This book constitues the first attempt of its kinds to probe the major features of modern Japanese organization that have played such a critical role in Japan's extraordinarily rapid economic development. The contributors inclue prominent academic business consultants such a Peter Drucker of the United states and Kazuo Noda of Japan; Japanese government officials such as Yoshihisa Ojimi, former Administrative Vice-Minister of the Ministry of International Trade and Industry, and Taishiro Shirai, a member of the Central Labor Relations Commission; as well as outstanding Western experts on modern Japanese organization. The essays deal not only with Japanese government and business but also with teh structures of a newspaper and a university and with the role of Japanese intellectuals in modern organization. The portrait of Japanese organization that emerges is much more dynamic and volatile than has been generally supposed. One finds business and government managers creatively using so-called "traditional practices" in novel ways and undertaking bold departures to achieve new purposes. The findings contradict the view that decision sten from below. Not only do executive have an important role in initiating action; but lower-level officials function within a context defined by their superiors. Far greater tensions and conflict exist within organizations than is commonly reported by outsiders, especially in institutions like the university where conflicts often paralyze the decision-making process. Similarly, there is far greater divergence of interest among different sectors of society than one might infer from the stereotypical view of "Japan, Inc." And since the high level of consensus supporting the fundamental commitment to economic growth is now weakening increasing divergence may be anticipated in the future. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1975.

Karma is perhaps the most famous concept in Indian philosophy, but this is the first comprehensive study of its various meanings and philosophical implications. Karma and Rebirth in Classical Indian Traditions offers a harmony of approach and an underlying set of methodological assumptions: a corpus of definitions of karma, a dialectic between abstract theory and historical explanation, and an awareness of logical oppositions in theories of karma. No “solution” to the paradox of karma is offered, but the volume as a whole presents a consistent and encompassing approach to the many different, often conflicting, Indian statements of the problem. Broad in scope and richly detailed, this book demonstrates the impossibility of speaking of “ the theory of karma” and supplies the basis for further study. Exploring methodological issues arising in the study of a non-Western system of soteriology and rebirth, the contributors question the interaction of medical and philosophical models of the human body, the incorporation of philosophical theories into practical religions with which they are logically incompatible, and the problem of historical reconstruction of a complex theory of human life. This title is part of UC Press’s Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1980.

In 1965, Joseph R. Levenson began working on a new trilogy to follow his earlier study of modern Chinese intellectual history, Confucian China and Its Modern Fate. By 1969, he had already sketched out basic outlines of the work, which was to be called Provincialism, Nationalism, and Cosmopolitanism. It was to consist of three volumes: one sounding the general themes of the arrangement, and two other elaborating its motifs. Accidental death tragically cut short Levenson's life and the preparation of the work. He did leave behind, however, an embryo of it in the form of this book, Revolution and Cosmopolitanism. Based upon a careful analysis of a wide selection of Western plays translated into Chinese during the twentieth century, Revolution and Cosmopolitanism tries to set the Communist Cultural Revolution into a new kind of historical perspective. Beginning with the demise of a Confucian China which "new youth" intellectuals found too provincial for their palates, Levenson shows how those same cosmopolitans in the 1920s and 1920s damed later Communist intellectuals of the 1950s for being to receptive to non-Chinese values. As Red Guards attacked symbols of a feudal Confucian past and a bourgeois foreign present, China slipped into a new sort of provincialism. Levenson analyzes their transformation with profound subtlety. Convinced that revolutionary China cannot forever seal itself off from universal cosmopolitan influences, he expresses sympathy throughout with the dilemma of rootless intellectuals in a society searching for a particular non-intellectual identity. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1971.

First edition, limited to 250 copies. Printed under the directtion of Elmer Adler at his Pynson Printers of New York. One of the few books on the subject of Chinese papermaking and printing. 33, 3 pages. cloth-backed decorated paper-covered boards, paper cover label.. square 8vo..

Excerpt from Western Culture in Eastern Lands: A Comparison of the Methods Adopted by England and Russia in the Middle East During the many years that I have been engaged in studying the political and cultural questions of Inner Asia, it has often been laid to my charge that, in my criticism and appreciation of the two chief factors of our civilising influence in the East, I have not taken up a purely objective standpoint, and that, because of my partiality to the one, I have not been quite fair to the other. In Europe the prevailing idea is that the Russians, who in many respects are themselves still semi-Asiatic, are better fitted to undertake the civilisation of Asia, and will be more likely to bring about the transition from one sphere of action to another, than the English, the accomplished representatives of Western culture, who lack the necessary pliability, and whose stiff, proud bearing is supposed to be detrimental to the work of transformation. To prove the erroneousness of this view, and also to defend myself against the accusation of an unjustifiable partiality, these pages have been written. The comparative survey of the various innovations and reforms introduced by Russia and by England respectively, which I have endeavoured to give, will convince the reader that, in forming my conclusions, I have not been guided by personal motives, but that they are the outcome of a close investigation of what has actually been done by our two Culture-bearers. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.