INSTANT NEW YORK TIMES BESTSELLER " My Body offers a lucid examination of the mirrors in which its author has seen herself, and her indoctrination into the cult of beauty as defined by powerful men. In its more transcendent passages . . . the author steps beyond the reach of any 'Pygmalion' and becomes a more dangerous kind of beautiful. She becomes a kind of god in her own right: an artist." —Melissa Febos, The New York Times Book Review A deeply honest investigation of what it means to be a woman and a commodity from Emily Ratajkowski, the archetypal, multi-hyphenate celebrity of our time Emily Ratajkowski is an acclaimed model and actress, an engaged political progressive, a formidable entrepreneur, a global social media phenomenon, and now, a writer. Rocketing to world fame at age twenty-one, Ratajkowski sparked both praise and furor with the provocative display of her body as an unapologetic statement of feminist empowerment. The subsequent evolution in her thinking about our culture’s commodification of women is the subject of this book. My Body is a profoundly personal exploration of feminism, sexuality, and power, of men's treatment of women and women's rationalizations for accepting that treatment. These essays chronicle moments from Ratajkowski’s life while investigating the culture’s fetishization of girls and female beauty, its obsession with and contempt for women’s sexuality, the perverse dynamics of the fashion and film industries, and the gray area between consent and abuse. Nuanced, fierce, and incisive, My Body marks the debut of a writer brimming with courage and intelligence.

It has become clear over the years that the reaction of America's politicians and media to the attacks of 9/11 was bizarrely misdirected and dangerous to our national security. But no one has fully probed its cultural roots. Until now. Pulitzer Prize–winning journalist and bestselling author Susan Faludi brilliantly demonstrates how our culture's seemingly inexplicable response was actually a reflex set centuries deep in the American grain. Her analysis of what went on in the months and years after 9/11 will shock even those who thought they knew the full measure of that tragedy (as her account of the post-9/11 media marketing of flight-suit superheroes, cowering "security moms," Jessica-Lynchesque helpless "girls," and Daniel Boone–wannabe politicians will outrage and amuse). A masterwork of historical interpretation and a Rosetta stone for deciphering the ongoing spectacle of American politics, journalism, and culture, The Terror Dream flushes from hiding a forceful dynamic that disfigures our lives even in times of normalcy, and that, unless it is confronted, will send us reeling in a wrong direction the next time tragedy strikes.

It was the 1960s--a time of economic boom and social strife. Young women poured into the workplace, but the "Help Wanted" ads were segregated by gender and the "Mad Men" office culture was rife with sexual stereotyping and discrimination. Lynn Povich was one of the lucky ones, landing a job at Newsweek , renowned for its cutting-edge coverage of civil rights and the "Swinging Sixties." Nora Ephron, Jane Bryant Quinn, Ellen Goodman, and Susan Brownmiller all started there as well. It was a top-notch job--for a girl--at an exciting place. But it was a dead end. Women researchers sometimes became reporters, rarely writers, and never editors. Any aspiring female journalist was told, "If you want to be a writer, go somewhere else." On March 16, 1970, the day Newsweek published a cover story on the fledgling feminist movement entitled "Women in Revolt," forty-six Newsweek women charged the magazine with discrimination in hiring and promotion. It was the first female class action lawsuit--the first by women journalists--and it inspired other women in the media to quickly follow suit. Lynn Povich was one of the ringleaders. In The Good Girls Revolt , she evocatively tells the story of this dramatic turning point through the lives of several participants. With warmth, humor, and perspective, she shows how personal experiences and cultural shifts led a group of well-mannered, largely apolitical women, raised in the 1940s and 1950s, to challenge their bosses--and what happened after they did. For many, filing the suit was a radicalizing act that empowered them to "find themselves" and fight back. Others lost their way amid opportunities, pressures, discouragements, and hostilities they weren't prepared to navigate. The Good Girls Revolt also explores why changes in the law didn't solve everything. Through the lives of young female journalists at Newsweek today, Lynn Povich shows what has--and hasn't--changed in the workplace.

From the author of the acclaimed Against Love comes a pointed, audacious, and witty examination of the state of the female psyche in the post-post-feminist world of the twenty-first century. Women remain caught between feminism and femininity, between self-affirmation and an endless quest for self-improvement, between playing an injured party and claiming independence. Rather than blaming the usual suspects—men, the media—Kipnis takes a hard look at culprits closer to home, namely women themselves. Kipnis serves up the gory details of the mutual displeasure between men and women in painfully hilarious detail. Is anatomy destiny after all? An ambitious and original reassessment of feminism and women’s ambivalence about it, The Female Thing breathes provocative new life into that age-old question.

Always a contradictory figure - the epitome of female beauty and the quintessence of female revolution - Gloria Steinem has been both hailed and vilified as the acceptable face of feminism. Not until her political engagement found active voice through New York Magazine and her own venture, the ground-breaking and influential MS, did the media coverage about the world's most beautiful byline begin to peter out. Steinem's vigorous work throughout the 1960s in support of civil rights, abortion, and the anti-Vietnam movement, and her subsequent embracing of the feminist cause, had at last put her beauty in perspective.

