In May 2017, Robert Mueller was tapped to lead an inquiry into Russian interference in the 2016 presidential election, coordination by foreign agents with Donald Trump's campaign, and obstruction of justice by the president. Mueller assembled a "dream team" of top prosecutors, and for the next twenty-two months, the investigation was a black box and the subject of endless anticipation and speculation--until April 2019, when the special counsel's report was released. In Where Law Ends, legendary prosecutor Andrew Weissmann--a key player in the Special Counsel's Office--finally pulls back the curtain to reveal exactly what went on inside the investigation, including the heated debates, painful deliberations, and mistakes of the team--not to mention the external efforts by the president and Attorney General William Barr to manipulate the investigation to their political ends. Weissmann puts the reader in the room as Mueller's team made their most consequential decisions, such as whether to subpoena the president, whether to conduct a full financial investigation of Trump, and whether to explicitly recommend obstruction charges against him. Weissmann also details for the first time the debilitating effects that President Trump himself had on the investigation, through his dangling of pardons and his constant threats to shut down the inquiry and fire Mueller, which left the team racing against the clock and essentially fighting with one hand tied behind their backs. In Where Law Ends, Weissmann conjures the camaraderie and esprit de corps of the investigative units led by the enigmatic Mueller, a distinguished public servant who is revealed here, in a way we have never seen him before, as a manager, a colleague, and a very human presence. Weissmann is as candid about the team's mistakes as he is about its successes, and is committed to accurately documenting the historic investigation for future generations to assess and learn from. Ultimately, Where Law Ends is a story about a team of public servants, dedicated to the rule of law, tasked with investigating a president who did everything he could to stand in their way.

"What if you woke up one morning and found you'd acquired another self--a double who was almost you and yet not you at all? What if that double shared many of your preoccupations but, in a twisted, upside-down way, furthered the very causes you'd devoted your life to fighting against? Not long ago, the celebrated activist and public intellectual Naomi Klein had just such an experience--she was confronted with a doppelganger whose views she found abhorrent but whose name and public persona were sufficiently similar to her own that many people got confused about who was who. Destabilized, she lost her bearings, until she began to understand the experience as one manifestation of a strangeness many of us have come to know but struggle to define: AI-generated text is blurring the line between genuine and spurious communication; New Age wellness entrepreneurs turned anti-vaxxers are scrambling familiar political allegiances of left and right; and liberal democracies are teetering on the edge of absurdist authoritarianism, even as the oceans rise. Under such conditions, reality itself seems to have become unmoored. Is there a cure for our moment of collective vertigo? Naomi Klein is one of our most trenchant and influential social critics, an essential analyst of what branding, austerity, and climate profiteering have done to our societies and souls. Here she turns her gaze inward to our psychic landscapes, and outward to the possibilities for building hope amid intersecting economic, medical, and political crises. With the assistance of Sigmund Freud, Jordan Peele, Alfred Hitchcock, and bell hooks, among other accomplices, Klein uses wry humor and a keen sense of the ridiculous to face the strange doubles that haunt us--and that have come to feel as intimate and proximate as a warped reflection in the mirror. Combining comic memoir with chilling reportage and cobweb-clearing analysis, Klein seeks to smash that mirror and chart a path beyond despair. Doppelganger asks: What do we neglect as we polish and perfect our digital reflections? Is it possible to dispose of our doubles and overcome the pathologies of a culture of multiplication? Can we create a politics of collective care and undertake a true reckoning with historical crimes? The result is a revelatory treatment of the way many of us think and feel now--and an intellectual adventure story for our times"--

