In an exhilarating tale of historic adventure, the Pulitzer Prize-winning author of Confederates in the Attic retraces the voyages of Captain James Cook, the Yorkshire farm boy who drew the map of the modern world Captain James Cook's three epic journeys in the 18th century were the last great voyages of discovery. His ships sailed 150,000 miles, from the Artic to the Antarctic, from Tasmania to Oregon, from Easter Island to Siberia. When Cook set off for the Pacific in 1768, a third of the globe remained blank. By the time he died in Hawaii in 1779, the map of the world was substantially complete. Tony Horwitz vividly recounts Cook's voyages and the exotic scenes the captain encountered: tropical orgies, taboo rituals, cannibal feasts, human sacrifice. He also relives Cook's adventures by following in the captain's wake to places such as Tahiti, Savage Island, and the Great Barrier Reef to discover Cook's embattled legacy in the present day. Signing on as a working crewman aboard a replica of Cook's vessel, Horwitz experiences the thrill and terror of sailing a tall ship. He also explores Cook the man: an impoverished farmboy who broke through the barriers of his class and time to become the greatest navigator in British history. By turns harrowing and hilarious, insightful and entertaining, BLUE LATITUDES brings to life a man whose voyages helped create the 'global village' we know today.

A "New York Times" - bestselling author presents the true story of a pivotal moment in modern history when a group of strange, tormented geniuses--Isaac Newton chief among them--invented science and remade our understanding of the world.

"From the writers behind the acclaimed documentary series Enslaved (starring Samuel L. Jackson), comes a rich and timely narrative of the true global and human scope of the transatlantic slave trade. The trade existed for four-hundred years, during which twelve million people were trafficked, and almost two million died at sea. Throughout this journey we meet the remarkable group, Diving With A Purpose (DWP), as they dive sunken slave ships around the world. They search for remains testifying to the millions of Africans trafficked to Europe, the Americas, and the Caribbean. From manilla bracelets to elephant tusks, these wrecks bring the stories of lost lives back from the deep. By hunting down wrecks and their backstories, Jacobovici and Kingsley's research puts the archeology and history of sunken slave ships lost between 1670 and 1858 in vivid context. From the ports of Gold Coast Africa to the hubs of trading companies in England, Portugal, and the Netherlands, to the final destinations in the New World, Jacobovici and Kingsley show how the slave trade touched every nation and every society on Earth. Though global in scope, Enslaved makes the past personal through the divers' sadness, anger, reverence, and awe as they hold in their hands tangible pieces of their ancestors' world. This book ensures that centuries of slave trading will always be remembered. Enslaved is the first book to tell the story of the transatlantic slave trade from the bottom of the sea."--page 2 of cover.

