From the bestselling author of "The Know-It-All" comes a fascinating and timely exploration of religion and the Bible. Raised in a secular family but increasingly interested in the relevance of faith in our modern world, A.J. Jacobs decides to dive in headfirst and attempt to obey the Bible as literally as possible for one full year. He vows to follow the Ten Commandments. To be fruitful and multiply. To love his neighbor. But also to obey the hundreds of less publicized rules: to avoid wearing clothes made of mixed fibers; to play a ten-string harp; to stone adulterers. The resulting spiritual journey is at once funny and profound, reverent and irreverent, personal and universal and will make you see history's most influential book with new eyes. Jacobs's quest transforms his life even more radically than the year spent reading the entire "Encyclopedia Britannica" for "The Know-It-All." His beard grows so unruly that he is regularly mistaken for a member of ZZ Top. He immerses himself in prayer, tends sheep in the Israeli desert, battles idolatry, and tells the absolute truth in all situations - much to his wife's chagrin. Throughout the book, Jacobs also embeds himself in a cross-section of communities that take the Bible literally. He tours a Kentucky-based creationist museum and sings hymns with Pennsylvania Amish. He dances with Hasidic Jews in Brooklyn and does Scripture study with Jehovah's Witnesses. He discovers ancient biblical wisdom of startling relevance. And he wrestles with seemingly archaic rules that baffle the twenty-first-century brain.Jacobs's extraordinary undertaking yields unexpected epiphanies and challenges. A book that will charm readers both secular and religious, "The Year of Living Biblically" is part Cliff Notes to the Bible, part memoir, and part look into worlds unimaginable. Thou shalt not be able to put it down.

A Probing and Powerful Look at the Role You Play in Shaping Your Relationship with God "No matter how hard we look, the God of Israel cannot be seen. Looking is not seeing, and seeing God is not like seeing an apple. It is much more like making a medical diagnosis on the basis of looking at a complex set of symptoms. Each of the symptoms is a dot. We can look at the dots and still miss the pattern." --from Part I The Torah is replete with references to hearing God but precious few references to seeing God. Seeing is complicated. What we look for and see are traces of God's presence in the world and in history, but not God. In order to identify those traces as reflections of divine presence, we need to re-examine how we see, what we see, and how we interpret that information. In this challenging and inspiring look at the dynamics of the religious experience, award-winning author and theologian Neil Gillman guides you into a new way of seeing the complex patterns in the Bible, history, and everyday experiences and helps you interpret what those patterns mean to you and your relationship with God. Examining faith and doubt, revelation and law, suffering and redemption, Gillman candidly deconstructs familiar biblical moments in order to help you develop and refine your own spiritual vision, so that you are able to discern the presence of God in unanticipated ways.

Humans cannot live without stories. But one story has proved itself the most durable and hauntingly real of all time. The mythic tale of Adam and Eve has shaped conceptions of human origins and destiny for centuries. Stemming from a few verses in an ancient book, it became not just the foundation of three major world faiths, but has evolved through art, philosophy and science to serve as the mirror in which we seem to glimpse the whole, long history of our fears and desires. What is it about Adam and Eve's story that fascinates us? What does it tell us about how our species lives, dies, works or has sex? In a quest that begins at the dawn of time, Stephen Greenblatt takes us from ancient Babylonia to the forests of east Africa. We meet evolutionary biologists and fossilised ancestors; we grapple with morality and marriage in Milton's Paradise Lost; and we decide if the Fall is the unvarnished truth or fictional allegory. Ultimately, The Rise and Fall of Adam and Eve allows us a new understanding of ourselves.