Is social media destroying democracy? Are Russian propaganda or "Fake news" entrepreneurs on Facebook undermining our sense of a shared reality? A conventional wisdom has emerged since the election of Donald Trump in 2016 that new technologies and their manipulation by foreign actors played a decisive role in his victory and are responsible for the sense of a "post-truth" moment in which disinformation and propaganda thrives. Network Propaganda challenges that received wisdom through the most comprehensive study yet published on media coverage of American presidential politics from the start of the election cycle in April 2015 to the one year anniversary of the Trump presidency. Analyzing millions of news stories together with Twitter and Facebook shares, broadcast television and YouTube, the book provides a comprehensive overview of the architecture of contemporary American political communications. Through data analysis and detailed qualitative case studies of coverage of immigration, Clinton scandals, and the Trump Russia investigation, the book finds that the right-wing media ecosystem operates fundamentally differently than the rest of the media environment. The authors argue that longstanding institutional, political, and cultural patterns in American politics interacted with technological change since the 1970s to create a propaganda feedback loop in American conservative media. This dynamic has marginalized centre-right media and politicians, radicalized the right wing ecosystem, and rendered it susceptible to propaganda efforts, foreign and domestic. For readers outside the United States, the book offers a new perspective and methods for diagnosing the sources of, and potential solutions for, the perceived global crisis of democratic politics

"No longer the exclusive province of the far right and far left, anti-semitism finds a home in identity politics and the reaction against identity politics, in the renewal of "America first" isolationism and the rise of one-world socialism. An ancient hatred increasingly allowed into modern political discussion, anti-semitism has been migrating toward the mainstream in dangerous ways, amplified by social media and a culture of conspiracy that threatens us all. This timely book is Weiss's cri de couer: an unnerving reminder that Jews must never lose their hard-won instinct for danger, and a powerful case for renewing Jewish and liberal values to guide us through this uncertain moment. Not just for the sake of America's Jews, but for the sake of America"--

"For several years, Andrew Marantz, a New Yorker staff writer, has been embedded in two worlds. The first is the world of social-media entrepreneurs, who, acting out of naïvete and reckless ambition, upended all traditional means of receiving and transmitting information. The second is the world of the people he calls "the gate crashers" -- the conspiracists, white supremacists, and nihilist trolls who have become experts at using social media to advance their corrosive agenda. Antisocial ranges broadly -- from the first mass-printed books to the trending hashtags of the present; from secret gatherings of neo-Fascists to the White House press briefing room -- and traces how the unthinkable becomes thinkable, and then how it becomes reality. Combining the keen narrative detail of Bill Buford's Among the Thugs and the sweep of George Packer's The Unwinding, Antisocial reveals how the boundaries between technology, media, and politics have been erased, resulting in a deeply broken informational landscape -- the landscape in which we all now live. Marantz shows how alienated young people are led down the rabbit hole of online radicalization, and how fringe ideas spread -- from anonymous corners of social media to cable TV to the President's Twitter feed. Marantz also sits with the creators of social media as they start to reckon with the forces they've unleashed. Will they be able to solve the communication crisis they helped bring about, or are their interventions too little too late?" --

Amy Goodman, award-winning host of the daily internationally broadcast radio and television program Democracy Now!, breaks through the corporate media's lies, sound bites, and silence in this wide-ranging new collection of articles. "Amy Goodman has taken investigative journalism to new heights of exciting, informative, and probing analysis."--Noam Chomsky "You can learn more of the truth about Washington and the world from one week of Amy Goodman's Democracy Now! than from a month of Sunday morning talk shows. Make that a year of Sunday talk shows. That's because Amy, as you will discover on every page of this book, knows the critical question for journalists is how close they are to the truth, not how close they are to power."--From the Preface by Bill Moyers In place of the usual suspects--the "experts" who, in Goodman's words, "know so little about so much, explain the world to us, and get it so wrong"--this accessible, lively collection allows the voices the corporate media exclude and ignore to be heard loud and clear. From community organizers in New Orleans, to the courageous American soldiers who've said "No" to Washington's wars, to the victims of torture and police violence, we are given the extraordinary opportunity to hear ordinary people standing up and speaking out. Written with all of the fierce intelligence and passion for truth that millions have come to expect from Amy Goodman's reportage, Breaking the Sound Barrier proves the power that independent journalism can play in the struggle for a better world, one in which ordinary citizens are the true experts of their own lives and communities. Amy Goodman is an award-winning investigative journalist and syndicated columnist, author and the host/executive producer of Democracy Now! airing on nearly 800 stations worldwide. Goodman is the first journalist to receive the Right Livelihood Award, widely known as the 'Alternative Nobel Prize' for "developing an innovative model of truly independent grassroots political journalism that brings to millions of people the alternative voices that are often excluded by the mainstream media.". Goodman is the co-author with her brother, journalist David Goodman, of three New York Times bestsellers: Standing Up to the Madness, Static, and The Exception to the Rulers.

