#1 New York Times Bestseller "Amy Schumer's book will make you love her even more. For a comedian of unbridled (and generally hilarious) causticity, Schumer has written a probing, confessional, unguarded, and, yes, majorly humanizing non-memoir, a book that trades less on sarcasm, and more on emotional resonance." — Vogue " The Girl with the Lower Back Tattoo is an alternatingly meditative, sexually explicit, side-splittingly hilarious, heart-wrenching, disturbing, passionately political, and always staggeringly authentic ride through the highs and lows of the comedic powerhouse's life to date." — Harper's Bazaar "This is your happy hour with Amy Schumer...It's Bossypants meets Trainwreck meets your long weekend." —TheSkimm “Amy’s got your back. She’s in your corner. She’s an honesty bomb. And she’s coming for you. ” —Actress Tilda Swinton and Trainwreck co-star The Emmy Award-winning comedian, actress, writer, and star of Inside Amy Schumer, Hulu's Life & Beth, and the acclaimed film Trainwreck has taken the entertainment world by storm with her winning blend of smart, satirical humor. Now, Amy Schumer has written a refreshingly candid and uproariously funny collection of ( extremely ) personal and observational essays. In The Girl with the Lower Back Tattoo , Amy mines her past for stories about her teenage years, her family, relationships, and sex and shares the experiences that have shaped who she is—a woman with the courage to bare her soul to stand up for what she believes in, all while making us laugh. Ranging from the raucous to the romantic, the heartfelt to the harrowing, this highly entertaining and universally appealing collection is the literary equivalent of a night out with your best friend—an unforgettable and fun adventure that you wish could last forever. Whether she’s experiencing lust-at-first-sight while in the airport security line, sharing her own views on love and marriage, admitting to being an introvert, or discovering her cross-fit instructor’s secret bad habit, Amy Schumer proves to be a bighearted, brave, and thoughtful storyteller that will leave you nodding your head in recognition, laughing out loud, and sobbing uncontrollably—but only because it’s over.

A Wall Street Journal bestseller! Alan Dershowitz, one of America’s most respected legal scholars and a New York Times bestselling author proves—with incontrovertible evidence—that he is entirely innocent of the sexual misconduct accusations against him, while suggesting a roadmap for how such allegations should be handled in a just society. “Maybe the question isn’t what happened to Alan Dershowitz. Maybe it’s what happened to everyone else.”— Politico Alan Dershowitz has been called “one of the most prominent and consistent defenders of civil liberties in America” by Politico and “the nation’s most peripatetic civil liberties lawyer and one of its most distinguished defenders of individual rights” by Newsweek . Yet he has come under intense criticism for applying those same principles, and his famed “shoe‑on‑the‑other‑foot test,” to those accused of sexual misconduct. In Guilt by Accusation , Dershowitz provides an in‑depth analysis of the false accusations against him, alongside a full presentation of the exculpatory evidence that proves his account, including emails from his accuser and an admission of his innocence from her lawyer, David Boies. Additionally, he examines current attitudes toward accusations of sexual misconduct, which are today, in the age of #MeToo, accepted as implicit truth without giving the accused a fair chance to defend themselves and their innocence, and suggests possible pathways back to a society and legal system in which due process is respected above public opinion and the whims of social media mobs. This book is Alan Dershowitz’s plea for fairness for both accuser and accused, his principled stand for due process no matter the allegation, and his compelling assertion of his own innocence. It is essential reading for anyone who wants to know the inside story behind the accusations against him or who cares about the current societal debate over how we should handle accusations of sexual misconduct. The #MeToo movement has generally been a force for good, but as with many good movements, it is being exploited by some bad people for personal profit. Supporters of the #MeToo movement must not allow false accusers to hurt real victims by hiding behind its virtuous shield, turning it into an exploitive sword against innocent people.

