"For nearly five decades, Geddy Lee's playing and work as cowriter, vocalist, and keyboardist has been an essential part of the success story of Canadian progressive rock trio Rush. This uniquely poignant memoir is his account of life inside and outside the band. Long before Rush accumulated more consecutive gold and platinum records than any rock band after the Beatles and the Rolling Stones, before the seven Grammy nominations or the countless electrifying live performances across the globe, Geddy Lee was Gershon Eliezer Weinrib, named after his grandfather murdered in the Holocaust. As he recounts the transformation, Lee looks back on his family, in particular his loving parents and their horrific experiences during World War II. He talks candidly about his childhood and the pursuit of music that led him to drop out of high school. He tracks the history of Rush, which, after early struggles, exploded into one of the most beloved bands of all time. He shares intimate stories of his lifelong friendships with bandmates Alex Lifeson and Neil Peart -- deeply mourning Peart's passing -- and reveals his obsessions in music and beyond." --

Marilyn Monroe’s final formal photo session and last interview have never been released in their entirety—until now. Completed in July 1962, just a month before her passing, the interview conducted by Richard Meryman was Marilyn at her most open and honest, and the photos by Allan Grant were the only ones ever taken in her home. Now, for the first time, you can read Marilyn in her own words and see her as the world has never seen her before. "A beautifully understated look at an American icon, as she probably wished she could have been seen.” --Library Journal In July 1962, Marilyn Monroe was at a crossroads. At thirty-six years old and embroiled in legal battles with the studio of her current picture, Something’s Gotta Give, she was struggling with fame, age, and a studio system in which she no longer fit. When she sat down to give Richard Meryman an interview, she had a lot to say. Originally intended to be an interview about fame, over the course of four hours Marilyn talked about her entire life. Only a small portion of the interview was published in LIFE Magazine. When she died, just two days after the article was published, Meryman put the full transcript and the original tapes in his files, never to see the light of day. Documenting this landmark interview was iconic photojournalist Allan Grant. His images of Marilyn would be her last formal photo shoot—in her home, in casual clothes, being the glorious, free spirit she was. Grant captured every emotion of the interview in these exquisite images, only eight of which were published alongside the LIFE interview excerpt. Most of the remainder of the images were stored in Allan’s safe, waiting to be rediscovered. Marilyn: The Lost Photographs • The Last Interview is Marilyn Monroe in her own words—words that haven’t been published, until now. In this recently restored and complete transcript, Marilyn candidly talks about her childhood and life, fame, the studio system, her approach to work, celebrity, being a sex symbol, and more. At times joyous, silly, serious, philosophical and pensive, it is a Marilyn that the world has never experienced. Accompanying the interview are more than 400 of Grant’s extraordinary images, most never published until now. This beautifully produced book offers readers a glimpse into Marilyn’s mindset during her final month as she began to assert control of her career and address her relationship with celebrity. Deepening the understanding of Marilyn’s talents, humanity, and true legacy, and the appreciation of her true beauty, this is a fitting tribute to one of the most iconic figures in history.