For Rembrandt as for Shakespeare, all the world was indeed a stage, and he knew in exhaustive detail the tactics of its performance; the strutting and mincing; the wardrobe and the face paint; the full repertoire of gesture and grimace; the flutter of hands and the roll of the eyes; the belly laugh and the half-stifled sob. He knew what it looked like to seduce, to intimidate, to wheedle, and to console; to strike a pose or preach a sermon; to shake a fist or uncover a breast; how to sin and how to atone; how to commit murder and how to commit suicide. No artist had ever been so fascinated by the fashioning of personae, beginning with his own. No painter ever looked with such unsparing intelligence or such bottomless compassion at our entrances and our exits and the whole rowdy show in between. More than three centuries after his death, Rembrandt remains the most deeply loved of all the great masters of painting, his face so familiar to us from the self-portraits painted at every stage in his life, yet still so mysterious. As with Shakespeare, the facts of his life are hard to come by; the Leiden miller's son who briefly found fame in Amsterdam, whose genius was fitfully recognized by his contemporaries, who fell into bankruptcy and died in poverty. So there is probably no other painter whose life has engendered more legends, nor to whom more unlikely pictures have been attributed (a process now undergoing rigorous reversal). "Rembrandt's Eyes," about which Simon Schama has been thinking for more than twenty years, shows that the true biography of Rembrandt is to be discovered in his pictures. Though a succession of superbly incisive descriptions and interpretations of Rembrandt'spaintings threaded into his narrative, he allows us to see Rembrandt's life clearly and to think about it afresh. But this book moves far beyond the bounds of conventional biography or art history. With extraordinary imaginative sympathy, Schama conjures up the world in which Rembrandt moved -- its sounds, smells and tastes as well as its politics; the influences on him of the wars of the Protestant United Provinces against Spain, of the extreme Calvinism of his native Leiden, of the demands of patrons and the ambitions of contemporaries; the importance of his beloved Saskia and, after her death (Rembrandt was later forced to sell her grave, so complete was his ruin), of his mistress Hendrickje Stoffels; and, above all, the profound effect on him of the great master of the immediately preceding generation, the Catholic painter from Antwerp, Peter Paul Rubens: "the prince of painters and the painter of princes" with whom Rembrandt was obsessed for the first part of his life, and whose career was the shaping force that drove Rembrandt to test the farthest reaches of his own originality. "Rembrandt's Eyes" shows us "why" Rembrandt is such a thrilling painter, so revolutionary in his art, so penetrating of the hearts of those who have looked for three hundred years at his pictures. Above all, Schama's understanding of Rembrandt's mind and the dynamic of his life allows him to re-create Rembrandt's life on the page. Through a combination of scholarship and literary skill, Schama allows us to actually see that life through Rembrandt's own eyes. In overcoming the paucity of conventional historical evidence, it is the most intelligently true biography of Rembrandt that has ever beenwritten, and the most dazzling achievement to date of the art historian whose work has been hailed as "marvelously rich and eloquent" ... "rare, imaginative" ... "provocative" ... "astoundingly learned with verve, humor, and an unflagging sense of delight" ... that of "a master storyteller ... and a master of history."* Quotes from the "New York Times Book Review, Time," the "New York Times, The Independent on Sunday," and "Nature," respectively. "From the Hardcover edition."

Much new research and writing on the Glorious Revolution of 1688-91 in England, Scotland, Ireland and North America, and on the Dutch role in the Revolution, has materialized in the last few years in connection with the tercentenary celebrations of 1988 and 1989 and the various accompanying conferences, symposia, and exhibitions in Britain, the Netherlands and the United States. There has also been a spate of associated publications. This is, however, the first large-scale work to emerge from the tercentenary commemoration, and the first to attempt to bring together the main strands of the new research and writing for the general reader and for the student, placing the English Revolution of 1688-89 for the first time in its full British, European and American setting, and showing how fundamentally our picture of the Revolution itself, as well as the Revolutionary process of 1688-91 as a whole, is now being transformed.

Synopsis: The last two centuries have witnessed a radical transformation of Jewish life. Marked by such profound events as the emancipation from the ghettoes of Europe, the Holocaust and the establishment of the State of Israel, Judaism's long journey through the modern age has been a complex and tumultuous one, leading many Jews to ask themselves not only where they have been and where they are going, but what it means to be a Jew in today's world. Tracing the dramatic changes in Jewish religion, culture, and identity from the seventeenth century to the present, The Jew in the Modern World, Third Edition, remains the most complete sourcebook on modern Jewish history available. Now thoroughly expanded and updated, this critically acclaimed volume of primary materials features previously unpublished and inaccessible sources concerning the Jewish experience in Eastern Europe, the Middle East, and North Africa; women in Jewish history; American Jewish life; the Holocaust; and Zionism and the nascent Jewish community in Palestine on the eve of the establishment of the State of Israel. The documents are arranged chronologically in each chapter and are meticulously and extensively annotated and cross-referenced. Providing useful tables detailing Jewish demographic trends, this unique text is ideal for courses in modern Jewish history, Zionism and Israel, the Holocaust, or modern European history. New to this Edition: Over 100 new documents address important issues to understanding modern Jewish history, including the status of women, and debates between traditional and secular Jews and the role of Zionism in modern Jewish life; Two entirely new chapters-Chapter 8, "Sephardi and Middle Eastern Jewry," and Chapter 12, "Jewish Identity Challenged and Redefined" -enhance the book's scope and chronology; Four new maps show the concentration of Jews throughout the Mediterranean and Middle East. The Appendix has been completely updated with the latest population figures

Traces four hundred years of Jewish history from the seventeenth to the twenty-first century, and discusses the anti-Semitism facing European Jews, the Jews of czarist Russia, their struggle for civil rights in the 1830s and 1840s, Jewish life in America, the effects of World War One and the Holocaust of World War Two, and much more.