A surprising, enlightening series of conversations that shed new light on the music and career of "our greatest living composer" (New York Times) Steve Reich is a living legend in the world of contemporary classical music. As a leader of the minimalist movement in the 1960s, his works have become central to the musical landscape worldwide, influencing generations of younger musicians, choreographers and visual artists. He has explored non-Western music and American vernacular music from jazz to rock, as well as groundbreaking music and video pieces. He toured the world with his own ensemble and his compositions are performed internationally by major orchestras and ensembles. Now Reich sits down with past collaborators, fellow composers and musicians as well as visual artists influenced by his work to reflect on his prolific career as a composer as well as the music that inspired him and that has been inspired by him, including: David Lang Brian Eno Richard Serra Michael Gordon Michael Tilson Thomas Russell Hartenberger Robert Hurwitz Stephen Sondheim Jonny Greenwood David Harrington Elizabeth Lim-Dutton David Robertson Micaela Haslam Anne Teresa de Keersmaeker Julia Wolfe Nico Muhly Beryl Korot Colin Currie Brad Lubman

"As an orphaned survivor and witness to the horrors of Auschwitz, Elie Wiesel (1928-2016) compelled the world to confront the Holocaust with his searing memoir Night. How did this soft-spoken man from a small Carpathian town become such an influential figure on the world stage. Drawing on Wiesel's prodigious literary output and interviews with his family, friends, scholars, and critics, Joseph Berger seeks to answer this question."--

"This book is a history of the Near East from the point of view of a single nation, covering not only what is known about the prophets themselves--including Elijah, Amos, Isaiah, Jeremiah, and Ezekiel--but also the stories of King David, King Saul, and how the ancient Israelites were affected by the great Near Eastern empires that surrounded them. Layered into this work of history is a piece of extraordinary literary criticism. Podhoretz's very close reading of the verse and imagery used by the biblical prophets restores them to the top reaches of the poetic pantheon, for these books contain some of the greatest poetry ever written. The historical chronicle and the literary criticism will transport readers to a time that is both exotic and familiar and will evoke a distinct and original world. But the third perspective of The prophets is that of moral philosophy, and it serves to bring the prophets' message into the twenty-first century. For to Norman Podhoretz, the real relevance of the prophets today is more than the excitement of their history or the beauty of their poetry: it is their message. Podhoretz sees, in the words of the biblical prophets, a war being waged, a war against the sin of revering anything made by the hands of man--in short, idolatry. In their relentless battle against idolatry, Podhoretz finds the prophets' most meaningful and enduring message: a stern warning against the all-consuming worship of self that is at least as relevant in the twenty-first century as it was three thousand years ago"--Jacket

In the Global Novel, acclaimed literary critic Adam Kirsch explores some of the 21st century's best-known writers--including Orhan Pamuk, Haruki Murakami, Roberto Bolaño, Chimamanda Ngozi Adichie, Mohsin Hamid, Margaret Atwood, Michel Houellebecq, and Elena Ferrante. They are employing a way of imagining the world that sees different places and peoples as intimately connected. From climate change and sex trafficking to religious fundamentalism and genetic engineering, today's novelists use 21st-century subjects to address the perennial concerns of fiction, like morality, society, and love. The global novel is not the bland, deracinated, commercial product that many critics of world literature have accused it of being, but rather finds a way to renew the writer's ancient privilege of examining what it means to be human. -- Back cover.

Is the concept of God dead? Or is the experience to which the concept points, and the supreme value which it expresses, dead? In other words, shouldn't the question for today's world be, "Is Man Dead?" rather than "Is God Dead?" In this major book from the author of "The Sane Society" and "Man for Himself," we explore the evolution in the Old Testament of the basic concepts of God, Man, History, Sin, and Repentance. Erich Fromm shows how the concept of God evolved from that of a "jealous" God to that of a "constitutional monarch" and finally to that of the nameless God bound by the same principles that govern man. Conversely, he shows how Man, once the obedient servant of God, became free to the point of making his own history. While his vast knowledge and wide-ranging insights cover a broad area, Erich Fromm's greatest appeal to today's readers will be in his urgent cry for a rebirth of humanism—and in his implicit answer to the question, "Is religious experience necessarily connected with a belief in God?"

The first female Conservative rabbi in the U.S. reflects on ancient Jewish traditions as a guide to reconciliation and peacebuilding in our lives, our communities, and our world.

