"At the beginning of the 20th Century, Leopoldstadt was the old, crowded Jewish quarter of Vienna. But Hermann Merz, a manufacturer and baptised Jew married to Catholic Gretl, has moved up in the world. Gathered in the Merz apartment in a fashionable part of the city, Hermann's extended family are at the heart of Tom Stoppard's epic yet intimate drama. By the time we have taken leave of them, Austria has passed through the convulsions of war, revolution, impoverishment, annexation by Nazi Germany and - for Austrian Jews - the Holocaust in which 65,000 of them were murdered. It is for the survivors to pass on a story which hasn't ended yet"--Back cover

Ruth Maier was born into a middle-class Jewish family in interwar Vienna. Following the Anschluss of Austria in March 1938, the world of the substantial Viennese Jewish community crumbled. In early 1939, her sister having left for England, Ruth emigrated to Norway and lived with a family in Lillestrom, about thirty miles from Oslo. Although she loved many things about her new country and its people, Ruth's relationship with her hosts soon turned stale, then sour. Ruth became increasingly isolated in Norway until she met a soul mate, Gunvor Hofmo, who was to become a celebrated poet. Norway itself became a Nazi conquest in April 1940, and Ruth's attempts to join the rest of her family - now in Britain - became ever more urgent. She never left Norway, and in November 1942 she was deported to Auschwitz where she was exterminated on arrival. She had just turned twenty-two. Ruth Maier kept a diary from 1934 until just before she was murdered. Despite being only in her teens she shows a sophisticated understanding of the political forces shaping central Europe as well as extraordinary prescience. The book is much more than just historical documentation, however. In a lucid yet highly lyrical style, with an incisive talent for narrative and a sharp wit, Ruth explores universal themes of isolation, identity, friendship, love, sexuality, desire, morality, justice and sacrifice. Most of all, however, she seeks what it means to be a human being. Published only recently for the first time in Norway, Ruth Maier's Diary is one of the most moving testimonies to emerge from this dark period of European history

"Why Mahler? Why does his music affect us in the way it does? Norman Lebrecht, one of the world's most widely read cultural commentators, has been wrestling obsessively with Mahler for half his life. Pacing out his every footstep from birthplace to grave, scrutinizing his manuscripts, talking to those who knew him, Lebrecht constructs a compelling new portrait of Mahler as a man who lived determinedly outside his own times. Mahler was - along with Picasso, Einstein, Freud, Kafka, and Joyce - a maker of our modern world."--Book jacket.

"According to the philosopher Ludwig Wittgenstein (1889-1951), philosophy is a 'battle against the bewitchment of our intelligence by means of language.' This audacious idea changed the way many of its practitioners saw their subject. In the first biography of Wittgenstein in more than three decades, Anthony Gottlieb evaluates this revolutionary idea, explaining the evolution of Wittgenstein's thought and his place in the history of philosophy. Wittgenstein was born into an immensely rich Viennese family but yearned to live a simple life, and he gave away his inheritance. After studying with Bertrand Russell in Cambridge, he wrote his famous Tractatus Logico-Philosophicus while serving in World War I. He then took several positions as a primary-school teacher in rural Austria before returning as a fellow to Cambridge, where a cult-like following developed around him. Wittgenstein worked not only as a philosopher and schoolteacher, but also as an aeronautical engineer in Manchester and as an architect in Vienna. Gottlieb's meticulously researched book traces the itinerant and troubled life of Wittgenstein, the development of his influential ideas, and the Viennese intellectual milieu and family background that shaped him."--from the inside front flap.

Analyzes the communal organization, political affiliations, and cultural contributions of Vienna's Jews from 1848 to World War I. After 1848, Jewish emancipation became an issue in party politics. Jews identified with the Austrian Liberal Party, with the Emperor and Germanism, in all of which they saw safeguards of Jewish emancipation. Analyzes the antisemitism of Schönerer's Pan-German Party, which found many adherents at the University of Vienna, and of Lueger's Christian Social Party. Describes the cautious reactions of Jewish officials, who supported the Liberal Party even in defeat and in the face of that party's desertion of the Jewish cause; the more nationalist faction led by Rabbi Joseph Samuel Bloch, a member of the Austrian parliament from 1884-95 and a militant fighter against antisemitism; and the Austrian Israelite Union set up in 1886 to encourage pride in Jewish identity and combat antisemitism. Surveys the role of antisemitism in the rise of Zionism. Suggests that the surge of antisemitism in Vienna, rather than the Dreyfus case, was responsible for Herzl's concern with the "Jewish question". Analyzes the Jewish self-hatred of Karl Kraus and Otto Weininger, and the role of Jewish identity and antisemitism in the life and work of Freud, Schnitzler, and other Austrian Jewish writers.

