'd acquired another self--a double who was almost you and yet not you at all? What if that double shared many of your preoccupations but, in a twisted, upside-down way, furthered the very causes you'd devoted your life to fighting against? Not long ago, the celebrated activist and public intellectual Naomi Klein had just such an experience--she was confronted with a doppelganger whose views she found abhorrent but whose name and public persona were sufficiently similar to her own that many people got confused about who was who. Destabilized, she lost her bearings, until she began to understand the experience as one manifestation of a strangeness many of us have come to know but struggle to define: AI-generated text is blurring the line between genuine and spurious communication; New Age wellness entrepreneurs turned anti-vaxxers are scrambling familiar political allegiances of left and right; and liberal democracies are teetering on the edge of absurdist authoritarianism, even as the oceans rise. Under such conditions, reality itself seems to have become unmoored. Is there a cure for our moment of collective vertigo? Naomi Klein is one of our most trenchant and influential social critics, an essential analyst of what branding, austerity, and climate profiteering have done to our societies and souls. Here she turns her gaze inward to our psychic landscapes, and outward to the possibilities for building hope amid intersecting economic, medical, and political crises. With the assistance of Sigmund Freud, Jordan Peele, Alfred Hitchcock, and bell hooks, among other accomplices, Klein uses wry humor and a keen sense of the ridiculous to face the strange doubles that haunt us--and that have come to feel as intimate and proximate as a warped reflection in the mirror. Combining comic memoir with chilling reportage and cobweb-clearing analysis, Klein seeks to smash that mirror and chart a path beyond despair. Doppelganger asks: What do we neglect as we polish and perfect our digital reflections? Is it possible to dispose of our doubles and overcome the pathologies of a culture of multiplication? Can we create a politics of collective care and undertake a true reckoning with historical crimes? The result is a revelatory treatment of the way many of us think and feel now--and an intellectual adventure story for our times"--

Nineteenth-century French Jewry was a community struggling to meet the challenges of emancipation and modernity. This struggle, with its origins in the founding of the French nation, constitutes the core of modern Jewish identity. With the Revolution of 1789 came the collapse of the social, political, and philosophical foundations of exclusiveness, forcing French society and the Jews to come to terms with the meaning of emancipation. Over time, the enormous challenge that emancipation posed for traditional Jewish beliefs became evident. In the 1830s, a more comprehensive ideology of regeneration emerged through the efforts of younger Jewish scholars and intellectuals. A response to the social and religious implications of emancipation, it was characterized by the demand for the elimination of rituals that violated the French conceptions of civilization and social integration; a drive for greater administrative centralization; and the quest for inter-communal and ethnic unity. In its various elements, regeneration formed a distinct ideology of emancipation that was designed to mediate Jewish interaction with French society and culture. Jay Berkovitz reveals the complexities inherent in the processes of emancipation and modernization, focusing on the efforts of French Jewish leaders to come to terms with the social and religious implications of modernity. All in all, his emphasis on the intellectual history of French Jewry provides a new perspective on a significant chapter of Jewish history.

From horned devils to greedy money lenders, images have been used as weapons against Jews for thousands of years. Even photojournalist social reformers of the early twentieth century reinforced derogatory stereotypes of Jews as wretched, immoral, and dirty. Little attention has focused, however, on the ways in which Jews themselves have attempted to counteract these views and to construct their own ethnic and political identities. In The Jewish Self-Image in the West , Michael Berkowitz examines dozens of visual renderings from the fin-de-siècle to the beginning of the Second World War to argue that Jews have exercised some control over representations of their own national communities and aspirations. In the decades before the Holocaust, organized segments of Jewry enthusiastically appropriated modern media in order to exert a greater influence over their public images. Presenting photographs and graphic images by Jews as attempts to disrupt or undermine prevailing perceptions, Berkowitz reconstructs the development of the Jewish self-image in the West over a crucial half-century.

