A short and entertaining audiobook on the modern art of writing well by New York Times bestselling author Steven Pinker Why is so much writing so bad, and how can we make it better? Is the English language being corrupted by texting and social media? Do the kids today even care about good writing? Why should any of us care? In The Sense of Style , the bestselling linguist and cognitive scientist Steven Pinker answers these questions and more. Rethinking the usage guide for the twenty-first century, Pinker doesn't carp about the decline of language or recycle pet peeves from the rulebooks of a century ago. Instead, he applies insights from the sciences of language and mind to the challenge of crafting clear, coherent, and stylish prose. In this short, cheerful, and eminently practical book, Pinker shows how writing depends on imagination, empathy, coherence, grammatical knowhow, and an ability to savor and reverse engineer the good prose of others. He replaces dogma about usage with reason and evidence, allowing writers and editors to apply the guidelines judiciously, rather than robotically, being mindful of what they are designed to accomplish. Filled with examples of great and gruesome prose, Pinker shows us how the art of writing can be a form of pleasurable mastery and a fascinating intellectual topic in its own right. Includes a PDF of the Glossary and Grammar Trees.

$#*! My Dad Says

Named a Best Book of the Year by The Economist , Financial Times , Inc. , Prospect Magazine , and The Conversation “The most comprehensive and reasonable story of this shift that has yet been attempted . . . Mounk has told the story of the Great Awokening better than any other writer who has attempted to make sense of it.” — The Washington Post “An intellectual tour de force about the origins of identity politics and the threat it presents to genuine, honest, old-fashioned liberalism.” — Bret Stephens, The New York Times “Among the most insightful and important books written in the last decade on American democracy and its current torments, because it also shows us a way out of the trap.” —Jonathan Haidt, author of The Righteous Mind , and coauthor of The Coddling of the American Mind “Outstanding.” — David Brooks, The New York Times A fascinating account of the origins of “wokeness”—and a trenchant explanation for why the noble goals of identity politics are doomed to fail For much of history, societies have violently oppressed ethnic, religious, and sexual minorities. It is no surprise that many came to believe that members of mar­ginalized groups need to take pride in their identity to resist injustice. But over the past decades, a healthy appreciation for the culture and heritage of minority groups transformed into our contemporary form of identity politics, a counterproductive obsession with group identity. This new ideology denies that members of different groups can truly understand each other and insists that the way governments treat their citizens should depend on the color of their skin. This, Yascha Mounk argues, is the identity trap. Those who battle for these ideas are often full of good intentions. But they ultimately stand in the way of the genuine equality we desperately need. Mounk was one of the first to warn of the risks that right-wing populists pose to American democracy, a danger that remains as serious as ever. But as he shows here, the identitarian left and the populist right actually reinforce each other; to vanquish one, it is necessary to oppose both. In The Identity Trap , Mounk provides the most ambitious and comprehensive account to date of the origins, consequences, and limitations of “wokeness.” He shows how postmodernism, postcolonialism, and critical race theory conquered many college campuses and forged an “identity synthesis” that gained tremendous influence in business, media, and government by 2020. Finally, Mounk makes a nuanced philosophical case for why these ideas are so counterproductive—and why universal, humanist values can best serve the vital goal of true equality. The Identity Trap provides truth and clarity where they are needed most.

Crystallizing Public Opinion is a groundbreaking book on public relations, written by Edward Bernays, the father of modern PR. Originally published in 1923, this influential work explores the psychology of mass communication, the power of propaganda, and the strategic methods used to shape public opinion. Bernays, drawing from psychology, sociology, and media influence, reveals how businesses, governments, and organizations can use public relations techniques to sway public perception and control narratives. This book is essential reading for marketing professionals, public relations experts, advertisers, political strategists, and media analysts. Bernays explains the role of group psychology, the herd instinct, and mass persuasion tactics, making it clear that effective public relations is both an art and a science. His insights into media manipulation, corporate branding, and political propaganda remain as relevant today as they were a century ago. Perfect for those interested in marketing strategies, psychological influence, corporate communication, and social influence, Crystallizing Public Opinion provides a historical foundation for the modern PR industry. Whether you are a communications student, business leader, journalist, or historian, this book offers invaluable lessons on the mechanics of shaping public thought and the responsibility of ethical persuasion in an increasingly media-driven world.