The films of Fritz Lang depict an entrapping, claustrophobic world in which people are controlled by larger forces. His overriding theme is the struggle against fate and against the traits of human nature that doom us. His life and work spanned six decades of film history-from the silent era through the golden age of German Expressionism of the 1920s and the classic studio system in Hollywood to the rise of the international co-production. In Hollywood he worked for every major studio except Disney. He made blockbusters, modest B movies, and everything in between. Among his films are classics of German cinema-including Metropolis and M . In America he made some of the most notable crime movies ( Fury ), noir films ( The Big Heat ), and Westerns ( The Return of Frank James ) of the studio era. Despite the different time periods, nations, and genres in which he worked, his films remain stylistically consistent. Lang (1890-1976), a notoriously difficult interviewee, granted relatively few interviews apart from short publicity exchanges in the promotion of his films. Fully aware of his public persona, he was a canny self-promoter who carefully constructed half-truths and myths about himself. This fascinating collection covers his conversations about his life and his works over a period of forty years. They reveal how cinema for Lang was an intensely personal art. "For me," he said, "cinema is a vice. I love it intimately. I've often written that it is the art form of our century."

The history of Jews in interwar Germany and Austria is often viewed either as the culmination of tremendous success in the economic and cultural realms and of individual assimilation and acculturation, or as the beginning of the road that led to Auschwitz. By contrast, this volume demonstrates a reemerging sense of community within the German-speaking Jewish population of these two countries in the two decades after World War I. The fresh research presented here shows that although Jews may have experiences a deepening sence of impending crisis and economic decline, a renewal of Jewish communal life was taking place, as new groupings sprang up, including organizations for youth, for rural Jews, and for political groups such as Zionists and Bundists. Several chapters consider the impact of economis and political crises on German Jewish family life. Together, these engrossing essays form a complex mosaic of German Jewry on the eve of its demise.

Austria experienced remarkable economic and social growth in the years following World War II, especially considering the troubled nature of its politics. A small, land-locked country, Austria has emerged as the European Union's fourth richest state, yet it still wrestles with old decisions and demons. Merging personal observation with rich historical scholarship, a renowned journalist and award-winning memoirist tracks Austria's unique trajectory, beginning the origins of its peoples and following through to the collapse of the Austro-Hungarian empire in 1918. Paul Lendvai investigates whether Austrians have come to terms with Hitler s Anschluss and the Waldheim affair and how they have met the challenge of Jorg Haider s radical right-wing ascendancy. Lendvai identifies a positive moral toughness, internal cohesion, and social discipline within Austria, especially during the years of occupation and subsequent crises, such as the Hungarian Revolution, the Prague Spring, and the Yugoslav wars. A probing study of Austria's long quest for nationhood, this volume offers a firsthand look at the factors and players that have influenced an evolving power.Praise for the German edition: Daring, exciting, unmasking...Lendvai presents hitherto hardly known facts and] incredible details.& mdash; NEWS (Vienna Weekly)Lendvai seeks to explain what Austria is like. He has succeeded exactly in this endeavor.& mdash; Die Wel

"Captured in a beautiful package, including more than fifty color photographs, The Last Waltz tells the intriguing story of of the Viennese Strauss family known for producing some of the best known, best loved music of the nineteenth century. Johann and Josef Strauss, the Waltz Kings, composed hundreds of instantly recognizable and enduring melodies, including The Blue Danube Waltz, Tales from the Vienna Woods, Voices of Spring and The Radetzky March. Their iconic music has been featured on the scores of nearly a thousand films. Yet despite their success, this was a family riven with tension, feuds and jealousy, living in a country that was undergoing seismic upheaval. Through the personal and political chaos, the Strauss family continued to compose music to which the Viennese -- anxious to forget their troubles -- could dance and drank champagne, even as their country hurtled towards oblivion at the hands of the First World War. Classical music expert and radio host John Suchet skillfully portrays this gripping story, capturing the family dramas, the tensions, triumphs and disasters against the turbulent backdrop of Austria in the nineteenth century, from revolution to regicide." --