"Show Boat" stands as one of the most significant and influential works in the history of American musical theater. Born from the collaboration between legendary composer Jerome Kern, lyricist Oscar Hammerstein II, and novelist Edna Ferber, this masterpiece revolutionized the stage by integrating a serious, complex narrative with a sophisticated musical score. Set against the sweeping backdrop of the Mississippi River from the 1880s through the 1920s, the story follows the lives of the performers, stagehands, and dockworkers aboard the 'Cotton Blossom' floating palace. This powerful drama explores enduring themes of racial prejudice, tragic romance, and the evolving landscape of American society. Through iconic compositions such as "Ol' Man River," "Can't Help Lovin' Dat Man," and "Make Believe," "Show Boat" captures the soul of a nation in transition. The work broke new ground by addressing social injustice and systemic inequality with a depth previously unseen in musical comedy, forever changing the trajectory of the Broadway stage. As a cornerstone of the American canon, "Show Boat" remains a poignant and musically rich exploration of love and hardship along the Great River. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Its stories may be the best known in the world, but its locations have long been a mystery. Where did Noah's ark land? Where did Moses receive the Ten Commandments? Where are the lost cities of Sodom and Gomorrah? Now, inWalking the Bible: A Photographic Journey, New York Times bestselling author Bruce Feiler offers an unprecedented heart-stirring adventure through the landscape of some of history's most storied events. Featuring Bruce Feiler's own photography as well as his selections from professional collections,Walking the Bible: A Photographic Journey brings together breathtaking vistas, intimate portraits, and fascinating panoramas, providing firsthand access to the inscrutable land where three of the world's great religions were born—and finally puts a face on the stories that have long inspired the human spirit. Over several years, Feiler traveled nearly ten thousand miles through the deserts of the Middle East, which led first to his runaway national bestseller Walking the Bible. This new illustrated book follows his route, offering a thrilling photographic voyage through the actual places of some of the Bible's most memorable events—from the heights of Mount Ararat, where Noah's ark landed, to the desert outpost in Turkey, where Abraham first heard the words of God, to the summit where Moses overlooked the Promised Land. Walking the Bible: A Photographic Journey chronicles a landscape that nurtured the relationship between humans and the divine, breathing new meaning into stories that have been a timeless source of inspiration.

"The Art of Violin Playing" stands as one of the most influential and comprehensive treatises on violin pedagogy ever written. Authored by the renowned pedagogue and virtuoso Carl Flesch, this seminal work offers an exhaustive exploration of the technical and artistic foundations required for mastery of the instrument. Flesch meticulously dissects every facet of violin performance, from the physical mechanics of the left and right hands to the deeper psychological and aesthetic considerations of interpretation. The text is divided into logical sections that address fundamental techniques such as fingering, bowing, vibrato, and tone production. Beyond mere mechanics, Flesch emphasizes the importance of individuality and musicality, providing guidance on how to develop a unique artistic voice. His analytical approach transformed modern string teaching, making this work an essential resource for advanced students, professional performers, and educators alike. Whether used as a reference for specific technical challenges or read as a philosophical guide to performance, "The Art of Violin Playing" remains a cornerstone of musical literature. Its enduring relevance continues to shape the training of violinists across the globe, preserving the legacy of one of history's greatest teachers. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Magic has enchanted humankind for millennia, evoking terror, laughter, shock, and amazement. Once persecuted as heretics and sorcerers, magicians have always been conduits to a parallel universe of limitless possibility—whether invoking spirits, reading minds, or inverting the laws of nature by sleight of hand. Long before science fiction, virtual realities, video games, and the Internet, the craft of magic was the most powerful fantasy world man had ever known. As the pioneers of special effects throughout history, magicians have never ceased to mystify us by making the impossible possible. This book celebrates more than 500 years of the stunning visual culture of the world’s greatest magicians. Featuring more than 750 rarely seen vintage posters, photographs, handbills, and engravings as well as paintings by Hieronymus Bosch and Bruegel among others, The Magic Book traces the history of magic as a performing art from the 1400s to the 1950s. Combining sensational images with incisive text, the book explores the evolution of the magicians’ craft, from medieval street performers to the brilliant stage magicians who gave rise to cinematic special effects; from the 19th century’s golden age of magic to groundbreaking daredevils like Houdini and the early 20th century’s vaudevillians. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program—now more compact, friendly in price, and still realized with the same commitment to impeccable production.

