Twenty years ago, Ayatollah Khomeini called for the assassination of Salman Rushdie--and writers around the world instinctively rallied to Rushdie's defense. Today, according to writer Paul Berman, "Rushdie has metastasized into an entire social class"--an ever-growing group of sharp-tongued critics of Islamist extremism, especially critics from Muslim backgrounds, who survive only because of pseudonyms and police protection. And yet, instead of being applauded, the Rushdies of today (people like Ayan Hirsi Ali and Ibn Warraq) often find themselves dismissed as "strident" or as no better than fundamentalist themselves, and contrasted unfavorably with representatives of the Islamist movement who falsely claim to be "moderates." How did this happen? In THE FLIGHT OF THE INTELLECTUALS, Berman--"one of America's leading public intellectuals" ( Foreign Affairs )--conducts a searing examination into the intellectual atmosphere of the moment and shows how some of the West's best thinkers and journalists have fumbled badly in their efforts to grapple with Islamist ideas and violence. Berman's investigation of the history and nature of the Islamist movement includes some surprising revelations. In examining Hassan al-Banna, the founder of the Muslim Brotherhood, he shows the rise of an immense and often violent worldview, elements of which survives today in the brigades of al-Qaeda and Hamas. Berman also unearths the shocking story of al-Banna's associate, the Grand Mufti of Jerusalem, who collaborated personally with Adolf Hitler to incite Arab support of the Nazis' North African campaign. Echoes of the Grand Mufti's Nazified Islam can be heard among the followers of al-Banna even today. In a gripping and stylish narrative Berman also shows the legacy of these political traditions, most importantly by focusing on a single philosopher, who happens to be Hassan al-Banna's grandson, Oxford professor Tariq Ramadan--a figure widely celebrated in the West as a "moderate" despite his troubling ties to the Islamist movement. Looking closely into what Ramadan has actually written and said, Berman contrasts the reality of Ramadan with his image in the press. In doing so, THE FLIGHT OF THE INTELLECTUALS sheds light on a number of modern issues--on the massively reinvigorated anti-Semitism of our own time, on a newly fashionable turn against women's rights, and on the difficulties we have in discussing terrorism--and presents a stunning commentary about the modern media's peculiar inability to detect and analyze some of the most dangerous ideas in contemporary society.

This book traces the global, national, and local origins of the conflict between Muslims and Jews in France, challenging the belief that rising anti-Semitism in France is rooted solely in the unfolding crisis in Israel and Palestine. Maud Mandel shows how the conflict in fact emerged from processes internal to French society itself even as it was shaped by affairs elsewhere, particularly in North Africa during the era of decolonization. Mandel examines moments in which conflicts between Muslims and Jews became a matter of concern to French police, the media, and an array of self-appointed spokesmen from both communities: Israel's War of Independence in 1948, France's decolonization of North Africa, the 1967 Arab-Israeli War, the 1968 student riots, and François Mitterrand's experiments with multiculturalism in the 1980s. She takes an in-depth, on-the-ground look at interethnic relations in Marseille, which is home to the country's largest Muslim and Jewish populations outside of Paris. She reveals how Muslims and Jews in France have related to each other in diverse ways throughout this history--as former residents of French North Africa, as immigrants competing for limited resources, as employers and employees, as victims of racist aggression, as religious minorities in a secularizing state, and as French citizens. In Muslims and Jews in France, Mandel traces the way these multiple, complex interactions have been overshadowed and obscured by a reductionist narrative of Muslim-Jewish polarization.

Between the Middle East and the Americas: The Cultural Politics of Diaspora traces the production and circulation of discourses about "the Middle East" across various cultural sites, against the historical backdrop of cross-Atlantic Mahjar flows. The book highlights the fraught and ambivalent situation of Arabs/Muslims in the Americas, where they are at once celebrated and demonized, integrated and marginalized, simultaneously invisible and spectacularly visible. The essays cover such themes as Arab hip-hop's transnational imaginary; gender/sexuality and the Muslim digital diaspora; patriotic drama and the media's War on Terror; the global negotiation of the Prophet Mohammad cartoons controversy; the Latin American paradoxes of Turcophobia/Turcophilia; the ambiguities of the bellydancing fad; French and American commodification of Rumi spirituality; the reception of Iranian memoirs as cultural domestication; and the politics of translation of Turkish novels into English. Taken together, the essays analyze the hegemonic discourses that position "the Middle East" as a consumable exoticized object, while also developing complex understandings of self-representation in literature, cinema/TV, music, performance, visual culture, and digital spaces. Charting the shifting significations of differing and overlapping forms of Orientalism, the volume addresses Middle Eastern diasporic practices from a transnational perspective that brings postcolonial cultural studies methods to bear on Arab American studies, Middle Eastern studies, and Latin American studies. Between the Middle East and the Americas disentangles the conventional separation of regions, moving beyond the binarist notion of "here" and "there" to imaginatively reveal the thorough interconnectedness of cultural geographies.