"When Bernie Sanders began his race for the presidency, it was considered by the political establishment and the media to be a "fringe" campaign, something not to be taken seriously. After all, he was just an independent senator from a small state with little name recognition. His campaign had no money, no political organization, and it was taking on the entire Democratic Party establishment. By the time Sanders's campaign came to a close, however, it was clear that the pundits had gotten it wrong. Bernie had run one of the most consequential campaigns in the modern history of the country. He had received more than 13 million votes in primaries and caucuses throughout the country, won twenty-two states, and more than 1.4 million people had attended his public meetings. Most important, he showed that the American people were prepared to take on the greed and irresponsibility of corporate America and the 1 percent. In Our Revolution, Sanders shares his personal experiences from the campaign trail, recounting the details of his historic primary fight and the people who made it possible. And for the millions looking to continue the political revolution, he outlines a progressive economic, environmental, racial, and social justice agenda that will create jobs, raise wages, protect the environment, and provide health care for all--and ultimately transform our country and our world for the better. For him, the political revolution has just started. The campaign may be over, but the struggle goes on"--Provided by publisher.

The New York Times bestselling author of The Year of Living Biblically chronicles his hilarious adventures in attempting to follow the original meaning of the Constitution, as he searches for answers to one of the most pressing issues of our time: How should we interpret America’s foundational document? “I don’t know how I learned so much while laughing so hard.”—Andy Borowitz A.J. Jacobs learned the hard way that donning a tricorne hat and marching around Manhattan with a 1700s musket will earn you a lot of strange looks. In the wake of several controversial rulings by the Supreme Court and the on-going debate about how the Constitution should be interpreted, Jacobs set out to understand what it means to live by the Constitution. In The Year of Living Constitutionally , A.J. Jacobs tries to get inside the minds of the Founding Fathers by living as closely as possible to the original meaning of the Constitution. He asserts his right to free speech by writing his opinions on parchment with a quill and handing them out to strangers in Times Square. He consents to quartering a soldier, as is his Third Amendment right. He turns his home into a traditional 1790s household by lighting candles instead of using electricity, boiling mutton, and—because women were not allowed to sign contracts— feebly attempting to take over his wife’s day job, which involves a lot of contract negotiations. The book blends unforgettable adventures—delivering a handwritten petition to Congress, applying for a Letter of Marque to become a legal pirate for the government, and battling redcoats as part of a Revolutionary War reenactment group—with dozens of interviews from constitutional experts from both sides. Jacobs dives deep into originalism and living constitutionalism, the two rival ways of interpreting the document. Much like he did with the Bible in The Year of Living Biblically , Jacobs provides a crash course on our Constitution as he experiences the benefits and perils of living like it’s the 1790s. He relishes, for instance, the slow thinking of the era, free from social media alerts. But also discovers the progress we’ve made since 1789 when married women couldn’t own property. Now more than ever, Americans need to understand the meaning and value of the Constitution. As politicians and Supreme Court Justices wage a high-stakes battle over how literally we should interpret the Constitution, A.J. Jacobs provides an entertaining yet illuminating look into how this storied document fits into our democracy today.

How propaganda undermines democracy and why we need to pay attention Our democracy today is fraught with political campaigns, lobbyists, liberal media, and Fox News commentators, all using language to influence the way we think and reason about public issues. Even so, many of us believe that propaganda and manipulation aren't problems for us--not in the way they were for the totalitarian societies of the mid-twentieth century. In How Propaganda Works , Jason Stanley demonstrates that more attention needs to be paid. He examines how propaganda operates subtly, how it undermines democracy--particularly the ideals of democratic deliberation and equality--and how it has damaged democracies of the past. Focusing on the shortcomings of liberal democratic states, Stanley provides a historically grounded introduction to democratic political theory as a window into the misuse of democratic vocabulary for propaganda's selfish purposes. He lays out historical examples, such as the restructuring of the US public school system at the turn of the twentieth century, to explore how the language of democracy is sometimes used to mask an undemocratic reality. Drawing from a range of sources, including feminist theory, critical race theory, epistemology, formal semantics, educational theory, and social and cognitive psychology, he explains how the manipulative and hypocritical declaration of flawed beliefs and ideologies arises from and perpetuates inequalities in society, such as the racial injustices that commonly occur in the United States. How Propaganda Works shows that an understanding of propaganda and its mechanisms is essential for the preservation and protection of liberal democracies everywhere.