""Amy Goodman has taken investigative journalism to new heights of exciting, informative, and probing analysis."-Noam Chomsky Amy Goodman and Denis Moynihan began writing a weekly column, "Breaking the Sound Barrier," for King Features Syndicate in 2006. This timely new sequel to Goodman's New York Times bestseller of the same name gives voice to the many ordinary people standing up to corporate and government power-and refusing to be silent. The Silenced Majority pulls back the veil of corporate media reporting to dig deep into the politics of "climate apartheid," the implications of the Fukushima nuclear disaster, the movement to halt the execution of Troy Anthony Davis, and the globalization of dissent "From Tahrir Square to Liberty Plaza." Throughout Goodman and Moynihan show the power of ordinary people to change their media-and change the world. Amy Goodman is a multiple New York Times best-selling author and the host and executive producer of Democracy Now! a daily independent news program airing on more than one thousand television and radio stations. Time named Democracy Now! its "Pick of the Podcasts," along with NBC's Meet the Press. Goodman is the first journalist to receive the Right Livelihood Award, widely known as the "Alternative Nobel Prize." Denis Moynihan, since helping co-found Democracy Now! as an independent production company in 2002, has participated in the organization's growth, focusing primarily on distribution, infrastructure development, and coordinating complex live broadcasts from all continents (save Antarctica). He lives in Denver, Colorado. "--

"As the Internet grows more sophisticated, it is creating new threats to democracy. Social media companies such as Facebook can sort us ever more efficiently into groups of the like-minded, creating echo chambers that amplify our views. It's no accident that on some occasions, people of different political views cannot even understand each other. It's also no surprise that terrorist groups have been able to exploit social media to deadly effect. Welcome to the age of #Republic. In this revealing book, Cass Sunstein, the New York Times bestselling author of Nudge and The World According to Star Wars, shows how today's Internet is driving political fragmentation, polarization, and even extremism--and what can be done about it. Thoroughly rethinking the critical relationship between democracy and the Internet, Sunstein describes how the online world creates "cybercascades," exploits "confirmation bias," and assists "polarization entrepreneurs." And he explains why online fragmentation endangers the shared conversations, experiences, and understandings that are the lifeblood of democracy. In response, Sunstein proposes practical and legal changes to make the Internet friendlier to democratic deliberation. These changes would get us out of our information cocoons by increasing the frequency of unchosen, unplanned encounters and exposing us to people, places, things, and ideas that we would never have picked for our Twitter feed. #Republic need not be an ironic term. As Sunstein shows, it can be a rallying cry for the kind of democracy that citizens of diverse societies most need. "--

"Bad News is a response to Thomas Frank's 2004 book "What's the Matter with Kansas." I ask the same question he asked about the right, but about the left: Why is the media obsessed with racism, even though it's getting objectively better by every measure we have? I argue that the liberal media is mainstreaming a woke culture war based on ideas that were relegated to the academic fringe as recently as a decade ago because it's in their economic interests to do so. It explores how digital media and social media supplied journalists, now part of the American elite, with an alternative way to feel like heroes while further consolidating power and wealth in the hands of the few rather than the many. The book then explores the larger context of the great American class divide, and how journalism has been both a product and accelerator of inequality"--

"A moving call to recommit to the great project of our common life." ( Wall Street Journal ) Americans are living through a social crisis. Our politics are polarized and bitterly divided. Culture wars rage on campuses, social media, and sometimes in the streets and public squares. And for too many Americans, alienation can descend into despair, weakening families and communities. Left and right alike have responded with anger at our institutions, and use only metaphors of destruction to describe the path forward: cancelling, defunding, draining the swamp. But, as Yuval Levin argues, this is a misguided prescription, rooted in a defective diagnosis. The social crisis we confront is defined not by an oppressive presence but by a debilitating absence of the forces that unite us and militate against alienation. In A Time to Build , now updated with a new epilogue, Levin argues that today is not a time to tear down, but rather to build and rebuild by committing ourselves to the institutions around us. From the military to churches, from families to schools, these institutions provide the forms and structures we need to be free. By taking concrete steps to help them be more trustworthy, we can renew the ties that bind Americans to one another.

