"Anyone who wants to understand the connection between anti-Semitism, Islamic terrorism, the role of propaganda and appeasement must read this book." -Natan Sharansky, author, The Case for Democracy: The Power of Freedom to Overcome Tyranny and Terror "I admire the courage of this vision and the power of the writing." -Rabbi Lord Dr. Jonathan Sacks "Passionate and beautifully written.... This book will make you weep. It will also make you angry and frightened." -Alan Dershowitz, Harvard Law School; author, The Case for Israel "Absolutely amazing...An indispensable guide to the apocalyptic sandstorms our world now faces." -Erica Jong, poet and novelist, Fear of Flying A dangerous worldwide coalition of Islamic terrorists, well-intentioned but misinformed students, right-wing fascists, left-wing ideologues, academics, feminists, European politicians, journalists, and international human rights organizations have joined together to again scapegoat the Jews and the Jewish state for crimes they did not commit and for whatever ails the world. In this intensely passionate and compelling book, the best-selling and prize-winning Jewish feminist author Dr. Phyllis Chesler demonstrates how old-fashioned anti-Semitism - now often seen in the form of anti-Zionism - has become fashionable and even politically correct, and how this plague threatens the Jews of the world, Israel, America, and Western civilization.

"A new history of twentieth-century North Africa, that gives voice to the musicians who defined an era and the vibrant recording industry that carried their popular sounds from the colonial period through decolonization. If twentieth-century stories of Jews and Muslims in North Africa are usually told separately, Recording History demonstrates that we have not been listening to what brought these communities together: Arab music. For decades, thousands of phonograph records flowed across North African borders. The sounds embedded in their grooves were shaped in large part by Jewish musicians, who gave voice to a changing world around them. Their popular songs broadcast on radio, performed in concert, and circulated on disc carried with them the power to delight audiences, stir national sentiments, and frustrate French colonial authorities. With this book, Christopher Silver provides the first history of the music scene and recording industry across Morocco, Algeria, and Tunisia, and offers striking insights into Jewish-Muslim relations through the rhythms that animated them. He traces the path of hit-makers and their hit records, illuminating regional and transnational connections. In asking what North Africa once sounded like, Silver recovers a world of many voices--of pioneering impresarios, daring female stars, cantors turned composers, witnesses and survivors of war, and national and nationalist icons--whose music still resonates well into our present"--

"A new history of twentieth-century North Africa, that gives voice to the musicians who defined an era and the vibrant recording industry that carried their popular sounds from the colonial period through decolonization. If twentieth-century stories of Jews and Muslims in North Africa are usually told separately, Recording History demonstrates that we have not been listening to what brought these communities together: Arab music. For decades, thousands of phonograph records flowed across North African borders. The sounds embedded in their grooves were shaped in large part by Jewish musicians, who gave voice to a changing world around them. Their popular songs broadcast on radio, performed in concert, and circulated on disc carried with them the power to delight audiences, stir national sentiments, and frustrate French colonial authorities. With this book, Christopher Silver provides the first history of the music scene and recording industry across Morocco, Algeria, and Tunisia, and offers striking insights into Jewish-Muslim relations through the rhythms that animated them. He traces the path of hit-makers and their hit records, illuminating regional and transnational connections. In asking what North Africa once sounded like, Silver recovers a world of many voices--of pioneering impresarios, daring female stars, cantors turned composers, witnesses and survivors of war, and national and nationalist icons--whose music still resonates well into our present"--