The hilarious and controversial host of HBO’s Real Time with Bill Maher has written his funniest, most opinionated, and most necessary book ever—a brilliantly astute and acerbically funny vivisection of American life, politics, and culture. Some of the smartest commentary about what’s happening in America is coming from a comedian—this comedian being Bill Maher. If you want to understand what’s wrong with this country, it turns out that one of the best informed and most thought-provoking analysts is this very funny pothead. The book was inspired by the “editorial” Bill delivers at the end of each episode of Real Time. These editorials are direct-to-camera sermons about culture, politics, and what’s happening in the world. To put this book together, Maher reviewed more than a decade of his editorials, rewriting, reimagining, and updating them, and adding new material to speak exactly to the moment we’re in. Free speech, cops, drugs, race, religion, the generations, cancel culture, the parties, the media, show biz, romance, health—Maher covers it all. The result is a hugely entertaining work of commentary about American culture in the tradition of Mark Twain, Will Rogers, and H. L. Mencken.

Driving down the Long Island Expressway in November of 1992, Sol Wachtler was New York's Chief Judge and heir apparent to the New York Governorship. Suddenly, three van loads of FBI agents swerved in front of him--bringing his car and his legal career to a halt. Wachtler's subsequent arrest, conviction and incarceration for harassing his longtime lover precipitated a media feeding frenzy, revealing to the world his struggles with romantic obsession, manic-depression and drug abuse. In this, his prison diary, Wachtler reveals the stark reality behind his vertiginous fall from the heights of the legal establishment to the underbelly of the criminal justice system. Sentenced to a medium security prison in Butner, North Carolina, Wachtler is stabbed by an unseen assailant, berated by prison guards, and repeatedly placed in solitary confinement with no explanation. Moreover, as a prisoner he confronts first hand the inequities of a system that his judicial rulings helped to construct and befriends the type of people he once sentenced to prison. With unflinching honesty, Wachtler draws upon his unique experience of living life on both sides of the bench to paint a chilling portrait of prison life interwoven with a no-holds-barred analysis of the shortcomings of the American legal justice system.

"Justin Trudeau' term as prime minister has been a disaster, but you wouldn't know it if your only source of news was the Media Party -- the liberal-leaning clique of reporters and commentators who would rather take a selfie with Trudeau than ask him a tough question.It's gotten even worse as the few remaining independent newspapers in Canada signed up for Trudeau's $600 million media bail-out. You just can't trust the media anymore, and Canadians know it.Trudeau wasn't properly vetted by the media in 2015. He slouched across the finish line on the strength of his last name and Baby Boomer nostalgia for the Trudeaumania of the 1960s. The result has been an incompetent government that has hurt Canada's prosperity at home and our relationships abroad.Canadians know something is desperately wrong -- the latest polls show 63% of voters disapprove of Trudeau's leadership. But with a full-court press from the Liberal Party, the Media Party and hundreds of third-party campaign groups (including some funded by the same Media Party journalists who will report on the 2019 election) there's a good chance Trudeau will be re-elected, even if it's with just a minority. That's what this book is about: it's really the case against Justin Trudeau. But it's not about any one policy or gaffe. It's about the real risk of Trudeau: the culture of corruption and cronyism that he has brought with him, that's corroding our democracy and even our rule of law. The Libranos is the story of grifters and scammers and secret favours for friends. It's about sociopaths who don't hesitate for a second to break the law if it gets them ahead. But mainly it's about an unaccomplished man who has nothing to offer but a famous last name and nice hair -- and how he took power anyway, and might just do it again."--From publisher.

A memoir of a life in activism by one of the original defendants in the Trial of the Chicago 7, subject of the 2020 Oscar-nominated Aaron Sorkin film of the same name. In March 1969, eight young men were indicted by the federal government for conspiracy to incite a riot at the 1968 Democratic National Convention. First dubbed the Conspiracy 8 and later the Chicago 7, the group included firebrands like Abbie Hoffman, Jerry Rubin, and Bobby Seale. But it also included a little-known community activist and social worker from the South Side of Chicago named Lee Weiner, who was just as surprised as the rest of the country when his name was included in the indictment. The ensuing trial of the Chicago 7 became a media sensation, and it changed Weiner's life forever. In this irreverent, freewheeling memoir of an indelible moment in history--which Kirkus Reviews called a welcome addition to the library of the countercultural 1960s left--Conspiracy to Riot shows how a commitment to your ideals can change your destiny forever. With startling relevance to today's polarized political climate, Conspiracy to Riot is a book for anyone who hopes for a better, more just world, and offers a blueprint for how to make it happen.

When Hillary Clinton spoke of "a vast right-wing conspiracy" determined to bring down the president, many people dismissed the idea. Yet if the first lady's accusation was exaggerated, the facts that have since emerged point toward a covert and often concerted effort by Bill Clinton's enemies--abetted by his own reckless behavior--which led inexorably to impeachment. Clinton's foes launched a cascade of well-financed attacks that undermined American democracy and nearly destroyed the Clinton presidency. In vivid prose, Joe Conason and Gene Lyons, two award-winning veteran journalists, identify the antagonists, reveal their tactics, trace the millions of dollars that subsidized them, and examine how and why mainstream news organizations aided those who were determined to bring down Bill Clinton, The Hunting of the President may very well be the All the President's Men of this political regime.