"'Everything is autobiographical and everything is a portrait, even if it's only a chair.' Portraits were central to the work of Lucian Freud. Working only from life, the artist claimed 'I could never put anything into a picture that wasn't actually there in front of me.' Lucian Freud Portraits surveys his portraits and figure paintings from across his long career. Drawing together the finest portraits from public and private collections around the world, the book explores Freud's stylistic development and technical virtuosity. A series of previously unpublished interviews conducted by Michael Auping between May 2009 and January 2011 reveal the artist's thoughts on the complex relationship between artist and sitter, the particular challenges of painting nudes and self-portraits, and his views on other painters he admired. Freud's psychological portraits are often imbued with a mood of alienation. A private man, the artist's close relationship with his sitters was played out behind the closed door of the studio. Frequently there is the sense of an emotionally charged drama unfolding, but his subjects remain elusive. Sitters represented in the book include family members, particularly his mother, Lucie, and artists such as Frank Auerbach, Francis Bacon and David Hockney. In the early 1990s Freud produced a series of monumental paintings of the performance artist Leigh Bowery and Bowery's friend Sue Tilley, the 'benefits supervisor', examples of which are reproduced in this book."--Publisher description.

This book willserve as the basic work on the rise and development of bop in jazz. Engendered by Charlie Parker and Dizzy Gillespie, bebop, now known as bop, quickly became the most powerful musical force in modern jazz. Today it is still the main musical language of jazz musicians. Over a ten-year period, Ira Gitler interviewed more than 50 of the seminal figures in jazz history to preserve for posterity their recollections of how jazz moved from the big band era in the late '30s and '40s into the modern jazz period. The musicians interviewed recreate not only their own experiences but also evoke the legendary figures of bop who where so influential in its development but were never recorded, people like Clyde Hart and Freddie Webster. Swing to Bop shows how the music first established itself in jam sessions in Harlem and then spread to New York's famed 52nd Street and beyond. Separate chapters describe how young musicians in major cities such as Los Angeles, Chicago and Detroit became swept up in the movement. Along with the music and the personalities who made it, the book vividly recreates the atmosphere of the country in the '30s and '40s: traveling on the ballroom theather curcuit; racial attitudes and interaction; extra-musical pastimes; the relationship to World War II; and the influence of drugs. Thus Swing to Bop reveals not only how the music evolved but the environment in which it flourished and what effect in turn the music had on that environment and the music to follow. About the Author Ira Gitler is the author of Jazz Masters of the '40s and The Encyclopedia of Jazz in the Seventies. He was previously Professor of Jazz History at City College of New York and Associate Editor of Downbeat.

"An unprecedented and historic new book, The First Homosexuals traces the evolution of the homosexual identity through an archive of hundreds of artworks in a wide variety of media. Organized geographically, each chapter highlights a different part of the world and includes an insightful essay by an expert in the art and sexuality of that region. Ranging from well-known masterpieces to works by unknown artists and pieces rarely considered in the context of sexuality, The First Homosexuals offers a stunning and illuminating look at the first self-consciously queer art"--

"An expedition into the troubled soul of one of the world's greatest songwriters."-- Haaretz "A fascinating and intense account of Leonard Cohen's time in Israel during the 19-day Yom Kippur War of 1973. A must for any Leonard Cohen completist."--Suzanne Vega A Vanity Fair Best Book of 2022 * Mosaic Magazine Best Book of 2022 The untold story of Leonard Cohen's concert tour to the front lines of the Yom Kippur War, including never-before-seen selections from an unfinished manuscript by Cohen and rare photographs In October 1973, the poet and singer Leonard Cohen--thirty-nine years old, famous, unhappy, and at a creative dead end--traveled to the chaos and bloodshed of the Sinai desert when Egypt attacked Israel on the Jewish high holiday of Yom Kippur. Moving around the front with a group of local musicians, Cohen sang for hundreds of young soldiers, men and women at the worst moment of their lives. Those who survived never forgot the experience. And the war transformed Cohen, reigniting his creativity and inspiring him to compose some of his most memorable songs. Who by Fire provides a riveting account of those weeks in the Sinai, drawing on Cohen's previously unpublished writing and original reporting to create a kaleidoscopic depiction of a harrowing, existential moment for both a young country at war and a singer at a crossroads.

