Highly esteemed by architects and New York history enthusiasts, 'New York 1930' focuses on the development of many of the landmark structures and the built environment of New York, including the parks, highways, and entertainment districts.

"Encompassing autobiography, institutional history, and lively, behind-the-scenes anecdotes, Between Memory and Invention: My Journey in Architecture surveys the world of architecture from the 1960s to the present and Robert A. M. Stern's critical role in it. The book chronicles Stern's formative years, architectural education, and half-century of architectural practice, touching on all the influences that shaped him. He details his Brooklyn upbringing, family excursions to look at key twentieth-century buildings, and relationships with prominent teachers--Paul Rudolph and the legendary Vincent Scully among them. Stern also recounts the origins of RAMSA and major projects in its history, including the new town of Celebration, Florida, the restoration of Times Square and 42nd Street, 15 Central Park West, Benjamin Franklin and Pauli Murray Colleges at Yale, and the George W. Bush Presidential Center, as well as references the many clients, fellow architects, and professional partners who have peopled his extraordinary career. By turns thoughtful, critical, and irreverent, this accessible, informative account of a life in architecture is replete with personal insights and humor. Stern's voice comes through clearly in the text--he details his youthful efforts to redraw house plans in real estate ads, his relationship to Philip Johnson, which began at Yale and was sustained through countless lunches at the Four Seasons, his love of Cole Porter and movies from the 1930s and 1940s, his struggle to launch an architecture practice in the 1970s in the midst of a recession, and his complex association with Disney and Michael Eisner. Unsurprisingly, New York City plays a big role in Between Memory and Invention. Stern has a deep commitment to the city and recording its past--he is the lead author of the monumental New York book series, the definitive history of architecture and urbanism from the late nineteenth century to the present--and shaping its future. Though now a global practice, RAMSA residential towers rise throughout Manhattan to enrich the skyline in the tradition of the luxurious apartment buildings of the 1920s and 1930s"--

Architect and social critic Michael Sorkin develops his own vision of the future lower Manhattan through a series of chronologically organized essays illustrated with full-color images of his own plans. Mixing his inimitable brand of social criticism with more personal reflections, Starting From Zero offers a striving challenge to the Ground Zero redevelopment plan recently chosen by New York's establishment insiders.

Trachtenberg's book exmines the urban transformation of Florence in the fourteenth century. Focusing on the creation of the Piazza della Signoria and the Piazza del Duomo, he documents in engaging detail how and why urban planners, in league with the civic government, enlarged these urban spaces. Articulating the design principles that served as the foundation for these urban renewal projects, Trachtenberg's book fundamentally revises our understanding of urban planning in the early modern period, countering the received claim that rational planning begins only in the Renaissance. His book also brings a new depth of understanding to the entire visual culture of Trecento Florence, demonstrating how many of the developments in painting, sculpture and architecture of this period form the basis of the achievements of the Quattrocento, particularly the discovery of perspective. Combining both empirical and post-structuralist methods, Trachtenberg's book is among the first, if not the first, to question critically many of the assumptions that have formed the basis of scholarship of Renaissance art since the sixteenth century.

This book enables readers to learn about upstanders, partisans, and survivors from first-hand perspectives that reveal the many forms of resistance-some bold and defiant, some subtle-to the Nazis during the Holocaust. What did those who resisted the Nazis during the 1930s through 1945-known now as "the Righteous"-do when confronted with the Holocaust? How did those who resorted to physical acts of resistance to fight the Nazis in the ghettos, the concentration camps, and the forests summon the courage to form underground groups and organize their efforts? This book presents a comprehensive examination of more than 150 remarkable people who said "no" to the Nazis when confronted by the Holocaust of the Jews. They range from people who undertook armed resistance to individuals who risked-and sometimes lost-their lives in trying to rescue Jews or spirit them away to safety. In many cases, the very act of survival in the face of extreme circumstances was a form of resistance. This important book explores the many facets of resistance to the Holocaust that took place less than 100 years ago, providing valuable insights to any reader seeking evidence of how individuals can remain committed to the maintenance of humanitarian traditions in the darkest of times.

HARRY SEIDLER'S PHOTO JOURNAL OF WORLD ARCHITECTURE ARCHITECT HARRY SEIDLER HAS SPENT MORE THAN 50 YEARS TRAVELING THE GLOBE, EXTENSIVELY PHOTOGRAPHING THE PEAK ACHIEVEMENTS IN ARCHITECTURE FROM 3000 B.C. TO THE PRESENT DAY. THANKS TO SOUND ADVICE GIVEN TO HIM EARLY ON BY HIS PHOTOGRAPHER BROTHER, MARCELL (""ONLY USE LEICA CAMERAS AND KODACHROME FILM, WHICH IS ARCHIVAL""), SEIDLER'S HOBBY QUICKLY DEVELOPED INTO A PASSION AND, FINALLY, AN IMPRESSIVE ARCHIVE OF WORLD ARCHITECTURE. INCLUDING, OF COURSE, MANY OF THE WORLD'S MOST FAMOUS ARCHITECTURAL STRUCTURES, SEIDLER'S PHOTOGRAPHS ILLUSTRATE THE HISTORY AND STYLE--COUNTRY BY COUNTRY--OF ARCHITECTURE IN EUROPE, THE MIDDLE EAST, ASIA, AND THE AMERICAS. DIVIDED INTO CHAPTERS BY COUNTRY, EACH WITH A BRIEF INTRODUCTION OUTLINING ITS ARCHITECTURAL HISTORY, GRAND TOUR OFFERS ARMCHAIR TRAVELERS, STUDENTS, ARCHITECTURE BUFFS, AND HISTORIANS THE OPPORTUNITY TO BROWSE THE BUILDINGS OF THE WORLD THROUGH ONE MAN'S PHOTOGRAPHS--THE FRUITS OF A PASSIONATE, HALF-CENTURY ENDEAVOR.

In this collection of essays and articles best selling author Mark Girouard writes of places he has visited in town and country. Mixing erudition with anecdote, he offers fascinating insights into both buildings and their inhabitants. He tells how he first became interested in architecture, describes the country houses which he visited as a boy, provides an authoritative interpretation of the origins of English rococo art, analyzes the formation of an English seaside resort, recreates the Georgian architecture and polite society of Jane Austen's world, and traces changing attitudes toward the landscape in architecture from eighteenth-century Britain to twentieth-century America. Old Slaughter's Coffee-House in the mid-eighteenth century; Holdenby, an Elizabethan great house built by a royal favourite who was called by one of his contemporaries "a mere vegetable of the court that sprung up at night and sank again at noon"; Belvedere, the eighteenth-century Irish country house that was witness to a tragic story of adultery and revenge: these are just a few of the buildings described by Girouard in these delightful essays on architecture and society in bygone eras in England and Ireland. Written with his customary wit and elegance, this collection of Girouard's finest essays illuminates not only architecture and social history but also the man who has explored both with such elan.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This interpretive study aruges that a trialogue between the three forms of monotheism must be something deeper than merely a meeting of Jewish, Christian and Muslim intellectuals, and that cooperation among them is essential to defend the West against Asian religious nihilism.

"An Analysis of Gothick Architecture, Volume 1" by Raphael Brandon offers a detailed examination of Gothic architectural styles. Published in 1847, this historical work provides insights into the key characteristics, construction techniques, and aesthetic principles of Gothic architecture. It explores the historical context and evolution of the style and remains a valuable resource for architects, historians, and anyone interested in the rich heritage of Gothic design. Brandon's analysis provides a comprehensive overview that captures the essence and enduring appeal of Gothic architectural forms. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.