Bestselling author Delia Ephron shares a deeply personal collection of stories and essays, anchored by a loving remembrance of her sister Nora. In Sister Mother Husband Dog, Delia Ephron brings her trademark wit and effervescent prose to a series of autobiographical essays about life, love, sisterhood, movies, and family. In “Losing Nora,” she deftly captures the rivalry, mutual respect, and intimacy that made up her relationship with her older sister and frequent writing companion. Other essays run the gamut from a humorous piece about love and the movies—how one romantic comedy completely destroyed her twenties—to the joy of girl friends and best friendship, the magical madness and miracle of dogs, keen-eyed observations about urban survival, and a serious and affecting memoir of life with her mother and growing up the child of alcoholics. Ephron’s eloquent style and voice illuminate every page of this superb and singular work.

Trade paperback. 208 pages approximate.

Learning to Drive • Now a major motion picture starring Patricia Clarkson and Ben Kingsley Celebrated for her award-winning political columns, criticism, and poetry, Katha Pollitt now shows us another side of her talent. Learning to Drive is a surprising, revealing, and entertaining collection of essays drawn from the author’s own life. With deep feeling and sharp insight, Pollitt writes about the death of her father; the sad but noble final days of a leftist study group of which she was a member; and the betrayal and heartbreak inflicted by a man who seriously deceived her. (Her infinitely patient, gentle driving instructor points out her weakness—“Observation, Katha, observation!”) She also offers a candid view of her preoccupation with her ex-lover’s haunting presence on the Internet, and her search there for a secret link that might provide a revelation about him that will Explain Everything. Other topics include the differences between women and men—“More than half the male members of the Donner party died of cold and starvation, but three quarters of the females survived, saved by that extra layer of fat we spend our lives trying to get rid of”—and the practical implications of political theory: “What if socialism—all that warmhearted folderol about community and solidarity and sharing was just an elaborate con job, a way for men to avoid supporting their kids?” Learning to Drive demonstrates that while Katha Pollitt is undeniably one of our era’s most profound observers of culture, society, and politics, she is just as impressively a wise, graceful, and honest observer of her own and others’ human nature. Praise for Learning to Drive “The kind of book you want to look up from at points so you can read aloud certain passages to a friend or lover.” — Chicago Tribune “A powerful personal narrative . . . full of insight and charm . . . Pollitt is her own Jane Austen character . . . haughty and modest, moral and irresponsible, sensible and, happily for us, lost in sensibility.” — The New York Review of Books “With . . . bracing self-honesty, Pollitt takes us through the maddening swirl of contradictions at the heart of being fifty-something: the sense of slowing down, of urgency, of wisdom, of ignorance, of strength, of helplessness, of breakdown, of renewal.” — The Seattle Times “Essays of breathtaking candor and razor-sharp humor . . . [Pollitt] has outdone herself. . . . [Her] observations are acute and her confessions tonic. Forget face-lifts; Pollitt’s essays elevate the spirit.” — Booklist (starred review)

While there are people who actually embrace getting older (although we confess not to know any) most try to deny it. Rita Rudner is no exception. When she reached 50, she couldn't even bear to admit it: "It was more comfortable getting a laugh and telling people I was filthy than having to say the word fffiffffty," she writes. In her hysterically dead-on book I Still Have It...I Just Can't Remember Where I Put It , she relates her absurd adventures as a woman of a certain age navigating the strange and terrifyingly funny world of "near-sighted insights." In chapters such as "Artificially Hip"; "Older Than Springtime, Younger Than Angela Lansbury"; "I Won't Blog, Don't Ask Me"; and "The Advantage of Vintage," Rudner tackles body issues, style, and technology, and looks at the wonders and surprises of life on the dark side of 50. So put on your bifocals and get ready to laugh. Just don't blame Rita if your laugh lines become visibly deeper. "Sexy deadpan is comedian Rita Rudner's trademark style, never more in evidence than in I Still Have It ... I Just Can't Remember Where I Put It ... Pure vaudeville, a kick at any age."-- O, The Oprah Magazine