The seminal work of Ruth Rubin, a pioneering collector, singer, folklorist, writer, and crusader for the vanishing legacy of the Yiddish world, "Voices of a People" remains the only general introduction to Yiddish folksong. A priceless collection of song texts in Yiddish and English, as well as a selection of tunes Rubin transcribed, this volume brings the Jews' ancient, itinerant culture alive through children's songs, dancing songs, and songs about love and courtship, poverty and work, crime and corruption, immigration, and the dream of a homeland. Rubin's notes and annotations weave each text into the larger story of the Jewish experience. Noted scholar Mark Slobin provides a new foreword that includes a biographical sketch of Rubin and an assessment of her contributions over a lifetime of collecting, absorbing, and disseminating Yiddish folksong.

The Moment of Cubism is one of John Berger’s most important collections of art criticism. Whether considering Vermeer in his studio, Poussin’s poignant meditation on death, or the complexities of Rodin’s sculpture, Berger draws together the threads that bind individual artists to their social and political context. Here Berger argues that Cubism was a moment rather than a movement, one that came and went without the consent of its key figures – Picasso and Braque above all. He makes a case for Cubism’s revolutionary influence. As always, Berger helps us see the world in new ways

But my contention here is that the US crimes in the [postwar] period have only been superficially recorded, let alone documented, let alone acknowledged, let alone recognised as crimes at all. I believe this must be addressed and that the truth has considerable bearing on where the world stands now. ... Indonesia, Greece, Uruguay, Brazil, Paraguay, Haiti, Turkey, the Philippines, Guatemala, El Salvador, and, of course, Chile. ... Hundreds of thousands of deaths took place throughout these countries. Did they take place? And are they in all cases attributable to US foreign policy? The answer is yes they did take place and they are attributable to American foreign policy. But you wouldn t know it. It never happened. Nothing ever happened. Even while it was happening it wasn t happening. It didn t matter. It was of no interest. The crimes of the United States have been systematic, constant, vicious, remorseless, but very few people have actually talked about them. You have to hand it to America. It has exercised a quite clinical manipulation of power worldwide while masquerading as a force for universal good. It s a brilliant, even witty, highly successful act of hypnosis. Pinter s depictions of the ravages of the American Empire since 1945 [is unrivalled]. It.[comes as] one searing rhetorical lightening bolt. It will go into the history books, alongside such imperishable excoriations of empire as the speeches Thucidides put into the mouths of the Melians, and Tacitus into the mouth of Calgacus. Alexander Cockburn

In 1955, shortly after Emmett Till was murdered by white supremacists in Mississippi, his grieving mother distributed to the press a gruesome photograph of his mutilated corpse. Asked why she would do this, she explained that by witnessing with their own eyes the brutality of segregation and racism, Americans would be more likely to support the cause of racial justice. "Let the world see what I've seen," was her reply. The publication of the photograph inspired a generation of activists to join the civil rights movement. Despite this extraordinary episode, the story of visual culture's role in the modern civil rights movement is rarely included in its history. This is the first comprehensive examination of the ways images mattered in the struggle, and it investigates a broad range of media including photography, television, film, magazines, newspapers, and advertising. These images were ever present and diverse: the startling footage of southern white aggression and black suffering that appeared night after night on television news programs; the photographs of black achievers and martyrs in Negro periodicals; the humble snapshot, no less powerful in its ability to edify and motivate. In each case, the war against racism was waged through pictures, millions of points of light, millions of potent weapons that forever changed a nation. This book allows us to see and understand the crucial role that visual culture played in forever changing a nation.