A witty and penetrating look at the celluloid culture of the 1960s by the Village Voice 's celebrated film critic. In The Dream Life , Village Voice film critic J. Hoberman turns his attention to the 1960s, the era when politics and culture became one. With wildly entertaining reinterpretations of key Hollywood movies (such as Dr. Strangelove, Bonnie and Clyde, The Wild Bunch , and Shampoo ), Hoberman reconstructs the hidden political history of 1960s cinema. Meanwhile, against the pageantry of four national elections1960 to 1972he describes the formation of America's spectacular, image-laden political culture. In the era when the missile gap, the sexual revolution, and the Vietnam War became inseparable from the triumph of television, the development of political image-making, and the advent of Pop Art, American politics, mass media, and publicity became the new social spectacle. Through meditations on the personas of Che Guevara, John Wayne, Patty Hearst, Jane Fonda, Ronald Reagan, and Dirty Harry, Hoberman moves deftly between the political backgrounds of movies and the fantastic dimensions of politics, producing a brilliant and comic cultural history of the rise of our mass-mediated politics.

Brooks takes on the new 'Intellectual Dark Web.' As the host of The Michael Brooks Show and co-host of the Majority Report, Brooks was a progressive fighter whose work brought people together from around the world. In this, his first book, he lets his understanding of the digital media environment direct his analysis of the "conservative rebels" who had taken YouTube by storm in 2018. Brooks provides a critique of the most prominent "renegades" including Sam Harris, Jordan Peterson, and Brett Weinstein while also examining the social, political and media environment that such rebels thrive in. --From publisher description.

"Known for his network of conservative Web sites ... the love-hate relationship between Breitbart and the media has turned him into one of the most polarizing figures of our time"--Page 4 of cover.

"If you want to understand not only what happened in 2016, but what's going to happen tomorrow, this book is essential reading. Susan Bordo brings a scholar's rigor and a lioness' heart to this important work." --Paul Begala "Among the best books I've read on the 2016 election . . . the perfect companion to Clinton's What Happened ." --Peter Daou The Destruction of Hillary Clinton is an answer to the question many have been asking: How did an extraordinarily well-qualified, experienced, and admired candidate--whose victory would have been as historic as Barack Obama's--come to be seen as a tool of the establishment, a chronic liar, and a talentless politician? In this masterful narrative of the 2016 campaign year and the events that led up to it, Susan Bordo unpacks the Rights' assault on Clinton and her reputation, the way the left provoked suspicion and indifference among the youth vote, the inescapable presence of James Comey, questions about Russian influence, and the media's malpractice in covering the candidate. Urgent, insightful, and engrossing, The Destruction of Hillary Clinton is an essential guide to understanding the most controversial presidential election in American history.

"Are rural white Christians the real Americans? Should teachers be armed or should the Second Amendment be repealed? Is abortion murder or an ethically sound choice for women? Should migrant babies be caged or should ICE be abolished? Should billionaires exist while children go hungry? These are some of the bitter ideological disputes that have turned social media into a political battlefield. In Digital Civil War, Peter Daou, a veteran digital-media adviser to presidential candidates, investigates the underlying value systems and moral arguments of the warring parties, arguing that democracy itself is under assault by an emboldened and empowered Far Right. Daou shows how the digital civil war is waged with words and images that are designed to inflict psychological harm, to injure through verbal violence, to wreak havoc with rhetoric. And he explains that the relentless toxicity of social media - often treated as an aberration - is a feature, not a bug, of digital warfare."--Amazon.com.

