The perfect graduation gift: a wry look at the pleasures and anxieties of leaving home, penned with Judith Viorst's trademark blend of insight and humor. Millions of young people grew up with Viorst's bestselling children's book "Alexander and the Terrible, Horrible, No Good, Very Bad Day." Now they can take her tongue-in-cheek advice for the next stage in their lives. Warm, funny, compassionate, and reassuring, "You're Officially a Grown-Up" describes -- in verse and illustrations -- all those terrifying but eagerly anticipated freedoms that go hand in hand with venturing out on your own and trying to make your way in the world. Ranging from the quandaries of giving up room, board, and the keys to the Ford to the thrills of playing by your own rules, Viorst will touch a nostalgic chord in those "official" grown-ups who have loved her other books about life's milestones. This special keepsake -- written from a loving parent's perspective -- is just the ticket high school and college graduates need for a one-way passage to adulthood.

"The first trade edition of new poems by punk progenitor and acclaimed writer Richard Hell since he largely abandoned poetry at the age of 22 includes also a valedictory essay, "Falling Asleep," and a "list" of recent notebook writings, and art by Christopher Wool. Richard Hell dropped out of high school shortly after turning 17 to move to New York and become a poet, 1967. He succeeded at that but by 1973 had forsaken poetry writing for the composition of aggressive, lyrical songs that would soon be scorned and hailed as punk. After 10 years as a professional musician, in 1984 he switched again, leaving music and resuming writing but now prose-fiction and essays mostly. Come 2020, pandemic time, Hell, at the age of 70, found himself gratified, in lockdown isolation, to finally become a poet, a working poet without distractions or competing intentions, content(ish) to struggle the days into mediums for poems. The result comprises one half of this volume. The second half of the book consists of an essay called "Falling Asleep" and a list of note(book) entries called "Chronicle." "Falling Asleep," from 2019, is Hell's equivalent to Poe's late-life summing up of his conception of the universe, "Eureka" (but better). "Chronicle," compiled in 2021 at the behest of Adam Marnie for his F Publications pamphlet series, captures in 88 numbered entries Richard's view and experience of recent years"--

Now in paperback, a collection to treasure from one of our most popular poets: poems that range from the Detroit of her childhood to her current life on Cape Cod, from deep appreciations of the natural world to elegies for lost friends and fellow poets. In her trademark style combining the sublime with gritty reality, Marge Piercy describes the night she was born: "the sky burned red / over Detroit and sirens sharpened their knives. / The elms made tents of solace over grimy / streets and alley cats purred me to sleep." She writes in graphic, unflinching language about the poor, banished now by politicians, no longer "real people like corporations." There are elegies for her peer group of poets, gone now, whose work she cherishes but from whom she cannot help but want more. There are laments for the suicide of dolphins and for her beloved cats, as she remembers "exactly how I loved each." She continues to celebrate Jewish holidays in compellingly original ways, and sings the praises of her marriage and the small pleasures of life. A stunning collection in the best Piercy tradition.

"What is a Bong Tree? brings together a big selection of Michael Rosen's writings and talks over five decades. They are about the centrality of literature, including children's literature, in the lives of all of us; about the power of poetry to inspire, console and entertain; and about the need to argue and campaign for these liberating forces in the face of ignorant and reductionist actions by successive governments in the United Kingdom, which have narrowed and impoverished children's experience of literature by pressing it into the service of a regime dominated by tests and examinations. The pieces here refer frequently to Michael's childhood and upbringing, and offer a generous tribute to his parents, Connie and Harold Rosen, and their influence on him and his subsequent work. Tonally, the pieces carry Michael's trademark: they're witty and insouciant; they carry serious ideas unseriously. Parents, teachers, librarians, academics, in fact anyone concerned with the nurture and education of children, and with the place of culture - in its widest sense - in our society, will find much pleasure and practical encouragement here." John Richmond, Editor

Love Comes First is Erica Jong's long-awaited return to her poetic roots! Here is Erica Jong's first book of all-new poems in more than a decade. Known and beloved for Fear of Flying and her many other books of fiction, nonfiction and poetry, Jong expounds on the most eternal, universal topic of all: love. Using brilliant imagery and intense metaphorical insights to paint vivid pictures of love, and all that comes with it--the heights of elation, the depths of sorrow--she covers every inch of the spectrum with her vibrant and insightful words. Perfect for wedding showers, lovers of all ages, and Valentine's Day, Jong's trademark trailblazing style and remarkable ability to bridge the gap between literary and popular poetry makes Love Comes First an instant classic. Discover-- or discover yet again--the brilliance of Erica Jong. Watch the trailer for this book:

Bloch Chana..~ THE SECRETS OF THE TRIBE: Poems..~ New York:: The Sheep Meadow Press,, 1980.~ Very good+ in stiff glossy wrappers (some curling to the cover, inconspicuous black line on bottom edge.). First printing, a trade paperback, issued simultaneously with hardcover. An uncommon and very early collection by this award winning poet and translator. 59 pp.

Very good+. First edition. Paper wrappers. Trade format. 74 pp. Signed by the author.

Shortlisted for the ReLit Award (2008)I Cut My Finger is Stuart Ross's first full-length poetry collection since his acclaimed Hey, Crumbling Balcony! Poems New & Selected (2003). The poems here show Ross's ever-expanding breadth, from his trademark humour and surrealism, to pointedly experimental works and poems of human anguish. Here, a poet includes a letter threatening suicide in his submission of poems to a literary journal; a businessman dons flippers to swim along the sidewalk to his downtown office; the U.S. military follows a trail of red ants to glacial redemption; the writer finds profound joy in a tower of canned niblets. But beneath the slapstick exterior of so many of Ross's poems there lurk dark threats and darker pleasures.Praise for I Cut My Finger:One of Eye's "Best Reviews of 2007""Taddle Creek Recommends" Pick (Summer 2007 issue)"... Now considered to be Canada's foremost writer of the surreal, Ross is enjoying some much-deserved recognition and has taken his place as one of the cool uncles of Canadian poetry ... Absurd, surprising, topical, surreal - his new work builds on the mythic significance and brilliance of several career-long metaphors and subjects." (The Globe and Mail)"It is surrealism at its best: written not to dispel the present but to reveal it." (Arc Poetry)"A damn-fine book in every sense of the word." (Taddle Creek)