The cookbook hailed by the Los Angeles Times as a "showstopper" and by Jeffrey Steingarten of Vogue as "the most glorious spectacle of the season...like no other book I have seen in the past twenty years" is now available in a reduced-price edition. With a reduced trim size but an identical interior, this lavishly illustrated, stunningly designed, and gorgeously photographed masterpiece takes you inside the head of maverick restaurateur Heston Blumenthal. Separated into three sections (History; Recipes; Science), the book chronicles Blumenthal's improbable rise to fame and, for the first time, offers a mouth-watering and eye-popping selection of recipes from his award-winning restaurant. He also explains the science behind his culinary masterpieces, the technology and implements that make his alchemical dishes come to life. Designed by acclaimed artist Dave McKean-and filled with photographs by Dominic Davies-this artfully rendered celebration of one of the world's most innovative and renowned chefs is a foodie's dream.

"Alex still has unfinished business with this sinister group made up of brainwashed children, not least trying to reunite MI6 chief Mrs Jones with her long lost son and daughter. The adventure takes us deep into the life-changing world of augmented reality, where even Alex will struggle to succeed against the technology. With daring chase scenes, a brilliant immersive gaming sequence, and a nail-biting final showdown, this new adventure brings the world's best-loved teen superspy his biggest challenge yet."--Goodreads.com.

Takes you inside the head of maverick restaurateur, Heston Blumenthal. Separated into three sections (History; Recipes; Science), Blumenthal chronicles his improbable background and unorthodox rise to fame and, for the first time ever, offers a mouth-watering and eyes-widening selection of recipes from his award-winning restaurant. He also explains the science behind his culinary masterpieces, the technology and implements that make his alchemic dishes come to life.

In this examination of the monster as cultural object, Judith Halberstam offers a rereading of the monstrous that revises our view of the Gothic. Moving from the nineteenth century and the works of Mary Shelley's Frankenstein, Robert Louis Stevenson's Dr Jekyll and Mr Hyde, Bram Stoker's Dracula, and Oscar Wilde's the Picture of Dorian Gray to contemporary horror film exemplified by such movies as Silence of the Lambs, Texas Chainsaw Massacre, and Candyman. Skin Shows understands the Gothic as a versatile technology, a means of producing monsters that is constantly being rewritten by historically and culturally conditioned fears generated by a shared sense of otherness and difference. Deploying feminist and queer approaches to the monstrous body, Halberstam views the Gothic as a broad-based cultural phenomenon that supports and sustains the economic, social, and sexual hierarchies of the time. She resists familiar psychoanalytic critiques and cautions against any interpretive attempt to reduce the affective power of the monstrous to a single factor. The nineteenth-century monster is shown, for example, as configuring otherness as an amalgam of race, class, gender, and sexuality. Invoking Foucault, Halberstam describes the history of monsters in terms of its shifting relation to the body and its representations. As a result, her readings of familiar texts are radically new. She locates psychoanalysis itself within the gothic tradition and sees sexuality as a beast created in nineteenth century literature. Excessive interpretability, Halberstam argues, whether in film, literature, or in the culture at large, is the actual hallmark of monstrosity.