Greg Palast digs deep to unearth the ugly facts that few reporters working anywhere in the world today have the courage or ability to cover. From East Timor to Waco, Karachi to Santiago, he has exposed some of the most egregious cases of political corruption, corporate fraud, and financial manipulation, globally. His uncanny investigative skills as well as his acerbic wit and no-holds-barred style have made him an anathema among magnates on four continents and a living legend among his colleagues and his devoted readership, worldwide. This exciting new collection brings together some of Palast's most powerful and influential writing of the past decade. His columns in the Observer have a cult following and he made headline news when he went undercover for the Observer to break open the 'Lobbygate' scandal of corruption inside the Blair Cabinet. Included here are his reports on that story, which earned him the distinction of being the first journalist ever to be personally attacked on the floor of Parliament by a prime minister; his celebrated Washington Post exposé on Jeb Bush and Katherine Harris's stealing of the presidential election in Florida, which made him "a legend and a hero on the Internet" (Alan Colmes / Fox Radio) when it ran in Salon.com; and recent stories on George W. Bush's pay-offs to corporate cronies, and the business-created 'energy crisis.' Also included in this volume are new and previously unpublished material, television transcripts, photographs, and letters.

"In 1950, mathematician-philosopher Norbert Wiener ended this classic book on the place of machines in society with a warning: "We shall never receive the right answers to our questions unless we ask the right questions.... The hour is very late, and the choice of good and evil knocks at our door." Wiener, the founder of the science of cybernetics--the study of the relationship between computers and the human nervous system--was widely mislabeled as an advocate for the automation of human life. As The Human Use for Human Beings reveals, his vision was much more complex and interesting, and is more relevant in today's world of AI than anyone could have anticipated. In his new introduction, Brian Christian aptly calls Wiener the "progenitor of contemporary AI-safety discourse." Wiener hoped that machines would release people from relentless and repetitive drudgery to achieve more creative pursuits, yet he anticipated the danger of dehumanizing and displacement. His pioneering views on the human-machine relationship as a "communicative process" are only more crucial now, as we carry in our pockets AI devices that we can literally speak to. His prescient warnings illuminate our contemporary relationships with language, art, and even social media. The Human Use of Human Beings examines the implications of cybernetics for education, law, language, science, technology, as Wiener anticipates the enormous impact--in effect, a third industrial revolution--that the computer has had on our lives."-- Provided by publisher

"New technologies are offering companies, politicians, and others unprecedented opportunity to manipulate us. Sometimes we are given the illusion of power - of freedom - through choice, yet the game is rigged, pushing us in specific directions that lead to less wealth, worse health, and weaker democracy. In, Manipulation, nudge theory pioneer and New York Times bestselling author, Cass Sunstein, offers a new definition of manipulation for the digital age, explains why it is wrong; and shows what we can do about it. He reveals how manipulation compromises freedom and personal agency, while threatening to reduce our well-being; he explains the difference between manipulation and unobjectionable forms of influence, including 'nudges'; and he lifts the lid on online manipulation and manipulation by artificial intelligence, algorithms, and generative AI, as well as threats posed by deepfakes, social media, and 'dark patterns,' which can trick people into giving up time and money. Drawing on decades of groundbreaking research in behavioral science, this landmark book outlines steps we can take to counteract manipulation in our daily lives and offers guidance to protect consumers, investors, and workers." --

"The book is arranged by theme and occasion: Memorials and Patriotic Speeches, War and Revolution Speeches, Tributes and Eulogies, Debates and Argumentation, Trial Speeches, Gallows and Farewell Speeches, Sermons, Inspirational Speeches, Lectures and Instructive Speeches, Speeches of Social Responsibility, Media Speeches, Political Speeches (in Safire's words, "the anthologist's mother's milk"), and Commencement Addresses. Each speech is expertly introduced by the editor, who places the speech's occasion in historical context and analyzes the particular techniques that give the speech its force and effect. William Safire enlivens many of these introductions with personal anecdotes of the circumstances of the speechmaker and the speech. His Introduction is a brisk, compact, effective short course in how to make a great speech - with a cornucopia of examples to follow." "No one faced with the need to go before an audience of any size to argue, persuade, uplift, introduce, memorialize, or amuse should be without Lend Me Your Ears. It serves equally as a work of permanent reference use and as a treasure-house for the browser in search of inspiration, instruction, and entertainment. In this anthology, editor and subject matter have met to result in a book that draws from the ages - and that will last for decades as the definitive word on human eloquence."--BOOK JACKET.