Theodor W. Adorno's classic study of Gustav Mahler's music defies traditional thematic analysis, which, according to Adorno, "misses the music's substance in its preoccupation with procedure." He reaches beyond the boundaries of conventional analysis for an understanding of the music through the composer's character, his historical, philosophical, and social background, and his moment in musical history. First published in German in 1960, this ground-breaking work quickly established itself as a bold new form of musical interpretation, expanding the framework in which the composer's character and, through this, his creations are more fully understood. Adorno illuminates his argument through evocative metaphors, vivid images, and unusual comparisons. The result is a densely layered, anti-systematic interpretation that reveals as much about Adorno as it does about his subject. One of the most original and highly regarded of modern musical commentators, and among the first to call himself a sociologist of music, Adorno was a philosopher, cultural critic, and composer. His unique critical method illuminated music by relating it to history and social milieu. He held that music was a nonconceptual language that represented yet transcended the social world; in music and art, aesthetic value and social relevance were necessarily united. The essential themes of his Marxism - reification, fetishism, the emancipatory role of art, and the dialectical relationship of affirmation and negation - were alive in even the most formal works of art. In Mahler's A Musical Physiognomy, Adorno views the composer's works as a continuous and unified development from his childhood response to the marches and folk tunes of the Bohemian village where he was born. But despite its traditional roots, Mahler's music intentionally breaks the balance of established musical language.

Among the brilliant writers and thinkers who emerged from the multicultural and multilingual world of the Austro-Hungarian Empire were Joseph Roth, Robert Musil, and Ludwig Wittgenstein. For them, the trauma of World War I included the sudden loss of the geographical entity into which they had been born: in 1918, the empire was dissolved overnight, leaving Austria a small, fragile republic that would last only twenty years before being annexed by Hitler{u2019}s Third Reich. In this major reconsideration of European modernism, Marjorie Perloff identifies and explores the aesthetic world that emerged from the rubble of Vienna and other former Habsburg territories{u2014}an 2Austro-Modernism3 that produced a major body of drama, fiction, poetry, and autobiography. Perloff explores works ranging from Karl Kraus{u2019}s drama The Last Days of Mankind and Elias Canetti{u2019}s memoir The Tongue Set Free to Ludwig Wittgenstein{u2019}s notebooks and Paul Celan{u2019}s lyric poetry. Throughout, she shows that Austro-Modernist literature is characterized less by the formal and technical inventions of a modernism familiar to us in the work of Joyce and Pound, Dada and Futurism, than by a radical irony beneath a seemingly conventional surface, an acute sense of exile, and a sensibility more erotic and quixotic than that of its German contemporaries. Skeptical and disillusioned, Austro-Modernism prefers to ask questions rather than formulate answers

This is the story of the decline and fall of an empire, a region devastated by war, and a world stage fundamentally transformed by the Russian Revolution. Bauer's magisterial work -- available in English for the first time in full -- charts the evolution of three simultaneous, overlapping revolutionary waves: a national revolution for self-determination, which brought down imperial Austro-Hungary; a bourgeois revolution for parliamentary republics and universal suffrage; and a social revolution for workers' control, factory councils, and industrial democracy. The brief but crowning achievement of Red Vienna, alongside Bauer's unique theorization of an "integral socialism" -- an attempted synthesis of revolutionary communism and social democracy -- is a vital part of the left's intellectual and historical heritage. Today, as movements once again struggle with questions of reform or revolution, political strategy, and state power, this is a crucial resource. Bauer tells the story of the Austrian Revolution with all the immediacy of a central participant, and all the insight of a brilliant and original theorist.

Selected by his daughter, Vivien, from Max Perutz's voluminous correspondence, the letters reproduced here portray their author with a spontaneity and directness no autobiography could have matched. They chronicle Perutz's adventurous life through his own vivid, erudite and humorous pen, documenting the hopes, roadblocks and moments of elation of his sixty-year quest to understand the molecular biology of hemoglobin. The first great step in this quest ― unraveling the molecular structure of hemoglobin ― earned Perutz the 1962 Nobel Prize in Chemistry. Narrated against a backdrop of family and friends, politics and war, literature, travels, and Max's beloved mountains, these letters provide rare insight into the thoughts of a remarkable and very human scientist, and delightful sketches of some of the people he encountered. Starting with lively letters to a girlfriend written in his youth in Vienna and the impressions of a young scientist in Cambridge, the letters progress to the desperate pleas of an "enemy alien" interned in Canada during World War II. The diary of Perutz's subsequent super-secret war work for the British to build a floating ice airstrip in the North Atlantic, ardent campaigning letters to scientists and politicians, and self-deprecating stories of his own mishaps written to amuse his children and grandchildren are some of the many highlights of these fascinating letters, unique in the annals of recent scientific history. This book is a companion to Georgina Ferry's Max Perutz and the Secret of Life. Together these volumes provide a portrait of an extraordinary character in the development of molecular biology.