"Well-plotted, well-written, clear-eyed. I never saw the end coming. There's a hell of a one-two punch waiting for you." --Stephen King New York Times bestseller Laura Lippman tells the story of Amber Glass, desperately trying to get away from her tabloid past but compulsively drawn back to the city of her youth and the prom date who destroyed everything she was reaching for. Amber Glass has spent her entire adult life putting as much distance as possible between her and her hometown of Baltimore, where she fears she will forever be known as "Prom Mom"--the girl who allegedly killed her baby on the night of the prom after her date, Joe Simpson, abandoned her to pursue the girl he really liked. But when circumstances bring Amber back to the city, she realizes she can have a second chance--as long as she stays away from Joe, now a successful commercial real estate developer, married to a plastic surgeon, Meredith, to whom he is devoted. The problem is, Amber can't stay away from Joe. And Joe finds that it's increasingly hard for him to ignore Amber, if only because she remembers the boy he was and the man he said he was going to be. Against the surreal backdrop of 2020 and early 2021, the two are slowly drawn to each other and eventually cross the line they've been trying not to cross. And then Joe asks Amber to help him do the unthinkable . . . and she must decide if she is willing to let their toxic and dangerous past repeat itself.

In New York Times bestselling author Anthony Horowitz's ingenious fourth literary whodunit following The Word is Murder, The Sentence is Death, and A Line to Kill, Horowitz becomes the prime suspect in a murder investigation--and only one man can prove his innocence: his newly estranged partner in solving crime, Detective Hawthorne. "I'm sorry but the answer's no." Reluctant author, Anthony Horowitz, has had enough. He tells ex-detective Daniel Hawthorne that after three books he's splitting and their deal is over. The truth is that Anthony has other things on his mind. His new play, a thriller called Mindgame, is about to open at the Vaudeville Theater in London's West End. Not surprisingly, Hawthorne declines a ticket to the opening night. The play is panned by the critics. In particular, Sunday Times critic Margaret Throsby gives it a savage review, focusing particularly on the writing. The next day, Throsby is stabbed in the heart with an ornamental dagger which turns out to belong to Anthony, and has his fingerprints all over it. Anthony is arrested by an old enemy . . . Detective Inspector Cara Grunshaw. She still carries a grudge from her failure to solve the case described in the second Hawthorne adventure, The Sentence is Death, and blames Anthony. Now she's out for revenge. Thrown into prison and fearing for both his personal future and his writing career, Anthony is the prime suspect in Throsby's murder and when a second theatre critic is found to have died in mysterious circumstances, the net closes in. Ever more desperate, he realizes that only one man can help him. But will Hawthorne take the call?

A compelling moral fable in the shape of a gritty, twist-filled thriller. Wall Street Journal John Shannon is a petty thief on the run. A three-time loser framed for murder, he knows that he s facing life in prison or death by lethal injection. Then, a bizarre text message draws him to a meeting in the dark of night. A foreigner who calls himself the Identity Man offers Shannon an incredible chance to start again: a new face, a new home, a new beginning. In a ruined city trying to rebuild, he gets work as a carpenter, and falls in love. It seems too good to be true and it is. It turns out this city is crawling with crooked politicians, gangsters, and dirty cops all of whom seem to want Shannon dead. Moving through the shambles of a town, he s got to ferret out the secret of his new life and fast if he wants to be left with any life at all. A gripping thriller. Entertainment Weekly A work of intense realism pervaded by sorrow, mercy, hope and ultimately, transcendence. Washington Times Andrew Klavan is the author of such classic suspense novels as True Crime , filmed by Clint Eastwood, Don t Say a Word , filmed starring Michael Douglas, and Empire of Lies . He has been nominated for the Edgar Award five times and has won it twice. "

They are two sworn enemies with a single obsession: a woman on the run from them both. Scott Weiss is a private detective. John Foy is a professional killer. The woman is Julie Wyant, a hooker with the face of an angel. Julie spent one night with Foy--a night of psychopathic cruelty that Foy called love. Desperate to get away from him, she vanished without a trace. And Foy wants her back. There's only one man who can find her: Weiss, the best locate operative in the business. She's begged him not to look for her, fearing he'll bring the killer in his wake. But Weiss can't stay away. Now, from a town called Paradise, through a wilderness that feels like hell, Weiss searches for Julie--and the killer follows, waiting for his chance. They are two expert hunters matching move for move--until it ends on Damnation Street.

Spy thriller fiction written in the Golden Age of Murder 'The men who work for you, General', he observed, 'should rid themselves of any fear of death'. Rome, 1934. Martin Fawley leaves the American secret service and is recruited by General Berati, the most feared man in fascist Italy, as a spy. After a brief encounter with a glamorous yet murderous Italian princess, Fawley's mission takes him undercover to Monaco. Suave and worldly, Fawley is quite at home in the casinos and golf courses of Monte Carlo--but he is soon entangled in a game with higher stakes. As the nations of Europe vie for power, Fawley discovers the secret weapon that will determine the outcome of the looming war. This classic thriller--undoubtedly an influence on Ian Fleming's James Bond novels--is now republished for the first time since the 1930s. With its yachts and cocktail parties, its steely hero and brutal assassins, and its cinematic range across the cities of Europe, this is a gripping and sophisticated tale of a spy who saves the world.

Richard Temperley arrives at Euston station early on a fogbound London morning. He takes refuge in a nearby hotel, along with a disagreeable fellow passenger, who had snored his way through the train journey. But within minutes the other man has snored for the last time-he has been shot dead while sleeping in an armchair. Temperley has a brief encounter with a beautiful young woman, but she flees the scene. When the police arrive, Detective Inspector James discovers a token at the crime scene: a small piece of enamelled metal. Its colour was crimson, and it was in the shape of the letter Z. Temperley sets off in pursuit of the mysterious woman from the hotel, and finds himself embroiled in a cross-country chase- by train and taxi - on the tail of a sinister serial killer. This classic novel by the author of the best-selling Mystery in White is a gripping thriller by a neglected master of the genre. J. Jefferson Farjeon (1883-1955) was the author of more than sixty crime and thriller novels that were highly acclaimed in his lifetime. Farjeon is the author of Number Seventeen, a play that was adapted for the big screen by Alfred Hitchcock. His Christmas crime novel, Mystery in White, was republished as a British Library Crime Classic and became a bestseller. Front cover (c) NRM/Pictorial Collection/Science & Society Picture Library