Jesus in the Jewish Wold represents some of the seminal aspects of the lifelong research of Geza Vermes focused on the Dead Sea Scrolls, Jewish Bible interpretation and the historical study of Jesus and the New Testament. Taken together the fifteen essays, the oldest of which dates from 1970 and the most recent from 2010, constitute an evocative cross section of the contribution to scholarship by Vermes who is equally celebrated as a pioneering Jesus In The Jewish World represents a synopsis of the most significant and Scrolls expert and, according to the Sunday Telegraph, the greatest Jesus scholar of his generation. Readers of the present volume are offered lively and often humorous accounts of the impact of Jesus the Jew on Christian and Jewish readers; of the value of Josephus as a historical source regarding John the Baptist, James the brother of the Lord, and Jesus; the historical implications of ancient Jewish biblical exegesis; of the inside story of the monumental recasting by Vermes and his friends of Emil Schurer's History of the Jewish People; and of the sacrifice of Isaac and the story of the first-century Galilean rabbi, Hanina ben Dosa. The final two essays, written in 2007 and 2010, are particularly noteworthy, the first propounding a fresh and revolutionary approach to methodology in the study of the historical Jesus and the second restating and reinforcing Vermes's stance in the half -a-century long Son of Man debate. Geza Vermes is Professor Emeritus of Jewish Studies and Emeritus Fellow of Wolfson College, Oxford but continues to teach at the Oriental Institute in Oxford.

Journey to heaven invites readers to rediscover some of the basic tenets of Jewish belief concerning the hereafter: resurrection, immortality, judgment, messianism, and the World to Come. Starting with the Bible's references to Sheol and allusions to resurrection, this comprehensive survey explores immortality and bodily resurrection in Second Temple literature; the Mishnah's discussions of olam ha-ba, the World to Come, and how to merit entertering it; and the Talmud's depictions of Gan Eden (paradise), Gehinnom (hell), and the soul's journey through these metaphysical landscapes. Bronner also explores the views of medieval scholars such as Maimonides and Nahmanides, Jewish mystical teachings about reincarnation, and modern views of faith and belief. A separate chapter is devoted to views of the Messiah over the course of Jewish history. Bronner demonstrates that the afterlife is indeed a vital part of Judaism, as she reveals how generations of Jews, from biblical times to the present, have grappled with its core ideas and beliefs about the hereafter

"In December 1991, a two-volume edition of Dead Sea Scroll photographs was issued by the Biblical Archaeology Society, an American group headed by Hershel Shanks. It included an essay written by Dr. Elisha Qimron, an Israeli scholar noted for his work in the language of the Dead Sea Scrolls. Publication of this reconstruction and transcription resulted in a lawsuit in Israel and the United States between Qimron and Shanks. Piracy in Qumran analyzes this legal controversy, which rocked the scholarly world of Biblical and archaeological studies at the time, and which still resonates today"--

"Captured in a beautiful package, including more than fifty color photographs, The Last Waltz tells the intriguing story of of the Viennese Strauss family known for producing some of the best known, best loved music of the nineteenth century. Johann and Josef Strauss, the Waltz Kings, composed hundreds of instantly recognizable and enduring melodies, including The Blue Danube Waltz, Tales from the Vienna Woods, Voices of Spring and The Radetzky March. Their iconic music has been featured on the scores of nearly a thousand films. Yet despite their success, this was a family riven with tension, feuds and jealousy, living in a country that was undergoing seismic upheaval. Through the personal and political chaos, the Strauss family continued to compose music to which the Viennese -- anxious to forget their troubles -- could dance and drank champagne, even as their country hurtled towards oblivion at the hands of the First World War. Classical music expert and radio host John Suchet skillfully portrays this gripping story, capturing the family dramas, the tensions, triumphs and disasters against the turbulent backdrop of Austria in the nineteenth century, from revolution to regicide." --

