The virus had the potential to kill, but the real threat to life came from us. In this global overview of different countries' responses to the pandemic of 2020, we see that the key factors that determined success or failure were not to do with geography, preparedness or vaccines. They were social: how much we trust each other and our government; whether we value the collective or the individual; whose lives matter to us and who we're willing to leave in harm's way. Through a deeply reported, character-driven account of seven lives - including a school principal, a bar manager, a transport worker and a political aide - in the global epicentre of the pandemic, New York, we see how different communities and sectors of society were affected by the decisions taken by governments and politicians. We see why some heeded the call for mask-wearing and social distancing while others rejected it, and how crucial factors such as race and age determined fates. Surrounding them is the panoramic overview: Klinenberg shows how leaders in London and Washington made the crisis so much more lethal than was necessary, while scientists, citizens and policy makers in Australia, Japan and Taiwan worked together to save lives, and how countries as various as South Korea, Germany and Brazil took their own particular paths. This book is both mirror and roadmap: a reflection of who we are at this crucial moment in world history, and a set of principles for how we might approach the next catastrophe differently.

In this long-awaited volume, Jeremy Shearmur and Piers Norris Turner bring to light Popper's most important unpublished and uncollected writings from the time of The Open Society until his death in 1994. After The Open Society: Selected Social and Political Writings reveals the development of Popper's political and philosophical thought during and after the Second World War, from his early socialism through to the radical humanitarianism of The Open Society. The papers in this collection, many of which are available here for the first time, demonstrate the clarity and pertinence of Popper's thinking on such topics as religion, history, Plato and Aristotle, while revealing a lifetime of unwavering political commitment. After The Open Society illuminates the thought of one of the twentieth century's greatest philosophers and is essential reading for anyone interested in the recent course of philosophy, politics, history and society.

This comprehensive and beautifully illustrated collection of essays conveys a vivid picture of a fascinating and hugely significant period in history. Featuring contributions from thirty-eight international scholars, the book takes a thematic approach to a period which saw the defeat of the Spanish Armada, the explorations of Francis Drake and Walter Ralegh, the establishment of the Protestant Church, the flourishing of commercial theatre and the works of Edmund Spencer, Philip Sidney and William Shakespeare. Encompassing social, political, cultural, religious and economic history, and crossing several disciplines, The Elizabethan World depicts a time of transformation, and a world order in transition. Topics covered include central and local government; political ideas; censorship and propaganda; parliament, the Protestant Church, the Catholic community; social hierarchies; women; the family and household; popular culture, commerce and consumption; urban and rural economies; theatre; art; architecture; intellectual developments ; exploration and imperialism; Ireland, and the Elizabethan wars. The volume conveys a vivid picture of how politics, religion, popular culture, the world of work and social practices fit together in an exciting world of change, and will be invaluable reading for all students and scholars of the Elizabethan period.

This volume collects thirty essays by Shaye J.D. Cohen. First published between 1980 and 2006, these essays deal with a wide variety of themes and texts: Jewish Hellenism; Josephus; the Synagogue; Conversion to Judaism; Blood and Impurity; the boundary between Judaism and Christianity. What unites them is their philological orientation. Many of these essays are close studies of obscure passages in Jewish and Christian texts. The essays are united too by their common assumption that the ancient world was a single cultural continuum; that ancient Judaism, in all its expressions and varieties, was a Hellenism; and that texts written in Hebrew share a world of discourse with those written in Greek. Many of these essays are well-known and have been much discussed in contemporary scholarship. Among these are: The Significance of Yavneh (the title essay), Patriarchs and Scholarchs, Masada: Literary Tradition, Archaeological Remains, and the Credibility of Josephus, Epigraphical Rabbis, The Conversion of Antoninus, Menstruants and the Sacred in Judaism and Christianity, and A Brief History of Jewish Circumcision Blood.

Music and religion have, throughout history, walked hand in hand. In the rites and rituals of small tribal religions, great world religions, and more recent New-Age and neo-heathen movements, different kinds of music have been used to celebrate the gods, express belief and help believers get in contact with the divine. This innovative book focuses on how mainstream and counter-cultural groups use religion and music to negotiate the challenges of modernisation and globalisation in the European context: a region under-explored by existing literature on the subject. With its internal ethnic diversity, ever-expanding borders and increasing differentiation, Europe has undergone massive dislocation in recent years. The authors show that, in the midst of such change, rock, pop and dance music may in their various forms be used by their practitioners as resources for new kinds of spiritual and religious identification, even as these forms are used as symbols of the deficiencies of secular society. Focusing on Christianity, Judaism, Islam and New Religious Movements, the book explores such topics as Norwegian Black Metal and Neo-paganism, contemporary Jewish Music in the UK, the French hip hop scene, the musical thinking of Muslim convert Cat Stevens/Yusuf Islam and European dance music culture. It offers an ideal introduction to leading-edge thinking at the exciting interface of 'music and religion'.