We've all asked, "What is the world coming to?" But we seldom ask, "How bad was the world in the past?" Cognitive scientist Steven Pinker shows that the past was much worse. Evidence of a bloody history has always been around us: genocides in the Old Testament, gory mutilations in Shakespeare and Grimm, monarchs who beheaded their relatives, and American founders who dueled with their rivals. The murder rate in medieval Europe was more than thirty times what it is today. Slavery, sadistic punishments, and frivolous executions were common features of life for millennia, then were suddenly abolished. How could this have happened, if human nature has not changed? Pinker argues that thanks to the spread of government, literacy, trade, and cosmopolitanism, we increasingly control our impulses, empathize with others, debunk toxic ideologies, and deploy our powers of reason to reduce the temptations of violence.

"The origin story of the Age of Disinformation: the candid inside tale of two online media rivals, Jonah Peretti of HuffPost and Buzzfeed and Nick Denton of Gawker Media, whose delirious pursuit of attention at scale in the first two decades of the 21st century helped release the dark forces that would overtake the internet and American society. If attention is the new oil, Ben Smith's Traffic is the story of the time between the first gusher and the impact of climate change. The curtain opens in Soho in the early 2000's, in that brief moment after the first dotcom crash and before Google, Apple, and Facebook exploded, when it seemed that New York City rather than Silicon Valley might become tech's center of gravity. There, within a few square blocks, Nick Denton's merry band of nihilists at his growing Gawker empire and Jonah Peretti's sunnier crew at HuffPost and Buzzfeed were building the foundations of click-bait media. It was tech's age of innocence: the old establishment might have been discredited by the Iraq War, but digital news would facilitate the spread of truth. Progressive activists were first to the scene, and for a while it seemed they were the scene. After all, didn't they get Barack Obama elected? Ben Smith, who would go on to earn a controversial reputation as Buzzfeed's editor-in-chief, was either there or talked to everyone who was, and in his trademark fashion, he chronicles it all with marvelous lucidity scored with dark wit, sparing no one--and certainly not himself. Denton and Gawker were seen at the time as the black hats, but in Smith's hands the story is much more nuanced: yes, Denton's ideology of radical transparency was problematic, but at least he had an ideology. Jonah Peretti survived long after Denton's Gawker perished because his focus on clicks was relentlessly content-agnostic. But as with the proverbial sorcerer's apprentice, unintended consequences began to gain momentum. At the heart of Traffic is one of the great ironies of our time: the internet, which was going to help the left remake the world in its image, has become the motive force of right populism. As Smith and his colleagues and rivals thought they were inventing digital media, other figures, flickering around the margins of their story, had different designs. People like Steve Bannon and Andrew Breitbart and Gavin McInnes and Chris Poole, the creator of 4chan, all seemed like minor characters in the narrative in which Nick and Jonah and crew were the stars. By 2020, any reasonable observer might wonder if the opposite wasn't the case. To understand how we got here, Traffic is essential and enthralling reading"--

"Capitalism as we know it appears to be coming apart. But as financial institutions stagger and crumble, there is no obvious alternative. There is good reason to believe that, in a generation or so, capitalism will no longer exist: for the simple reason that it's impossible to maintain an engine of perpetual growth forever on a finite planet. Yet faced with this prospect, the knee-jerk reaction is often to cling to what exists because they simply can't imagine an alternative that wouldn't be even more oppressive and destructive. The political imagination seems to have reached an impasse. Or has it? In this collection of essays David Graeber explores a wide-ranging set of topics including political strategy, global trade, debt, imagination, violence, aesthetics, alienation, and creativity. Written in the wake of the anti-globalization movement and the rise of the war on terror, these essays survey the political landscape for signs of hope in unexpected places"--

Modern culture is obsessed with controlling women's bodies. Our societies are saturated with images of unreal, idealised female beauty whilst real female bodies and the women who inhabit them are alienated from their own personal and political potential. Under modern capitalism, women are both consumers and consumed: Meat Market offers strategies for resisting this gory cycle of consumption, exposing how the trade in female flesh extends into every part of women's political selfhood.

With his classics of social commentary "The Geography of Nowhere and "Home from Nowhere, James Howard Kunstler has established himself as one of the great commentators on American space and place. Now, with "The Long Emergency, he offers a shocking vision of a post-oil future. The last two hundred years have seen the greatest explosion of progress and wealth in the history of mankind. But the oil age is at an end. The depletion of nonrenewable fossil fuels is about to radically change life as we know it, and much sooner than we think. As a result of artificially cheap fossil-fuel energy we have developed global models of industry, commerce, food production, and finance that will collapse. "The Long Emergency tells us just what to expect after we pass the tipping point of global peak oil production and the honeymoon of affordable energy is over, preparing us for economic, political, and social changes of an unimaginable scale. Are we laboring under a Jiminy Cricket syndrome when we tell ourselves that alternative means of energy are just a few years away? Even once they are developed, will they ever be able to sustain us in the way that fossil fuels once did? What will happen when our current plagues of global warming, epidemic disease, and overpopulation collide to exacerbate the end of the oil age? Will the new global economy be able to persevere, or will we be forced to revert to the more agrarian, localized economy we once knew? Could corporations like Wal-Mart and McDonald's, built on the premise of cheap transportation, become a thing of the past? Will the misguided experiment of suburbia--considered a birthright and a reality by millions of Americans--collapse when the car culturebecomes obsolete? Riveting and authoritative. "The Long Emergency is a devastating indictment that brings new urgency and accessibility to the critical issues that will shape our future, and that we can no longer afford to ignore. It is bound to become a classic of social science.

