"Gay begins with a compelling analysis of the separate love stories of two young men, one English and one German, and proceeds from there to a wide-ranging inquiry into what love meant to the Victorians, both as an ideal and as a reality."--Jacket.

Destination Culture deals with agencies of display in museums, festivals, world's fair, historical recreations, and tourist attractions. Drawing on the history of the avant-garde and the implications of its practices, Destination Culture attempts to theorize the artifact and the logic of exhibition in the context of lively debates about the death of museums, ascendancy of tourism, production of heritage, limits of multiculturalism, social efficacy of the arts, and circulation of value in the life world.

Over ten years ago, Benjamin Fain, a physicist now living in Tel Aviv, attempted to hold a conference on Jewish culture in Moscow, an effort that was foiled by the KGB. Many of the participants were eventually able to flee, most emigrating to Israel. In this book, these distinguished scholars and others from around the world present their personal and professional views of Jewish culture in the Soviet Union. The book explores a wide range of topics, including underground literature, religious revival, and the rise of a national Jewish consciousness. Some writers claim that the refuseniks are not the leaders of the Soviet Jews but rather an isolated minority, with most Jews being assimilated, acculturated, and uninterested in fleeing. Other essayists look at the ambivalent role traditionally played by the Soviet Union in both allowing some forms of cultural expression and suppressing any efforts at individual religious practice. Others explore the revival of Jewish culture as instanced by underground teaching of Hebrew. A major debate involves the Nature of Jewish emigration, whether the Jews will go to Israel or to America.

"Extending his well-known investigations into the nature and logic of art and history in the cultural world, Joseph Margolis here offers a sustained account of how selves and the cultural phenomena they generate (language, history, action, art) can be viewed as just as "real" as the physical nature from which they are emergent, while not being reducible to it. The book starts off with a review of prominent philosophies of art over the past half a century, focusing especially on Beardsley, Goodman, and Danto, so as to highlight the need for carefully distinguishing between the metaphysical and epistemological features of physical nature and human culture. The second part of the book builds on the first part's analyses of artworks to propose a theory of selves as "self-interpreting texts." Selves and Other Texts aims to develop new ways of understanding the conceptual inseparability of our analysis of physical nature and our analysis of ourselves."--BOOK JACKET.