"Judy Gold, a concise, funny, and thoughtful polemic on the current assault on comedy, that explores how it is undermining free speech and a fundamental attack against the integrity of the art. From Mae West and Lenny Bruce to Richard Pryor and Howard Stern to Kathy Griffith and Kevin Hart, comedians have long been under fire for using provocative, often taboo subjects to challenge mores and get a laugh. But in the age of social media, comedians are at greater risk of being silenced, enduring shaming, threats, and damaged careers because of angry, censorious electronic mobs. But while comedians' work has often been used to rile up detractors, a new threat has emerged from the left: identity politics and notions like "safetyism" and trigger warnings that are now creating a cultural and political standard that runs perilously close to censorship. From college campuses to the Oscars, comics are being censured for old jokes, long-standing comedy traditions, unfinished bits and old material that instead of being forgotten, go viral. For comics like Judy Gold, today's attacks on comics would have Richard Pryor and Lenny Bruce "rolling in their graves." "No one has the right to tell comics what they can or cannot joke about. Do you tell artists what they can or cannot paint?" she asks. Freedom of speech is fundamental for great stand-up comedy. Humor is the most palatable way to discuss a subversive or taboo topic, but it better be funny. A comic's observations are deliberately delivered to entertain, provoke, and lead to an exchange of ideas. "We are truth tellers." More important, the tolerance of free speech is essential for a healthy democracy. In addition to offering readers a quick study on the history of comedy and the arts (noting such historical reference points as The Hays Code) and the threats to them., Gold takes readers on a hilarious ride with chapters such as "Thank God Don Rickles is Dead," as well as her singular take on "micro-aggressions," such as: Person: "OMG! You're a lesbian? I had no idea. I mean you wear make-up. When did you become a lesbian?" Judy Gold: "Coincidently, right after I met you!" (micro-assault!) In this era of "fake news," partisan politics, and heated rhetoric, the need to protect free speech has never been greater, especially for comics, who often serve as the canaries in the coalmine, monitoring the health of our democracy. Yes I Can Say That is a funny and provocative look at how safe spaces are the very antithesis of comedy as an art form-and an urgent call to arms to protect our most fundamental Constitutional right. There's a good reason it was the FIRST amendment"--

In 2016, when millions of Americans voted for Donald Trump, many believed his claims that personal wealth would free him from wealthy donors and allow him to “drain the swamp.” But then Trump appointed several billionaires and multimillionaires to high-level positions and pursued billionaire-friendly policies, such as cutting corporate income taxes. Why the change from his fiery campaign rhetoric and promises to the working class? This should not be surprising, argue Benjamin I. Page, Jason Seawright, and Matthew J. Lacombe: As the gap between the wealthiest and the rest of us has widened, the few who hold one billion dollars or more in net worth have begun to play a more and more active part in politics—with serious consequences for democracy in the United States. Page, Seawright, and Lacombe argue that while political contributions offer a window onto billionaires’ influence, especially on economic policy, they do not present a full picture of policy preferences and political actions. That is because on some of the most important issues, including taxation, immigration, and Social Security, billionaires have chosen to engage in “stealth politics.” They try hard to influence public policy, making large contributions to political parties and policy-focused causes, leading policy-advocacy organizations, holding political fundraisers, and bundling others’ contributions—all while rarely talking about public policy to the media. This means that their influence is not only unequal but also largely unaccountable to and unchallengeable by the American people. Stealth politics makes it difficult for ordinary citizens to know what billionaires are doing or mobilize against it. The book closes with remedies citizens can pursue if they wish to make wealthy Americans more politically accountable, such as public financing of political campaigns and easier voting procedures, and notes the broader types of reforms, such as a more progressive income tax system, that would be needed to increase political equality and reinvigorate majoritarian democracy in the United States.