Twenty years ago, Benjamin Moser followed a love affair to an ancient Dutch town. In order to make sense of this new place, he threw himself into the Dutch museums. Soon, he found himself unearthing the strange, inspiring and sometimes terrifying stories of the artists who shaped one of the most luminous moments in the history of human creativity, the Dutch Golden Age. As he explored the hidden world of the Dutch Masters (and one Mistress), Moser met a crowd of fascinating personalities- the stormy Rembrandt, the intimate Ter Borch, the mysterious Vermeer. Through their art, he got to know their country, too- from Pieter Saenredam's translucent churches to Paulus Potter's muddy barnyards, and from Pieter de Hooch's cozy hearths to Jacob van Ruisdael's tragic trees. Over the years, Moser found himself on increasingly intimate terms with these centuries-dead artists, and found that they, too, were struggling with the same questions he was. Why do we make art? What is art, anyway - and what is an artist? What does it mean to succeed as an artist, and what does it mean to fail? The Upside-Down World is an invitation to ask these questions, and to turn them on their heads- to look, and then to look again. It is a brilliant, colourful and learned book for anyone, whether lifelong scholar or curious tourist, who has ever felt the lure of the Dutch galleries. It shows us art, and artists, as we have never seen them before.

"Messianism, Secrecy and Mysticism tells the history of Early American Jews, focusing on the objects of everyday life used and created by Jews, such as ritual baths, food, gravestones, portraits, furniture, as well as the synagogue. By uncovering these objects and exposing the common culture of the Jewish Atlantic world, the book provides a fresh understanding of a crucial era in Jewish and American history. It offers new insights about the origins of Jewish American messianism, helping readers better understand messianism in contemporary American society. It charts the shared culture of these Jews who lived in the port towns in the Caribbean and on both sides of the Atlantic, and author Laura Arnold Leibman argues that thinking about Judaism as an embodied religion is key to understanding their culture. Messianism, Secrecy and Mysticism makes early Jewish American history entertaining, accessible, and interesting to general readers, as well as to academic audiences." -- Publisher's website.

"Antiquarian, lawyer, and cat lover Nicolas Fabri de Peiresc (1580-1637), was a 'prince' of the Republic of Letters and the most gifted French intellectual in the generation between Montaigne and Descartes. From Peiresc's study in Aix-en-Provence, his insatiable curiosity poured forth in thousands of letters that traveled the Mediterranean, seeking knowledge of matters mundane and exotic--travel times and insurance premiums, rare manuscripts and objects from the Orient. Mining the remarkable 70,000-page archive of this Provençal humanist and polymath, Peter N. Miller recovers a lost Mediterranean world of the early seventeenth century that was dominated by the sea: the ceaseless activity of merchants, customs officials, and ships' captains at the center of Europe's sprawling maritime networks. Peiresc's Mediterranean World reconstructs the web of connections that linked the bustling port city of Marseille to destinations throughout the Western Mediterranean, North Africa, the Levant, and beyond. As Miller also makes clear, Peiresc's mastery of practical details and his collaboration with local traders and fixers as well as scholars, sheds new light on the structure of knowledge-making in the age of Bacon, Galileo, and Rubens. Miller shows that Peiresc's pursuit of Oriental studies, for example, depended crucially on his abilities as a man of action. Exploring the historian's craft today against the backdrop of Peiresc's diverse research activities, Peiresc's Mediterranean World suggests new possibilities for scholarship on the past, but also for the relationship between the writing of history and its readers"--Provided by publisher