In this rich and savvy collection of commentaries on the events, people and issues that shape and define our world, Pulitzer Prize-winning columnist and "New York Times" bestselling author Ellen Goodman cuts to the heart of the stories and controversies that helped to define our times. For over twenty-five years, nationally syndicated columnist Ellen Goodman has been training her lens on contemporary American life. A marvelously direct writer with keen insight into what makes the average American tick, laugh and occasionally boil with rage, Goodman takes her measure of the national psyche in a voice that is at once perceptive, witty and deeply humane. "Paper Trail," her first collection in more than ten years, journeys through an era that has been golden in its advances and bleak in its disappointments. In a voice both reasoned and impassioned, she makes sense of the cultural debates that have captured our attention and sometimes become national obsessions. She wrestles with the close-to-the-bone issues of abortion, working mothers and gay marriage, the struggles for civil liberties and equal rights, and the moral complexity of assisted suicide and biotech babies. As she wends through the era of the Clinton scandals and the "amBushing" of America, the dot-com boom and bust, the horrors of September 11 and the War on Terrorism, Goodman pauses to celebrate some of our lost icons, including Jackie Onassis, Princess Diana and Doctor Spock. She reminds us as well of the fleeting fame of such instant celebrities as Elian Gonzalez and Lorena Bobbitt. The lines that separate public and private life dissolve under Goodman's scrutiny as she shows us how Washington politics, SiliconValley technology and the national media culture infiltrate our jobs, relationships and minds. With the trademark clarity that readers count on, she walks us through the dilemmas posed by new technologies that range from cloning to cell phones and makes us laugh at the vagaries of Viagra and Botox and unreality TV. And in a world that sometimes seems to be stuck on fast forward, she holds on to values as timeless as a family Thanksgiving and a summer porch in Maine. Including more than 160 of Ellen Goodman's lively and stylish columns, this timely collection walks us along the paper trail in a voice that is both crystal clear and original.

Richard Hofstadter, the distinguished historian and twice winner of the Pulitzer Prize, brilliantly assesses the ideas and contributions of the three major American interpretive historians of the twentieth Frederick Jackson Turner, Charles A. Beard and V.L. Parrington. These men, whose views of history were shaped in large part by the political battles of the Progressive era, provided the Progressive movement with a usable past and the American liberal mind with a historical tradition. The Progressive Historians is at once a critique of historical thought during this decisive period of American development and an account of how these three writers led American historians into the controversial political world of the twentieth century. Turner, in developing his idea that American democracy is the outcome of the experience of frontier expansion and the settlement of the West, introduced his fellow historians to a set of new concepts and methods, and in doing so doing re-drew the guidelines of American historiography. Beard insisted upon the elitist origins of the Constitution, crusaded for the economic interpretation of history, and ultimately staked his historical reputation on an isolationist view of recent American foreign policy. Parrington emphasized the moral and social functions of literature, and read the history of literature as a history of the national political mind. In recent years, the tide has run against the Progressive historians, as one specialist after another has taken issue with their interpretations. The movement of contemporary historical thought has led to a rediscovery of the complexity of the American past. Although he cannot share the faith of the Progressive historians in the sufficiency of American liberalism as a guide to the modern world, Richard Hofstadter believes we have much to learn about ourselves from a reconsideration of their insights.

With her trademark combination of candor, brass, and wit, Bernhard--a regular on the Roseanne show--presents her singular take on romance, love, and sex in the '90s. The author of Confessions of a Pretty Lady, Bernhard draws on her own experiences to present thought-provoking essays about the sweet-and-sour experiences of love.

Gossip is no trivial matter; despite its reputation, Epstein argues, it is an eternal and necessary human enterprise. Proving that he himself is a master of the art, Epstein serves up delightful mini-biographies of the Great Gossips of the Western World, along with many choice bits from his own experience. He also makes a powerful case that gossip has morphed from its old-fashioned best--clever, mocking, a great private pleasure--to a corrosive new-school version, thanks to the reach of the mass media and the Internet. Written in his trademark erudite and witty style, Gossip captures the complexity of this immensely entertaining subject.