The music of clarinetists Naftule Brandwein and Dave Tarras is iconic of American klezmer music. Their legacy has had an enduring impact on the development of the popular world music genre. Since the 1970s, klezmer music has become one of the most popular world music genres, at the same time influencing musical styles as diverse as indie rock, avant-garde jazz, and contemporary art music. Klezmer is the celebratory instrumental music that developed in the Jewish communities of eastern Europe over the course of centuries and was performed especially at weddings. Brought to North America in the immigration wave in the late nineteenth century, klezmer thrived and developed in the Yiddish-speaking communities of New York and other cities during the period 1880-1950. No two musicians represent New York klezmer more than clarinetists Naftule Brandwein (1884-1963)and Dave Tarras (1897-1989). Born in eastern Europe to respected klezmer families, both musicians had successful careers as performers and recording artists in New York. Their legacy has had an enduring impact and helped to spurthe revival of klezmer since the 1970s. Using their iconic recordings as a case study, New York Klezmer in the Early Twentieth Century looks at the inner workings of klezmer dance music, from its compositional aspects to the minutiae of style. Making use of historical and ethnographic sources, the book places the music within a larger social and cultural context stretching from eastern Europe of the nineteenth century to the United Statesof the present. JOEL E. RUBIN is Associate Professor of Music at the University of Virginia and an acclaimed performer of traditional klezmer music.

The biblical tale of Noah and the Flood has been interpreted in many different ways through the ages, mirroring the many changes in Western beliefs and values. In this masterly and beautifully illustrated book, Norman Cohn, the author of The Pursuit of the Millennium and Cosmos, Chaos and the World to Come, explores the origins, development, and varying interpretations of this ancient story and assesses its impact on the history of ideas. The roots of the Flood story, Cohn explains, lie in Mesopotamian mythology. But its meaning was totally transformed by the authors of Genesis so that it became a message of hope for Jews and later a prefiguring of salvation for Christians. Cohn then shows how, under the impact of the scientific revolution of the seventeenth century, the story came to be understood in a new way. Between the seventeenth and the nineteenth centuries it was closely associated with the development of scientific geology, which it both helped and hindered. From the late eighteenth century until the present day the story of Noah's Flood has been involved also in the conflict between traditional religious beliefs and science and the attempts to harmonize the two. Cohn describes how, while geological and palaeontological discoveries were calling the historicity of the Flood into question, fundamentalists have continued to champion it, even to the extent of searching for the landing site of the ark. Finally, he considers how, in the course of the present century, the story has been interpreted as a solar myth, a lunar myth, a fertility myth, and even (psychoanalytically) as an expression of male resentment against women. Wide ranging and compellingly narrated, the book includesintriguing accounts of the scholars and theologians who endorsed or rejected the Flood story and contributed to its powerful resonance over two thousand years.

Returning to print for the first time since the 1980s, Metamorphoses of Science Fiction is the origin point for decades of literary and theoretical criticism of science fiction and related genres. Darko Suvin's paradigm-setting definition of SF as "the literature of cognitive estrangement" established a robust theory of the genre that continues to spark fierce debate, as well as inspiring myriad intellectual descendants and disciples. Suvin's centuries-spanning history of the genre links SF to a long tradition of Utopian and satirical literatures crying out for a better world than this one, showing how SF and the imagination of Utopia are now forever intertwined. In addition to the 1979 text of the book, this edition contains three additional essays from Suvin that update, expand and reconsider the terms of his original intervention, as well as a new introduction and preface that situate the book in the context of the decades of SF studies that have followed in its wake.

"Reconstructing the Talmud [...] introduces the modern Talmud student to the techniques developed over the last century for uncovering how this literature developed. Opening with an extended introduction outlining the methods employed by scholars to engage in such analysis, Reconstructing the Talmud proceeds with nine examples concretely demonstrating how such methods are applied to actual passages from the Bavli. Sorting out the layers of the Bavli, understanding each layer within its cultural and historical context, and comparing it with earlier sources, reveals a dynamic world of change, debate, halakhic diversity and development far richer and more nuanced than that which is evident in the static and fixed text of the printed edition. Reconstructing the Talmud introduces the reader to the world of academic Talmudic research and opens new venues of exploration and understanding of one of the world's great literary treasures"--