Here is the intensely personal and often humorous autobiography of one of the most distinguished theoretical physicists of his generation, Sir Rudolf Peierls. Born in Germany in 1907, Peierls was indeed a bird of passage," whose career of fifty-five years took him to leading centers of physics--including Munich, Leipzig, Zurich, Copenhagen, Cambridge, Manchester, Oxford, and J. Robert Oppenheimer's Los Alamos. Peierls was a major participant in the revolutionary development of quantum mechanics in the 1920s and 1930s, working with some of the pioneers and, as he puts it, "some of the great characters" in this field. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Girouard, Mark. The Victorian Country House. First Edition. Oxford, Clarendon Press, 1971. 24cm x 32cm. 218 pages with fold out maps and 420 illustrations. Original Hardcover with original dustjacket. Very good condition with only minor signs of wear. Includes for example: The Upper classes adapt to their circumstances/ The men who built the country houses/ A country house analysis/ A run round the Nouveaux-riches/ Victorian Gentlemen: The Ideal/ The Victorian Gentlemen's house/ The Building of a country house/ The Choice of Architect/ Materials old and new/ Technology and the country house: Plumbing, heating and Ventilation/ Gas and electricity/ Technology, Comfort. Snobbery and Aesthetics/ The Country House Plan/ The Servants Wing/ Nuances and Drawbacks of the Victorian Planning/ The Historical Development of the Plan: William Burn/ The Male Domain/ The Conservatory/ The Great Hall/ The Picturesque versus the Functional: Pugin/ Barry, Blore, Burn and Salvin/ The Battle of the Styles/ The High Victorian Years/ Muscularity/ Texture. Colour and Ruskin/ High Victorian Attitutes : The Pugin Tradition/ High Victorian Attitudes The Picturesque Tradition/ The Revolt of teh Goths/ The Architect as Artist/ Artistic Houses and Artistic People/ Kerr and Stevenson/ The Old English Style/ Leys Wood/ 'Queen Anne'/ Shaw: Composition and Planning/ The Hall Revived/ Philip Webb/ Clouds/ Shaw's Contemporaries : Ernest George/ George Devey/ The First steps to Neo-Georgian/ Bayons Manor/ Scarisbrick Hall/ Merevale Hall/ Highclere Castle/ Prestwold Hall/ Peckforton Castle/ Osborne/ Treberfydd/ Horsted Place/ Milton Ernest Hall/ Woodchester Park/ Shadwell Park/ The Crossleys of Hallifax and their buildings/ Devey in Kent: Betteshanger St Albans Court/ Kelham Hall/ Brodsworth Hall/ Humewood Castle/ Bear Wood/ Cardiff Castle/ Kinmel Park/ Cragside/ Beauvale Lodge/ Carlton Towers/ Castell Coch/ Adcote/ Ken Hill/ Wightwick Manor/ St..

"This book focuses on the importance of ideological and institutional factors in the rapid development of the British economy during the years between the Glorious Revolution and the Crystal Palace Exhibition. Joel Mokyr shows that we cannot understand the Industrial Revolution without recognizing the importance of the intellectual sea changes of Britain's Age of Enlightenment. In a vigorous discussion, Mokyr goes beyond the standard explanations that credit geographical factors, the role of markets, politics, and society to show that the beginnings of modern economic growth in Britain depended a great deal on what key players knew and believed, and how those beliefs affected their economic behavior. He argues that Britain led the rest of Europe into the Industrial Revolution because it was there that the optimal intersection of ideas, culture, institutions, and technology existed to make rapid economic growth achievable. His wide-ranging evidence covers sectors of the British economy often neglected, such as the service industries." -- Publisher description.

This is a book for anyone who has ever paused to wonder whether cloning will ever be legal. Why it is that "savior siblings" and sex selection provoke such strong reactions? Will there ever be such a thing as an artificial womb? Assisted reproductive technologies are unique in their capacity to challenge our assumptions and elicit passionate responses. Looking at the moral, philosophical, and legal issues surrounding cases of surrogacy, single or same-sex parenthood, retrieval of sperm from dead or dying patients, and the impregnation of post-menopausal women, this book questions whether these rapidly-developing technologies are refashioning the nature of the family. The US and UK have played unique roles in the development and regulation of reproductive technologies, and has been at the forefront of controversy over "savior siblings", designer babies, reproductive cloning, and embryo research. This book provides a clear and simple account of the techniques involved in assisted reproduction and embryo research, and discusses the legal and ethical implications of some of these technologies, illustrated by compelling descriptions of real-life cases. The book also addresses the ways in which reproductive technologies are regulated, critically examining the role of the Human Fertilization and Embryology Authority and comparing the UK's approach with that of other countries. Finally, it contemplates the possibility that some of our most deeply-held assumptions about human nature may be called into question by further developments in stem cell research and fertility treatments.

Excerpt from The History of Normandy and of England, Vol. 3 My Dear Sir, You have honoured me with your kind permission that I should explain, in a few words addressed to yourself, the circumstances in which the Third and Fourth Volumes of this History are now published. The Fourth Volume was printed throughout (with exception of the "Summary") several years since. Some corrections in it were afterwards planned by my father; but it represents, on the whole, his maturest judgment on the events narrated. The completion of the Third Volume (postponed for personal reasons to the composition of the Fourth), had formed the author's occupation during the leisure hours of the last four years of his life. Great part had been written previously; and it was his wish to revise the whole, incorporating in it the fruits of additional study and of visits to the scenes of the principal events described. Death, however, in July 1861, stayed his hand when this revision had been completed only to the end of Chapter III. From this point onwards (Chapters IV to XV), the book has been edited by me. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.