In this volume, Jules Chametzky has gathered his very personable stories and reminiscences of some of the many writers he has met or known as he writes, some fleetingly, a few more intensely over the course of his more than half a century in the business of reading, writing, and talking about literature, of teaching and editing. Not only do those writers emerge as the complicated and fascinating human beings they are, but we also come to know Jules himself, a warm and gracious storyteller. Praise for Out of Brownsville: NO STUDENT of American Jewish writing needs to be reminded that Jules Chametzky is one of its pioneers. A founding editor of the influential Massachusetts Review, he is perhaps especially noted for his study of the fiction of Abraham Cahan. He now caps a distinguished career as critic, editor, and teacher with this delightful volume of memoirs. It is astonishing to know how many of the shapers of literature in America Chametzky knew not merely as subjects met in passing but understood as artists. Readers and scholars will, of course, find their own favorites among the individual memoirs, but beyond the perceptiveness of the recollections and the shrewd assessments in them, there emerges Jules himself, warm, gracious, accepting, modest about his own achievements, which he scarcely mentions. One closes the book with a sense of regret that it has ended and with a feeling how good it was for those who met Jules and enjoyed, however briefly, his friendship. Joseph C. Landis, Editor, Yiddish-Modern Jewish Studies, Professor Emeritus of English, Queens College, CUNY WOVEN INTO these lively portraits and reminiscences of others are not only sudden illuminations of the characters portrayed and of the fleeting moments captured here, but also insights into the fragility of life, the power to create, and the strange magic of human encounters that make Jules Chametzky s memoir so touchingly social and pleasurable to read. Werner Sollors, Henry B. and Anne M. Cabot Professor of English Literature and Professor of African and African American Studies, Harvard University LEGENDARY EDITOR Jules Chametzky s book is autobiography at its cleanest: one s life through the eyes of others. His astute, personable dispatches are a map of Jewish intellectual trends in the United States in the second half of the twentieth century. Ilan Stavans, Lewis-Sebring Professor in Latin American and Latino Culture (Spanish), Amherst College ACCORDING TO the Jewish Midrash, the Book and the Sword came wrapped together, with a message: Regard what is written in the book, or be delivered to the sword. Jules Chametzky s love of books and their very human creators is expressed in this cultural memoir with affection and marvelous charm, yet there is also a tone of urgency, from a man who has dedicated his life to keeping the book open and the sword sheathed. Lawrence Bush, Editor, Jewish Currents About the Author: Jules Chametzky is Professor of English, emeritus, at the University of Massachusetts Amherst, where he taught from 1958 until 2004. He was a founder of The Massachusetts Review, of which he is Editor, emeritus, after 27 years as senior co-Editor. Chametzky has published numerous articles and reviews on Jewish American and American literature in popular and academic journals. His major publications include From the Ghetto: The Fiction of Abraham Cahan; Our Decentralized Literature: Cultural Mediations in Selected Jewish and Southern Writers; the Penguin edition of Abraham Cahan s The Rise of David Levinsky. He co-edited Black and White in American Culture: Ten Years of The Massachusetts Review; and Jewish American Literature: A Norton Anthology. Chametzky is the father of three sons and was married for 52 years to the late poet Anne Halley.

In Mediating Modernity, contemporary Jewish scholars pay tribute to Michael A. Meyer, scholar of German-Jewish history and the history of Reform Judaism, with a collection of essays that highlight growing diversity within the discipline of Jewish studies. The occasion of Meyer's seventieth birthday has served as motivation for his colleagues Lauren B. Strauss and Michael Brenner to compile this volume, with essays by twenty-four leading academics, representing institutions in five countries. Mediating Modernity is introduced by an overview of modern Jewish historiography, largely drawing on Meyer's work in that field, delineating important connections between the writing of history and the environment in which it is written. Meyer's own areas of specialization are reflected in essays on Moses Mendelssohn, German-Jewish historiography, the religious and social practices of German Jews, Reform Judaism, and various Jewish communities in America. The volume's field of inquiry is broadened by essays that deal with gender issues, literary analysis, and the historical relationship of Israel and the Palestinians. Though other volumes have been compiled to honor Jewish historians, Mediating Modernity is unique in the personal and intellectual relationships shared by its contributors and Michael A. Meyer. Scholars of Jewish studies, German history, and religious history will appreciate this timely volume.