Trachtenberg's book exmines the urban transformation of Florence in the fourteenth century. Focusing on the creation of the Piazza della Signoria and the Piazza del Duomo, he documents in engaging detail how and why urban planners, in league with the civic government, enlarged these urban spaces. Articulating the design principles that served as the foundation for these urban renewal projects, Trachtenberg's book fundamentally revises our understanding of urban planning in the early modern period, countering the received claim that rational planning begins only in the Renaissance. His book also brings a new depth of understanding to the entire visual culture of Trecento Florence, demonstrating how many of the developments in painting, sculpture and architecture of this period form the basis of the achievements of the Quattrocento, particularly the discovery of perspective. Combining both empirical and post-structuralist methods, Trachtenberg's book is among the first, if not the first, to question critically many of the assumptions that have formed the basis of scholarship of Renaissance art since the sixteenth century.

A cultural survey tracing the development of musical instruments throughout the world, from prehistoric times to the twentieth century

What did it mean to photographer Michael Ackerman and filmmaker Jem Cohen to ring the bell beside the singular green door of Robert Frank and June Leaf's timeworn home on New York's Bleecker Street? Or for Cohen to traverse dirt roads to their equally weathered house high above the ocean in Nova Scotia? First as newly developing artists and then across decades, it meant taking a chance--would it be an intensely beautiful encounter or a sad dismissal, a life-changing inspiration or a sorely missed moment? Visitors reflects on Cohen and Ackerman's times with Frank and Leaf, the artists who mean most to them in the world, via a scrapbook of their photos and filmstrips, alongside letters, postcards, and drawings by Robert and June. The book is an intimate and revelatory interchange marked by both lightness and weight. Cohen describes "warrens of tumbling rooms and staircases, museums of memories, crossed paths, dust, and souvenirs," the homes of the "living contradictions" Leaf and Frank: June, engrossed in her studio work and less encumbered than her husband by "all the renown and history going around, some of it heartbreaking"; and Robert, "the world's most famous and famously difficult photographer, as well as reclusive, even if that wasn't exactly true." Ackerman and Cohen's images of the two are candid, empathetic, and aesthetically daring: June and Robert thinking, laughing, waiting, working, watching the world go by. Including a Blu-ray film of a yet unreleased documentary film about the couple by Cohen, Visitors is a tribute to two friends and a gift for all of us who never had the chance (or nerve) to ring the bell by that green door.

Delve into the dazzling world of early 20th-century art and theatre with "Bakst: The story of Leon Bakst's life" by André Levinson. This meticulously prepared republication chronicles the life and career of Léon Bakst, the visionary artist who revolutionized stage and costume design for the Russian ballet. Explore Bakst's pivotal role in shaping the aesthetic of iconic productions. Levinson expertly details Bakst's contributions to art history, revealing the man behind the groundbreaking designs that captivated audiences worldwide. This book illuminates Bakst's innovative approach to visual storytelling. A captivating biography for enthusiasts of Russian ballet, stage design, and costume design. Discover the enduring legacy of Léon Bakst, whose artistic vision continues to inspire and influence the performing arts. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The oboist looks back at her twenty-five year career, offering a glimpse into the world of classical music and providing details of substance abuse and the practice of trading sexual favors for jobs.

This book enables readers to learn about upstanders, partisans, and survivors from first-hand perspectives that reveal the many forms of resistance-some bold and defiant, some subtle-to the Nazis during the Holocaust. What did those who resisted the Nazis during the 1930s through 1945-known now as "the Righteous"-do when confronted with the Holocaust? How did those who resorted to physical acts of resistance to fight the Nazis in the ghettos, the concentration camps, and the forests summon the courage to form underground groups and organize their efforts? This book presents a comprehensive examination of more than 150 remarkable people who said "no" to the Nazis when confronted by the Holocaust of the Jews. They range from people who undertook armed resistance to individuals who risked-and sometimes lost-their lives in trying to rescue Jews or spirit them away to safety. In many cases, the very act of survival in the face of extreme circumstances was a form of resistance. This important book explores the many facets of resistance to the Holocaust that took place less than 100 years ago, providing valuable insights to any reader seeking evidence of how individuals can remain committed to the maintenance of humanitarian traditions in the darkest of times.