The New York Times bestseller! From the #1 New York Times bestselling author of This Town , an equally merciless probing of America's biggest cultural force, pro football, at a moment of peak success and high anxiety Like millions of Americans, Mark Leibovich has spent more of his life tuned into pro football than he'd care to admit. Being a lifelong New England Patriots fan meant growing up on a steady diet of lovable loserdom. That is, until the Tom Brady/Bill Belichick era made the Pats the most ruthlessly efficient and polarizing sports dynasty of the modern NFL, and its fans the most irritating in all of Pigskin America. Leibovich kept his obsession quiet, making a nice career for himself covering that other playground for rich and overgrown children, American politics. Still, every now and then Leibovich would reach out to Tom Brady to gauge his willingness to subject himself to a profile. He figured that the chances of Brady agreeing were a Hail Mary at best, but Brady returned Mark's call in summer 2014 and kept on returning his calls through epic Patriots Super Bowl victory and defeat, and a scandal involving Brady--Deflategate--whose grip on sports media was as profound as its true significance was ridiculous. So began a four-year odyssey that took Mark Leibovich deeper inside the NFL than anyone has gone before. From the owners' meeting to the draft to the sidelines of crucial games, he takes in the show at the elbow of everyone from Brady to big-name owners to the cordially despised NFL Commissioner, Roger Goodell. Ultimately, BIG GAME is a chronicle of "peak football"--the high point of the sport's economic success and cultural dominance, but also the time when the dark side began to show. It is an era of explosive revenue growth, but also one of creeping existential fear. Players have long joked that NFL stands for "not for long," but as the true impact of concussions becomes inescapable background noise, it's increasingly difficult to enjoy the simple glory of football without the buzz-kill of its obvious consequences. And that was before Donald Trump. In 2016, Mark's day job caught up with him, and the NFL slammed headlong into America's culture wars. BIG GAME is a journey through an epic storm. Through it all, Leibovich always keeps one eye on Tom Brady and his beloved Patriots, through to the 2018 Super Bowl. Pro football, this hilarious and enthralling book proves, may not be the sport America needs, but it is most definitely the sport we deserve.

"War in 140 Characters examines the role of social media and other forms of 'new media' in changing the face of modern warfare. War is, more than ever, a clash of narratives--with each state/party fighting to control the spread of information and project their narrative to the outside world. Social media has shattered traditional hierarchies between the state and its citizens, enabling the individual or networks of individuals to influence the direction of conflict to a degree previously thought impossible. State militaries now employ official Social Media warriors to influence the narrative online; in Russia, paid trolls flood the internet with pro-Russian tweets, blog posts, and comments in order to create the sense of "authentic" support for the annexation of Crimea. Even private civilians can single-handedly alter the course of war. New media has expanded the arena of conflict into the virtual world, which is every bit as real and often more important than the fighting on the ground. Whether you are a president or a terrorist, if you don't understand how to deploy the power of media effectively you may win the odd battle but you will lose a twenty-first century war. War in 140 Characters provides a new narrative for modern warfare, exploring the way social media has transformed the way that we fight, win, and consume wars, and what that means for the world going forward."--Provided by publisher.

" The public intellectual, as a person and ideal, has a long and storied mythology. Writing in venues like the New Republic and Foreign Affairs, they are expected to opine on a broad array of topics, from foreign policy to literature to economics. Yet in recent years a new kind of thinker has supplanted that archetype: the thought leader. Equipped with one big idea, thought leaders focus their energies on TED talks more than highbrow periodicals. How did this shift happen? In The Ideas Industry, Daniel W. Drezner points to the roles of political polarization, heightened inequality, and eroding trust in authority as ushering in the change. In contrast to public intellectuals, thought leaders gain fame as single-idea merchants. Their ideas are often laudable and highly ambitious: ending global poverty by 2025, for example. But instead of a class composed of university professors and freelance intellectuals debating in highbrow magazines, thought leaders can bypass traditional gatekeepers to directly influence policymakers and the public. They are more immune to criticism--and in this century, the criticism of public intellectuals also counts for less. Three factors have reshaped the world of ideas: waning trust in expertise, increasing political polarization and rising levels of plutocracy. The erosion of trust has lowered the barriers to entry in the marketplace of ideas. Thought leaders don't need doctorates or fellowships to advance their arguments. Polarization is hardly a new phenomenon, but in contrast to their predecessors, today's intellectuals are more likely to enjoy the support of ideologically friendly private funders and be housed in ideologically-driven think tanks. Increasing inequality is a key driver: more than ever before, contemporary plutocrats fund intellectuals and policy shops that generate arguments that align with their own. There are downsides to the contemporary ideas industry, but Drezner argues that it is very good at broadcasting ideas widely and reaching large audiences of people hungry for new thinking. Both fair-minded and trenchant, The Ideas Industry will reshape our understanding of contemporary public intellectual life in America and the West."--