A New York Times bestseller when it was first published in 1995, Coming of Age presents an astonishing portrait of American life and the experience of aging in the twentieth century, drawn from the stories of seventy-four very different people, the youngest of whom is seventy and the oldest ninety-nine. Inspiring in the honesty of their voices and their lack of nostalgia or illusions, these are people with the widest range of experiences from all around the country; many were at the vanguard of their movements, whether of trade unions, gay liberation, or the arts. They remind us what we once were, what we have lost, and the extraordinary extent to which we've been transformed as a society over the last hundred odd years.

A collection of interviews with Noam Chomsky in which he primarily discusses economic and trade issues and the emerging global economic order.

Architect Daniel Libeskind, known for his dynamic, fractured compositions, is also recognized for introducing a new critical discourse to architecture. In an enormous variety of projects around the world—major cultural institutions, convention centers, universities, hotels, commercial centers, and residential work—he has manifested his commitment to expanding the horizons of architecture and urbanism. Counterpoint: Daniel Libeskind is the first comprehensive portrait of the work of Studio Daniel Libeskind, which was established in Berlin in 1989 and moved to New York in 2003 after winning the World Trade Center design competition. Drawn from a series of interviews with celebrated architecture critic Paul Goldberger, Counterpoint exemplifies Libeskind's multidisciplinary approach, which reflects a profound interest in philosophy, art, music, literature, theater, and film. Along with Memory Foundations, the master plan for the World Trade Center site, featured projects include the Jewish Museum Berlin, the Royal Ontario Museum, the extension to the Denver Art Museum, the MGM Mirage CityCenter in Las Vegas, a multi-building complex in Busan, South Korea, and projects in the United Kingdom, Switzerland, Spain, the Netherlands, Italy, Israel, Mexico, Japan, and China.

This powerful book documents--in images and words--the unsettling experience of a dozen men and women workers who lost their jobs in the steel mills of Buffalo, New York, and had to fashion new lives for themselves. A stunning collection of revealing narratives that bears witness to wrenching changes in the American economy. Photographs.

Of the many film artists displaced by Hitler, Henry Koster was among the few who successfully adapted to the American studio system. Although Koster directed 45 successful motion pictures in a wide variety of genres, he is best known for Three Smart Girls, Harvey , such musicals as Stars and Stripes Forever , and films with religious backgrounds, including the first CinemaScope film, The Robe . All of these share the interplay of warm human feelings that is a trademark of Koster's motion pictures.

"After nearly fifty years of disrupting media, gleefully Rabelaisian uberindie filmmaker Lloyd Kaufman (b. 1945) has been maligned, mocked, and-worst of all-ignored throughout the general course of his wildly eclectic and impactful filmography. As the equally huckster-ish and self-denigrating cofounder and president of Troma Entertainment-responsible for the likes of such schlocky "midnight movie" fare as The Toxic Avenger, Sgt. Kabukiman N.Y.P.D., Surf Nazis Must Die, Class of Nuke 'Em High, Tromeo and Juliet, and, most recently, #ShakespearesShitstorm-Kaufman has indisputably left his slimily viscous fingerprints on moviemaking throughout the past half century. Lloyd Kaufman: Interviews gathers together no-holds-barred commentaries, op-eds, Q&As, arguments, and retorts from the prodigious filmmaker. Considering the typical Troma film is known, if at all, for the brand's signature egregious gore, unabashedly scandalous sexual fetishism, sophomoric scatology, and provocative contrarianism, it's easy to understand why Kaufman and his (still metastasizing) oeuvre go without much notice in the mainstream trades or classroom discussions. Like a modern-day P. T. Barnum, if there's one way that Kaufman finds a pragmatic hold on the cultural zeitgeist, it's through his tsunamic deluge of often vivacious, often vulgar, often vicious, and often (most dangerous of all) presciently insightful speaking engagements and interviews provided at an almost manic pace across the globe. Complete with an exclusive interview conducted by volume editor Mathew Klickstein, Lloyd Kaufman: Interviews is an extensive deep-dive omnibus from one of cinema's most indefatigably ardent auteurs who may make us all uproariously laugh but refuses to not be taken deadly seriously"--