NEW YORK TIMES BESTSELLER • A fascinating portrait of journalism and the people who make it, told through pieces collected from the incomparable six-decade career of bestselling author and longtime New Yorker writer Calvin Trillin “ The Lede contains profiles . . . that are acknowledged classics of the form and will be studied until A.I. makes hash out of all of us.”—Dwight Garner, The New York Times LONGLISTED FOR THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD I’ve been writing about the press almost as long as I’ve been in the game. At some point, it occurred to me that disparate pieces from various places in various styles amounted to a picture from multiple angles of what the press has been like over the years since I became a practitioner and an observer. Calvin Trillin has reported serious pieces across America for The New Yorker, covered the civil rights movement in the South for Time, and written comic verse for The Nation . But one of his favorite subjects over the years—a superb fit for his unique combination of reportage and humor—has been his own professional environment: the American press. In The Lede, Trillin gathers his incisive, often hilarious writing on reporting, reporters, and the media world that is their orbit. He writes about a legendary crime reporter in Miami, a swashbuckling New York Times reporter, and an erudite film critic in Dallas who once a week transformed himself from an appreciator of the French nouvelle vague into a crude connoisseur of movies like Mother Riley Meets the Vampire . There are pieces on the House of Lords aspirations of a North American press baron, the paucity of gossip columns in Russia, the embroilment of a weekly newspaper in a missing person case, and the founding of a publication called Beautiful Spot: A Magazine of Parking . Uniting all of this is Trillin’s signature combination of empathy, humor, and graceful prose. The Lede is an unparalleled portrait of one of our fundamental American institutions from a master journalist.

Distinctive yet accessible, these full-color maps and graphics afford readers a unique view of current international affairs by translating key political, economic, and social indicators into readily grasped visual form. "Unique and uniquely beautiful, " previous editions of this atlas have told us "more about the world today than a dozen statistical abstracts or scholarly tomes" (Los Angeles Times). In addition to the many topics covered in the previous edition -- population growth and migrations; pressures on the environment; military spending and the arms trade; racism and gender politics -- this new edition includes presentations on stock markets, state crimes, superpowerdom, ethnicity and multiculturalism, the Internet, digital media, and more. For a concise yet comprehensive survey of the world today, The State of the World Atlas is unmatched.

Michael Wolff knows Rupert Murdoch, Barry Diller, Jean-Marie Messier, Steve Ross and Ted Turner. He knows what they want, what fuels their appetites and what they can and can't see when they look in the mirror (or the financial pages). And he tells us all he knows in this report.

"If there is one genre that has captured the imagination of people in all walks of life throughout the world, it is the fairy tale. Yet we still have great difficulty understanding how it originated, evolved, and spread--or why so many people cannot resist its appeal, no matter how it changes or what form it takes. In this book, renowned fairy-tale expert Jack Zipes presents a provocative new theory about why fairy tales were created and retold--and why they became such an indelible and infinitely adaptable part of cultures around the world. Drawing on cognitive science, evolutionary theory, anthropology, psychology, literary theory, and other fields, Zipes presents a nuanced argument about how fairy tales originated in ancient oral cultures, how they evolved through the rise of literary culture and print, and how, in our own time, they continue to change through their adaptation in an ever-growing variety of media. In making his case, Zipes considers a wide range of fascinating examples, including fairy tales told, collected, and written by women in the nineteenth century; Catherine Breillat's film adaptation of Perrault's "Bluebeard"; and contemporary fairy-tale drawings, paintings, sculptures, and photographs that critique canonical print versions. While we may never be able to fully explain fairy tales, The Irresistible Fairy Tale provides a powerful theory of how and why they evolved--and why we still use them to make meaning of our lives."--Jacket.

Seeing the Insane is a richly detailed cultural history of madness and art in the Western world, showing how the portrayal of stereotypes has both reflected and shaped the perception and treatment of the mentally disturbed. Covering the Middle Ages through the end of the nineteenth century, Sander L. Gilman explores the depictions of mental illness as seen in manuscripts, sculptures, lithographs, and photography. With artistic renderings and medical illustrations side-by-side, this volume includes over 250 visual displays of the mentally ill. These images capture society's reliance on visual motifs to assign concrete qualities to abstract ailments in an attempt to understand the marginalized. Gilman's collection of images demonstrates how society has relegated the mentally ill to a state of "otherness" and portrays how society's perceived realities concerning the insane have morphed and evolved over centuries. Sander L. Gilman, PhD, is a distinguished professor of the Liberal Arts and Sciences as well as Professor of Psychiatry at Emory University. A respected educator, he has served as Old Dominion Visiting Professor of English at Princeton; Northrop Frye Visiting Professor of Comparative Literature at the University of Toronto; Mellon Visiting Professor of Humanities at Tulane University; Goldwin Smith Professor of Humane Studies at Cornell University; and Professor of the History of Psychiatry at Cornell Medical College. He has written and edited several books including The Face of Madness and Sexuality: An Illustrated History . " Seeing the Insane is a visual history of the stereotypes that have shaped the perception of the mentally ill from medieval through modern times. The result is nearly as heartbreaking as a visual history of the Holocaust. In picture after picture, the book portrays centuries of intolerance for deviance, mindless cruelty, unthinking prejudice, and self-righteous abuse of the weak and ill." - American Journal of Psychiatry "As extraordinary in concept as it is in its execution. . . . This remarkable book helps laymen as well as specialists to see the insane, but it does far more. When we study the past, we understand the present. When we see the conventional stereotype images of insanity, we find they still color our concepts of madness. Through these pictures of the insane, we see all humanity. We look, not through a glass darkly, but through a multiplicity of media, brightly." - Antiquarian Bookman Readers interested in related titles from Sander L. Gilman will also want to see: Face of Madness: Hugh W. Diamond and the Origin of Psychiatric Photography (ISBN: 9781626549234), Sexuality: An Illustrated History (ISBN: 9781626549227).