Globalization is exposing social fissures between those with the education, skills, and mobility to flourish in an unfettered world market-the apparent "winners"-and those without. These apparent "losers" are increasingly anxious about their standards of living and their precarious place in an integrated world economy. The result is severe tension between the market and broad sectors of society, with governments caught in the middle.Compounding the very real problems that need to be addressed by all involved, the kneejerk rhetoric of both sides threatens to crowd out rational debate. From the United States to Europe to Asia, positions are hardening. Author Dani Rodrik brings a clear and reasoned voice to these questions. Has Globalization Gone Too Far? takes an unblinking and objective look at the benefits-and risks-of international economic integration, and criticizes mainstream economists for downplaying its dangers. It also makes a unique and persuasive case that the "winners" have as much at stake from the possible consequences of social instability as the "losers." As Rodrik points out, ." . . social disintegration is not a spectator sport-those on the sidelines also get splashed with mud from the field. Ultimately, the deepening of social fissures can harm all." President Clinton has read the book and it provided the conceptual basis for the trade/IMF portions of the State of the Union message in January 1998.

"At what point did the British develop their mania for interiors, wallpaper, furniture and decoration? Why have the middle classes developed so passionate an attachment to the contents of their homes? This book offers surprising answers to these questions, uncovering the roots of today's consumer society and investigating the forces that shape consumer desires. Richly illustrated, Household Gods chronicles one hundred years of British interiors, focusing on class, choice, shopping and possessions. Exploring a wealth of unusual records and archives, Deborah Cohen locates the source of modern consumerism and materialism in early nineteenth-century religious fervour. Over the course of the Victorian era, consumerism shed the taint of sin to become the pre-eminent means of expressing individuality. The book ranges from musty antique shops to luxurious emporia, from suburban semi-detached houses to elegant city villas, from husbands fretting about mantelpieces to women appropriating home decoration as a feminist cause. It uncovers a society of consumers whose identities have become entwined with the things they put in their houses"--OCLC

Argues that the technology of cyberspace will have a positive, humanizing influence on civilization, rather than creating a world where machines rule mankind

In this new condensed version of his masterpiece, Capitalism, Arthur Seldon explains why, despite its apparent imperfections, the market system is infinitely preferable to the alternatives. The market system has, since the eighteenth century, brought enormous gains in living standards, in contradiction to the Marxist theories that predicted capitalism's collapse. The institution of property rights has facilitated trade and investment, whilst the price mechanism has enabled people to benefit from dispersed knowledge about individual preferences. Yet politicians, needing to win votes in the short-term, have largely failed to recognise the benefits of a market system with the minimum of government intervention. The development of the welfare state has been disastrous, almost destroying the voluntary provision of health and education, whilst creating institutions that serve producer interests at the expense of consumers. Seldon's message is clear; if capitalism is to yield its best results the political process must be confined to the minimal duties of the state. This condensed version of Capitalism includes a foreword by the late Milton Friedman, an introduction by John Blundell and Philip Booth, and commentaries by James Bartholomew and D.R. Myddelton.

Ithiel de Sola Pool was a pioneering social scientist, a distinguished scholar of the political process, and one of the most original thinkers in the development of the social sciences. Passionately engaged in politics, he continued his role of leadership throughout his life, building the MIT Political Science Department into an outstanding group. He organized international teams of social scientists and collaborated widely to develop the understanding of social change. He was a frequent adviser to governments as consultant and in-house critic, and a successful advocate of limits on government regulation. Politics in Wired Nations presents his writings on the social and political impact of different communication systems and new telecommunications technology. Included in this volume is the first study of trends in a global information society, and the first study of social networks and the "small world" phenomenon that creates new relationships and routes of informal influence and political power, both domestic and international. Pool's essays on the politics of foreign trade, the influence of American businessmen on Congress, and changeable "unnatural" institutions of the modern world (e.g., bureaucracies, mega-cities, and nation-states) are herein contained. Pool describes a nonviolent revolution in freedom and political control that is possible as the world changes from the era of one-way mass communications--targeted to national audiences--to a new era of abundant, high-capacity, low-cost, interactive, and user-controlled communications on a global scale. He discusses policy choices for freedom, the battlegrounds ahead, and the risks of government involvement in the regulation of new telecommunication technologies.

A paradox of surface and depth pervades the field of aesthetics. How can art's surface meanings and qualities be properly appreciated without understanding the cultural context that shapes their creation and perception? But exploring such underlying cultural conditions challenges the perception of thosequalities and meanings of aesthetic surface that constitute the captivating power of art. If aesthetics deals with both surface and depth, impassioned immediacy yet also critical distance of judgment, how can this doubleness be held together in one philosophical vision? In his new book, Richard Shusterman explores the dialectics of surface and depth by examining key issues in the philosophy of art and culture?from the logic of interpretation and evaluation to the roots of taste and convention, from the meanings of aesthetic purity and immediacy to the role of nature, theory, and history in our experience and understanding of art. In treating these topics, Shusterman combines the methods of analytic philosophy, critical theory, and poststructualism to arrive at new positions, displaying the philosophical versatility, originality of vision, and graceful, accessible writing that have become his trademark. Surface and Depth is crowned by a new definition of art as dramatization.

Jonquil Mathews had lived a sheltered life with her parents in their luxurious home, until the day her fianc? Simon, an RAF pilot, was killed at Dunkirk. Prompted by Simon's best friend, Adrian Hepworth, Jonquil was determined to do her bit for the war effort, and joined the WAAF. Adrian had fallen in love with Jonquil, and as she went through her training, made new friends and learned her trade, he kept a watchful eye on her, always hoping that despite the dangers of wartime, they would eventually be together...