Is the Bible actually a love story between a deity and a people? And what does this love story have to do with the modern world? In With All Thine Heart distinguished cultural critic Ilan Stavans speaks to freelance writer Mordecai Drache about love in the Bible. Presented in an engaging, conversational format and touched with striking artwork, the textured dialogue between Stavans and Drache is meant to show how the Bible is a multidimensional text and one that, when considered over the course of history, still has the power to shape our world. The theme of love provides the connective tissue that binds this work. Addressing a wide range of topics, from biblical archaeology and fundamentalism to Hollywood movies, lexicography, and the act of praying, With All Thine Heart suggests that the Hebrew Bible is a novel worth decoding patiently, such as one does with classics like Don Quixote de la Mancha, In Search of Lost Time, and Anna Karenina. Similar to the protagonists in these tales, biblical characters, although not shaped with the artistic nuance of modern literature, allow for astonishing insight. This exploration of love through the pages of the Bible--organized chronologically from Genesis to Exodus and followed by insightful meditations on the Song of Songs and the Book of Job--is a delightful intellectual and spiritual treat . . . Shema Ysrael!

According to historical teaching, a Jewish man should give thanks each day for ''not having been made a gentile, a woman, nor a slave.'' Yoel Kahn's innovative study of a controversial Jewish liturgical passage traces the history of this prayer from its extra-Jewish origins across two thousand years of history, demonstrating how different generations and communities understood the significance of these words in light of their own circumstances. Marking the boundary between ''us'' and ''them,'' marginalized and persecuted groups affirmed their own identity and sense of purpose. After the medieval Church seized and burned books it considered offensive, new, coded formulations emerged as forms of spiritual resistance. Owners voluntarily carefully expurgated their books to save them from being destroyed, creating new language and meanings while seeking to preserve the structure and message of the received tradition. Renaissance Jewish women ignored rabbis' objections and assertively declared their gratitude at being ''made a woman and not a man.'' Illustrations from medieval and renaissance Hebrew manuscripts demonstrate creative literary responses to censorship and show that official texts and interpretations do not fully represent the historical record. As Jewish emancipation began in the 19th century, modernizing Jews again had to balance fealty to historical practice with their own and others' understanding of their place in the world. Seeking to be recognized as modern and European, early modern Jews rewrote the liturgy to fit modern sensibilities and identified themselves with the Christian West against the historical pagan and the uncivilized infidel. In recent decades, a reassertion of ethnic and cultural identity has again raised questions of how the Jewish religious community should define itself. Through the lens of a liturgical text in continuous use for over two thousand years, Kahn offers new insights into an evolving religious identity and recurring questions of how to honor both historical teaching and contemporary sensibility.

How well integrated were Jews in the Mediterranean society controlled by ancient Rome? The Torah's laws seem to constitute a rejection of the reciprocity-based social dependency and emphasis on honor that were customary in the ancient Mediterranean world. But were Jews really a people apart, and outside of this broadly shared culture? Were the Jews a Mediterranean Society? argues that Jewish social relations in antiquity were animated by a core tension between biblical solidarity and exchange-based social values such as patronage, vassalage, formal friendship, and debt slavery. Seth Schwartz's examinations of the Wisdom of Ben Sira, the writings of Josephus, and the Palestinian Talmud reveal that Jews were more deeply implicated in Roman and Mediterranean bonds of reciprocity and honor than is commonly assumed. Schwartz demonstrates how Ben Sira juxtaposes exhortations to biblical piety with hard-headed and seemingly contradictory advice about coping with the dangers of social relations with non-Jews; how Josephus describes Jews as essentially countercultural; yet how the Talmudic rabbis assume Jews have completely internalized Roman norms at the same time as the rabbis seek to arouse resistance to those norms, even if it is only symbolic. Were the Jews a Mediterranean Society? is the first comprehensive exploration of Jewish social integration in the Roman world, one that poses challenging new questions about the very nature of Mediterranean culture.