Robin Lakoff gets to the heart of one of the most fascinating and pressing issues in American society today: who holds power and how they use it, keep it, or lose it. In a brilliant and vastly entertaining discussion of news events that have occupied an enormous amount of media space--political correctness, the Anita Hill/Clarence Thomas hearings, Hillary Rodham Clinton as First Lady, O. J. Simpson's murder trial, the Ebonics controversy, and the Clinton sex scandal--Lakoff shows that the struggle for power and status at the end of the century is being played out as a war over language. Controlling language is a basis for all power, she says, and therefore it is worth fighting for. As a result, newly emergent groups, especially blacks and women, are contending with middle- to upper-class white men for a share in "language rights." Lakoff's introduction to linguistic theories and the philosophy of language lays the groundwork for an exploration of news stories that meet what she calls the UAT (Undue Attention Test). As the stories became the subject of talk-show debates, late-night comedy routines, Web sites, and magazine articles, they were embroidered with additional meanings, depending on who was telling the story. Race, gender, or both are at the heart of these stories, and each one is about the right to construct meanings from languagein short, to possess power. Because language tells us how we are connected to one another, who has power and who does not, the stories reflect the language war. We use language to analyze what we call "reality," the author argues, but we mistrust how language is used today--witness the "politics of personal destruction" following the Clinton impeachment. Yet Lakoff sees in the struggle over language a positive goal: equality in the creation of our national discourse. Her writing is accessible and witty, and her excerpts from the media are used to great effect.

This is an inspiring and thought-provoking inside story of a foreign correspondent's two adventurous careers, marked by personal crises, battles for principles and brushes with danger. It is also a candid observer's compassionate account of his role in war and peace, in the sweep of history, and is a thoughtful commentary on the urgent problems of journalism and communication today. Contents: PART I: Foundations: Born with a Caul; The Education of a Journalist; Oaths of Devotion; Round Trip to War; Present at the Creation; Peron and Evita; PART II: Milestones: Scoundrel Time; A Movable Feast; The Human Radar; Nothing But the Truffe; PART III: Encounters: Reverence for Life; Swords and Ploughshares; Future Indicative: The Vietnam Peace Story; the Unknown DeGaulle; Mission to Moscow; A Hero of Our Time: Sakharov; Links and Chains; PART IV: Homecomings: Return to America; Vermont: A State of Mind; Academic Adventures; Afghanistan and Academia; PART V: Foreign Correspondent: Endangered Species?; Why Do They Hate Us?; Cherchez la Femme; The Spiritual Dimension.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Most writers today are more familiar with printers and modems than with typewriter ribbons. Personal computers and the Internet are changing the way writers create and communicate. With twenty-four-hour information and instant memory, these modern conveniences are radically altering the face of the literary community. In "writers.net, veteran Internet trainer and best-selling author Gary Gach gives writers of every medium valuable insight into using the Net in many aspects of their writing. From poetry and romance to technical writing and science fiction, Gach directs writers to appropriate forums, magazines, publishers, home pages, and many other resources that will help writers stay on top of developments in their field of specialty. "Writers.net also covers the most common uses of the Internet for writers including finding writing assignments, conducting research, improving one's writing, and carrying on discussions with other writers.For those new to the Internet, Gach provides an Internet Primer for Writers that includes basic terminology, a guided tour, and an essay that puts the Net in perspective for beginners. He also discusses the new worlds of electronic publishing, interactive and collaboratory writing, Net censorship, and cyberjournalism. "Getting information from the Internet can be like trying to get a glass of water off an open fire hydrant," warns Gach, but with "writers.net, writers now have a handbook to help them control the unlimited resources that make up the Internet.About the Author Veteran Internet instructor and widely published writer Gary Gach is the author of the recent bestseller "The Pocket Guide to the Internet.Join other readers of"writers.net for an unmoderated online forum. E-mail [email protected]. In the message body put "subscribe writersnet." Prepublished and published writers are equally welcome. Discussion topics will span the subjects covered in the book and beyond. This is a free service to the writing community. Visit the author's web site for //updates to the book The title of this book is not intended to suggest any affiliation or sponsorship of any particular web site. It should be noted, however, that Writers.Net is a trademark of Internet Concepts, an internet hosting and content provider. This book is not affiliated with, sponsored or licensed by Internet Concepts.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.