In 1979, Christopher Lasch published the epochal The Culture of Narcissism warning of the normalizing of narcissism in our society. Lasch may have understated it. 35 years later, in the Obama era with its parade of endless, often inexplicable, scandals we have a full blown epidemic of what has recently been called Moral Narcissism. Forget Narcissus and his reflection, Moral Narcissism the almost schizophrenic divide between intentions and results now pervading our culture is the new method for feeling good about yourself. It no longer matters how anything turns out as long as your intentions were good, that you were moral. And, just as importantly, the only determinant of those intentions, the only one who defines that morality, is you. I Know Best goes beyond Lasch to lay bare how this moral narcissism is behind all those scandals from Obamacare to the Veteran's Administration to the IRS, Benghazi, Bergdahl, Syria and beyond. Everything the Obama administration did and does was about making them feel good about themselves, the results be damned. And they have as their allies those supreme moral narcissists in the academy, media and Hollywood, ever willing to ratify those good intentions and ignore those same results. But I Know Best is not just about the Left. Moral Narcissism affects the right as well, even when they don't realize it. It is a true epidemic that must be cured in order to save our democratic republic and our futures.

For more than three decades, Ed Koch has been one of America's most interesting and outspoken political figures. In this provocative new book, Koch with Rafael Medoff guides readers through the major battles in his life-long fight against anti-Semitism. Interviews, speeches, new essays, never-before published personal correspondence, and more highlight his leadership--on campuses, in the media, on the streets of New York City, and in the halls of power in Washington, DC. The book also features personal letters from Henry Louis Gates, former President George Bush, and other prominent figures. Koch will reveal startling information for the first time here, and his writings are controversial, piercing, teasing, and questioning. This book will ignite discussion for years to come

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"Everyone is fascinated by crime." "When you look at the history of song, romantic love songs may be the dominant mode of songwriting, but second would probably be songs involving crime--murder ballads, political protest songs; crime is a major theme in all songwriting," says Harper Simon. He offers a new and expansive contribution to this legacy with Meditations on Crime , an ambitious multi-media project that includes an album he produced of musical collaborations with a sweeping range of contributors (Julia Holter, Gang Gang Dance, King Khan, the Sun Ra Arkestra) and a book he edited featuring essays by such notables as Miranda July, Hooman Majd, and Jerry Stahl, alongside artwork from giants like Cindy Sherman, Tracey Emin, Julian Schnabel, and Raymond Pettibon. The genesis of Meditations on Crime came in 2016 as the confluence of several ideas. Simon was interested in collaborating with musicians he knew and admired, to create a vinyl LP with an accompanying book--"a beautiful physical object to stand outside the digital world." Given what America was going through during that particular election year, though, he also thought it was a time that called for something more politically charged. Meditations on Crime --if you get down to it, crime is politics and politics is crime, so crime can go a lot of different ways. It seemed to be a way of approaching the moment that was a little more subtle and left space to explore." The songs were developed in a variety of ways: Sometimes Simon sent his collaborators guitar tracks or demos he was working on and had them write over that, sometimes he collaborated on lyrics. On the Sun Ra Arkestra track, he composed melodic themes and went to the group's home base of Philadelphia with the legendary producer Hal Willner, where they fleshed out two songs (Willner passed away in 2020 from Covid; "to have that creative moment with him makes it really touching for me," says Simon. As he reached out to more musicians ("I kind of just went with my gut, and one person led to the next"), Simon retained a consistent backing band for most of the tracks to keep some cohesion. He played most of the guitars, with Paz Lenchantin from the Pixies on bass and Carla Azar, who has played with everyone from Jack White to PJ Harvey to The Who, on drums, as well as members of Ariel Pink's band and Nick Zinner from the Yeah Yeah Yeah's. For the book, Simon points to "On Crime," the essay by Nigerian novelist and poet Ben Okri, as a central piece. "It almost felt like an introduction because it was so philosophical," he says. "It really set the tone and the book started to become less political and more interesting. Once that tone was set, you could go to this beautiful essay on war crimes by Janine di Giovanni, the famous foreign correspondent. You could see it go to a humorous piece by Jerry Stahl or an interview with Kenneth Anger. Wayne Kramer from the MC5 has a foundation called Jail Guitar Doors that brings musical instruments and songwriting to prisoners, and has spent time in prison himself, so I thought he would have an interesting perspective."

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.