Traces the story of the mixed-race swordsman and father of novelist Alexandre Dumas, discussing his rise to the French aristocracy, his military triumphs ,and the adventures that inspired such classics as "The Three Musketeers" and "The Count of Monte Cristo."

Drawn to an image of her great-grandfather's ornately carved cane, scholar Elisa New embarked on a journey to discover the origins of her precious family heirloom. Treading back across the paths of her ancestors, she travels from Baltimore to the Baltic to London in order to find and understand an immigrant world profoundly affected by modern German culture, from the Enlightenment through the Holocaust. Deeply ambitious in its narrative sweep, Jacob's Cane captures the rich texture of life on several continents as New's family searches to establish itself in the tobacco trade. A fascinating history of one family's story of progress, innovation, and struggle, Jacob's Cane will change the way we think about the Jewish American experience.

Toodles the turkey hates her "gobble, " and she decides she'll trade it in for another animal's sound. But in the end, Toodles uses her "gobble" to save the day! With lively rhymes and bright, funny illustrations, I Want Your Moo is a delightful lesson in self-acceptance and self-esteem.

What has happened to the American family in the last few decades? And what are these changes doing to our children? A renowned child psychologist and author of several influential works on child development, David Elkind has devoted his career to these urgent questions. This eloquent book - the culmination of his inquiry - puts together all the pieces, puzzling facts, and conflicting accounts, and shows us as never before what the American family has become. Today's postmodern family is under enormous stress. And as a result, the needs of hurried children have been sacrificed to the needs of their harried parents. Childhood innocence has been supplanted by the illusion of childhood competence; teenage immaturity has given way to pseudo-sophistication; and parental intuition has been traded in for a mechanical reliance on technique. These changes and a host of others have undermined the well-being of children and adolescents. From Freud to Friedan to Foucault, Elkind traces the roots of the postmodern family back to the failure of the modern nuclear family and its supporting institutions - the media, the so-called helping professions, the legal system, and the schools - to meet the needs of parents. The new postmodern family is more flexible, more permeable, more urbane, but also out of balance because it fails to meet the needs of children. Treated like miniature adults, today's children and adolescents go without the protection and security they need, while their once-sheltered baby-boomer parents, facing new economic pressures for which they are unprepared, secretly wonder why they've never really felt like grown-ups. But all is not bleak. Elkind finds evidence of an emerging vital family that melds the best of the modern and postmodern, one in which the needs of all family members are held in a dynamic, if delicate, balance. Many books have decried the decline in family values, the negative impact of divorce, the increase in single-mother families, and impoverished prospects for our children. But none has pulled all these fragments together as Elkind's does and put them into a solid framework, one that finally makes sense of the way we were, and what we as families may become.

The year is 2150. Ninety percent of the world's population has been wiped out. Civilization has evolved to accommodate various cultures. In Newfoundland, a 'livyer' culture dominates. The population is a quarter of what it was and spread out over a greater area in small 'tiltons' - communities of people who live in the bush but travel out to the coast to trade. Viddy, the protagonist, has to learn to function in this new society, which takes pride in its mixed Inuit/Newfoundland heritage.

In July 1961, just before David Aaronovitch's seventh birthday, Yuri Gagarin came to London. The Russian spaceman was everything the Aaronovitch family wished for - a popular and handsome embodiment of modern communism, of the forward march of history. When Gagarin went to Highgate to visit the tomb of Karl Marx, the local communists came out to cheer, David's father, a full-time worker for the Communist Party, and his mother among them. But who were they, these ever hopeful, defiant and (had they but known it) historically doomed people? In a sense they were like a non-magical version of the wizards of J K Rowling's world, living part secretly with and parallel to the non-communist majority, sometimes persecuted, sometimes ignored, but carrying on their own ways and traditions. Where others went to church they went to Socialist Sunday School, where others watched the Black and White Minstrels they went to see the Red Army Choir (always providing that visas had been issued). Society's up was their down, its heroes were their villains and vice versa. Trade unions were never more noble than when militant, the blacks were right and the whites were wrong. Who wanted American TV when you could have Russian movies? A memoir of early life among communists and an exploration of the world that created that life, Party Animals first took David Aaronovitch back through his own memories of belief and action. But there was much more to it. He found himself studying the old secret service files, his mother's diaries and letters, uncovering the unspoken shame and fears that provided the unconscious background to his own existence as a party animal. Only then did he begin to understand what had come before - both the obstinate heroism and the monstrous cowardice. And the elements that shape our fondest beliefs