According to ancient myths, the Goddess Ariadne fared poorly. But is that simply the story the Ancient Greeks wanted retold in their myths? In this second, updated edition of Ariadne's Thread, Shekhinah Mountainwater argues that reclaiming womanhood and seeking spiritual liberation from patriarchal limitations can change the world-not by flipping the tables to a hierarchical matriarchy but in working toward a peaceful, egalitarian, sustainable society that embraces the traditionally "feminine" values of compassion and nurturing regardless of gender. She looks carefully and with wisdom at the old stories, and skillfully tugs the loose edges of old paradigms. A pioneer of the Goddess feminist movement, Mountainwater employs powerful archetypes and a feminist ethic of care to challenge our assumptions and draw us from the mundane into the mysterious in our own lives. Considered a classic of women's spirituality and goddess worship, Ariadne's Thread offers a magical path of discovery into the mysteries of the Goddess. It includes detailed explorations of the Maiden, Mother, and Crone guiding the cycles of life, as well as rituals to affirm our lunar and natural cycles in the world. As the Library Journal writes, this "well-written book encourages women to find their own spiritual path." Offering her own thread to guide our labyrinth, Mountainwater has illuminated a powerful, poetic, and joyful initiation.

Nominated for the National Book Critics Circle Award, this brilliant, insightful, controversial, and courageous book contains the best of Pollitt's pieces, which have galvanized readers of The Nation, The New Yorker and The New York Times, on subjects that range from abortion and breast implants to date-rape, marriage, the media, and violence.

Three decades after the remarkable resurgence of feminism, gender issues have become ubiquitous in public debate. For some, feminism is the favorite scapegoat for multiple social ills; for others, the greatest success story of the closing century. The Janus face of feminism in the media reflects the competing images of women´s lives today. Feminists themselves hold sharply opposing views on the success or failures of three decades of women´s activism. Why Feminism? looks at the shifts in feminist thinking from the brash emergence of Women´s Liberation at the close of the 1960s to the diverse and discordant feminisms of recent decades. Exploring feminism´s troubled relations with psychology and psychoanalysis, the rise of new evolutionary theory, the impact of queer theorizing on gender categories, controversies over memory and trauma, and increasing anxieties about men and masculinity, Why Feminism? illustrates the continuing provocation and significance of feminist inquiry, laying out potentialities and pitfalls for the century ahead.

Israeli women do not enjoy the equality, status, and power often attributed to them by the media and popular culture. Despite significant achievements and progress, as a whole they continue to earn less than their male counterparts, are less visible and influential in the political arena, do not share equal responsibilities or privileges in the military, have unequal rights and freedoms in family life and law, and are less influential in shaping the nation's self image and cultural orientation. Bringing together classic essays by leading scholars of Israeli culture, this reader exposes the hidden causes of ongoing discrimination and links the restrictions that Israeli women experience to deeply entrenched structures, including colonial legacies, religious traditions, capitalism, nationalism, and ongoing political conflict. In contrast, the essays also explore how women act creatively to affect social change and shape public discourse in less ostensible ways. Providing balanced perspectives from the social sciences and the humanities, this comprehensive reader reflects both an emerging consensus and exciting diversity in the field. It is the definitive text for courses in Israeli women's studies.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A provocative collection of essays by one of the foremost thinkers of second-wave feminism In a career spanning four decades, Alix Kates Shulman has written on issues ranging from marriage, sex, and divorce to religious identity, age, and family devotion. Throughout her diverse body of work runs a staunch advocacy of equal rights and social justice. Beginning with her provocative essay "A Marriage Agreement," written in 1969, and continuing through to the heartrending "Caring for an Ill Spouse, and Other Caregivers," written in 2011, this collection provides a window into the social movements that defined an era. Witty, stirring, and poignant, A Marriage Agreement and Other Essays illustrates how each generation, in Shulman's words, "can do no more than add its bit to the endless river of consciousness and change."

"The Renaissance of Girls' Education in England: A Record of Fifty Years' Progress" by Alice Zimmern offers a vital historical account of the burgeoning opportunities afforded to women in England between the 19th and 20th centuries. This meticulously prepared print edition chronicles the significant progress made in women's education during a pivotal era of social change. Zimmern's work explores the evolving landscape of educational institutions and curricula, highlighting the challenges faced and the triumphs achieved in the fight for gender equality in academia. A key text for understanding the early feminist movement, this book examines the historical context of women's education and its impact on British society. This edition provides valuable insights for anyone interested in the history of education, women's studies, and the social sciences, particularly concerning the ongoing quest for equal opportunity. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Explore the life and legacy of one of France's most celebrated women writers with "Famous Women: George Sand," a biography by Bertha Thomas. This meticulously prepared edition offers a window into the 19th century and the extraordinary life of Amantine Lucile Aurore Dupin, known to the world as George Sand. Delve into the story of a woman who defied societal expectations and carved her own path as a novelist, challenging conventions and captivating readers with her passionate prose. This biography examines Sand's literary contributions and her significant role in French literature. Discover the key moments and influences that shaped Sand's life and work, solidifying her place as a prominent figure and enduring symbol of female authorship. "Famous Women: George Sand" is a valuable resource for those interested in biography, women's studies, and the rich tapestry of 19th-century literary history. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.