Levi writes on a variety of subjects, always of interest, always lucid, and always literary

A master of the art of the essay, Mary McCarthy's 'On the Contrary' offers a thoughtful and incisive exploration of the issues and ideas that defined mid-century America. Whether reflecting on the challenges of feminism, the contradictions of politics, or the complexities of art and culture, McCarthy brings her trademark wit and erudition to bear on a wide range of topics. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Explores the structural and political relations of the Atlantic trade in the 18th century

In this collection, Joseph Epstein departs from his consistently penetrating essays on writers and writing to indulge his fondness for the world of sport in all its forms. From saving Joe DiMaggio’s reputation from a second-rate biographer to marveling at the skills of a Michael Jordan—“a fine rousing spectacle, watching this magnificent athlete who turned his sport into art”—Epstein even recounts a dreary night as a guest in a skybox for a Chicago Bulls game.

From the Booker-shortlisted author of Umbrella , a world-girdling collection of writings inspired by a life lived in and for literature From one of the most unusual and distinctive writers working today, dubbed "the most daring and delightful novelist of his generation" by the Guardian , Will Self's Why Read is a cornucopia of thoughtful and brilliantly witty essays on writing and literature. Self takes us with him: from the foibles of his typewriter repairman to the irradiated exclusion zone of Chernobyl, to the Australian outback, and to literary forms past and future. With his characteristic intellectual brio, Self aims his inimitable eye at titans of literature like Woolf, Kafka, Orwell, and Conrad. He writes movingly on W.G. Sebald's childhood in Germany and provocatively describes the elevation of William S. Burroughs's Junky from shocking pulp novel to beloved cult classic. Self also expands on his regular column in Literary Hub to ask readers, how, what, and ultimately why we should read in an ever-changing world. Whether he is writing on the rise of the bookshelf as an item of furniture in the nineteenth century or on the impossibility of Googling his own name in a world lived online, Self's trademark intoxicating prose and mordant, energetic humor infuse every piece. A book that examines how the human stream of consciousness flows into and out of literature, Why Read will satisfy both old and new readers of this icon of contemporary literature.

Mordecai Richler’s final book pays homage to his personal heroes and celebrates a writer’s love of sport with his trademark irascibility, humour and acuity. Even while writing his bestselling novels, Mordecai Richler nurtured his obsession with sports, writing brilliantly on ice hockey, baseball, salmon fishing, bodybuilding, and wrestling for such publications as GQ , Esquire , The New York Times Magazine , Inside Sports , Commentary , and The New York Review of Books . Mordecai himself chose the pieces to include in Dispatches from the Sporting Life , and together they give us an intimate portrait of a man who admired the players and prized the struggle of sport—as much as he enjoyed skewering those who made a mockery of its principles. His encounters with Pete Rose, Wayne Gretzky and Gordie Howe (“Mr. Elbows... the big guy with the ginger-ale bottle shoulders”) are by turns bizarre, moving and uproarious. Richler travelled with Guy LaFleur’s Montreal Canadiens (“Les Canadiens sont là!”), but also with the “far-from-incomparable” Trail Smoke Eaters to Stockholm for the world hockey championships, where Canadians are “widely known, and widely disliked.” There are wonderful pieces here about Ring Lardner, George Plimpton, Hank Greenberg and lady umpires, and a marvellous essay on his unlimited enthusiasm for the all-inclusive Encyclopedia of Jews in Sports , which includes among its champions Sandy Koufax, “who may well be the greatest pitcher of all time, regardless of race, colour or creed,” as well as one Steve Allan Hertz, an infielder who played five total games in Houston in 1964 and had a batting average of .000.

Softcover Trade Paperback