"Elizabethan and Jacobean architecture - not the friendly unassuming architecture of the vernacular but the uniquely strange and exciting buildings put up by the great and powerful, ranging from huge houses to gem-like pavilions and lodges designed for feasting and hunting - is a phenomenon as remarkable as the literature which accompanied it, the literature of Shakespeare, Spenser, Sidney, Marlow, Jonson, Campion and others. Forty years after adventuring into this world in his first book, 'Robert Smythson', in which he discussed one family of mason-architects and the great houses with which they were connected, Mark Girouard has returned to the subject to cover the whole rich field in detail. In this beautiful and fascinating book, Girouard discusses social structure and the way of life behind it, the evolution of the house plan, the ferment of excitement aroused in English patrons and craftsmen as they learnt about the classic Five Orders and the buildings of Ancient Rome from publications and engravings, the surprising wealth of architectural drawings which survive from the period, the inroads of foreign craftsmen who brought new fashions in ornament with them, but also the strength of the native tradition which was creatively integrated with the 'antique' style. Behind the book is a vivid consciousness of the European scene, and the different ways in which different countries reacted to new influences yet did not abandon their native traditions. Italy, France, central Europe and above all the Low Countries provide the background, and England was influenced by all of them. But the principal argument of the book is the individuality of the English achievement. Girouard's pioneering work on Elizabethan architecture, then an unfashionable period, has helped inspire an increasing number of architectural historians to venture into the field. His new book benefits from their researches and publications, but is essentially a product of new research and travel on his part. The results are displayed with his own unique sense of style, and are fired by the excitement which the architecture of the period still generates in him." -- from book jacket.

Ellen Meiksins Wood is a leading contemporary political theorist who has been described as the founder, together with Robert Brenner, of Political Marxism,' a distinct version of historical materialism which has inspired a research program that spans a number of academic disciplines. Organized thematically, this Reader provides an overview of her original interpretations of capitalism, and many different topics.

The ten essays published in this volume were written over the space of a decade, but they were conceived from the start as a coherent whole, presenting Peiresc's study of discrete languages and literatures of the Near East and North Africa. For Peiresc the student of the Classical past, this described the eastern and southern space in which the Greeks and Romans lived and strove. For Peiresc the Christian, this was the world of the Bible that impacted upon the Greeks and Romans. And for Peiresc of the Mediterranean (for he was born in Aix, spent much time in Marseille, and lived outside of the region for only 6 of his 57 years), this was the territory that his friends and colleagues sailed to, lived in and, usually, came back from. The convergence of these axes in the life of one man, and a man of singular intellectual power and charm whose vast personal paper arsenal had survived, makes this such a compelling project. The essays are arranged in a roughly chronological order. They follow the course of Peiresc's own projects from his early encounter with the ancient Near East in Greek and Roman literature, through his engagement with Arabic to his deepening kowledge of rabbinic texts to the wider world of the new oriental studies of the seventeenth century which he helped create: Samaritan, Coptic and Ethiopic.

Whether viewed as a brave crusader or a power-mad villain, Oliver Cromwell (1599--1658) is irrefutably a key figure in one of the most troubled periods of British history. By examining his performance as a military commander in the widest sense, this intriguing volume offers a new perspective on an intensely religious man who used both soldiering and politics to achieve his underlying goals, as well as insight into the world in which he lived. Whether viewed as a brave crusader or a power-mad villain, Oliver Cromwell (1599--1658) is irrefutably a key figure in one of the most troubled periods of British history. By examining his performance as a military commander in the widest sense, this intriguing volume offers a new perspective on an intensely religious man who used both soldiering and politics to achieve his underlying goals, as well as insight into the world in which he lived.

"At eight years old, Gerta Pieters is forced to disguise herself as a boy and sent to work for a genteel Dutch family. When their brilliant and beautiful daughter Maria sees through Gerta's ruse, she insists that Gerta accompany her to Amsterdam and help her enter the elite, male-dominated art world. While Maria rises in the ranks of society as a painting prodigy, Gerta makes herself invaluable in every way: confidante, muse, lover. But as Gerta steps into her own talents, their relationship fractures into a complex web of obsession and rivalry--and the secrets they keep threaten to unravel everything"--