The fast-paced and “engrossing account” ( The New York Times Book Review ) of “one of the greatest breakthroughs in archaeological history” ( The Christian Science Monitor ): two rival geniuses in a race to decode the writing on one of the world’s most famous documents—the Rosetta Stone. The Rosetta Stone is one of the most famous objects in the world, attracting millions of visitors to the British museum every year, and yet most people don’t really know what it is. Discovered in a pile of rubble in 1799, this slab of stone proved to be the key to unlocking a lost language that baffled scholars for centuries. Carved in ancient Egypt, the Rosetta Stone carried the same message in different languages—in Greek using Greek letters, and in Egyptian using picture-writing called hieroglyphs. Until its discovery, no one in the world knew how to read the hieroglyphs that covered every temple and text and statue in Egypt. Dominating the world for thirty centuries, ancient Egypt was the mightiest empire the world had ever known, yet everything about it—the pyramids, mummies, the Sphinx—was shrouded in mystery. Whoever was able to decipher the Rosetta Stone would solve that mystery and fling open a door that had been locked for two thousand years. Two brilliant rivals set out to win that prize. One was English, the other French, at a time when England and France were enemies and the world’s two great superpowers. Written “like a thriller” ( Star Tribune , Minneapolis), The Writing of the Gods chronicles this high-stakes intellectual race in which the winner would win glory for both himself and his nation. A riveting portrait of empires both ancient and modern, this is an unparalleled look at the culture and history of ancient Egypt, “and also a lesson…in what the human mind does when faced with a puzzle” ( The New Yorker ).

Egypt's enduring civilization described in fourteen stages which progress from ancient beginnings to contemporary time.

In the tumultuous and vivid history of New Kingdom Egypt, Ramesses III's reign was prosperous and culturally rich. He fended off attacks by the "Sea Peoples" and others who threatened the state, he built the great temple of Medinet Habu, and he left wonderfully complete documents describing contemporary social structure and the economy. Amazingly, we even have an account from a contemporary judicial document that describes events leading to Ramesses III's assassination. This edited collection presents a detailed and informative look at the life, career, and world of one of Egypt's most important pharaohs, providing insight both on his reign and its aftermath and on the study of the political and cultural history of ancient Egypt.

"In 1887, an Egyptian woman made an astonishing discovery among the ruins of the heretic king Akhenaten's capital city, a site now known as Amarna. She found a cache of cuneiform tablets, nearly four hundred in all, that included correspondence between the pharaohs and the mightiest powers of the day, such as the Hittites, Babylonians, and Assyrians. Love, War, and Diplomacy tells the story of the Amarna Letters and the dramatic world of the Bronze Age they revealed. Blending scholarly expertise with painstaking detective work, Eric Cline describes the spectacular discovery, the fierce competition among dealers and museums to acquire the tablets, and the race by British and German scholars to translate them. Dating to the middle of the fourteenth century BCE and the time of Tutankhamun's immediate predecessors, Amenhotep III and his son Akhenaten, the Amarna Letters are the only royal archive from New Kingdom Egypt known to exist. In them, we learn of royal marriages, diplomatic negotiations, gift-giving, intrigue, and declarations of brotherly love between powerful rulers as well as demands made by the petty kings in Canaan who owed allegiance to Egypt's pharaohs. A monumental achievement, Love, War, and Diplomacy transports readers to the glorious age of the Amarna Letters and the colonial era that brought them to light and reveals how the politics, posturing, and international intrigues of the ancient Near East are not so unlike today's." -- Provided by publisher.

"Based on two decades of reporting, NBC's chief foreign correspondent's riveting story of the Middle East revolutions, the Arab Spring, war, and terrorism seen up-close--sometimes dangerously so. When he was just twenty-three, a recent graduate of Stanford University, Richard Engel set off to Cairo with $2,000 and dreams of being a reporter. Shortly thereafter he was working freelance for Arab news sources and got a call that a busload of Italian tourists were massacred at a Cairo museum. This is his first view of the carnage these years would pile on. Over two decades Engel has been under fire, blown out of hotel beds, taken hostage. He has watched Mubarak and Morsi in Egypt arrested and condemned, reported from Jerusalem, been through the Lebanese war, covered the whole shooting match in Iraq, interviewed Libyan rebels who toppled Gaddafi, reported from Syria as Al-Qaeda stepped in, was kidnapped in the Syrian crosscurrents of fighting. He goes into Afghanistan with the Taliban and to Iraq with ISIS. In the page-turning And Then All Hell Broke Loose, he shares his adventure tale. Engel takes chances, though not reckless ones, keeps a level head and a sense of humor, as well as a grasp of history in the making. Reporting as NBC's Chief-Foreign Correspondent, he reveals his unparalleled access to the major figures, the gritty soldiers, and the helpless victims in the Middle East during this watershed time. We can experience the unforgettable suffering and despair of the local populations. Engel's vivid description is intimate and personal. Importantly, it is a succinct and authoritative account of the ever-changing currents in that dangerous land"--

A secular regime is toppled by Western intervention, but an Islamic backlash turns the liberators into occupiers. Caught between interventionists at home and fundamentalists abroad, a prime minister flounders as his ministers betray him, alliances fall apart, and a runaway general makes policy in the field. As the media accuse Western soldiers of barbarity and a region slides into chaos, the armies of God clash on an ancient river and an accidental empire arises. This is not the Middle East of the early twenty-first century. It is Africa in the late nineteenth century, when the river Nile became the setting for an extraordinary collision between Europeans, Arabs, and Africans. A human and religious drama, the conflict defined the modern relationship between the West and the Islamic world. The story is not only essential for understanding the modern clash of civilizations but is also a gripping, epic, tragic adventure. "Three Empires on the Nile" tells of the rise of the first modern Islamic state and its fateful encounter with the British Empire of Queen Victoria. Ever since the self-proclaimed Islamic messiah known as the Mahdi gathered an army in the Sudan and besieged and captured Khartoum under its British overlord Charles Gordon, the dream of a new caliphate has haunted modern Islamists. Today, Shiite insurgents call themselves the Mahdi Army, and Sudan remains one of the great fault lines of battle between Muslims and Christians, blacks and Arabs. The nineteenth-century origins of it all were even more dramatic and strange than today's headlines. In the hands of Dominic Green, the story of the Nile's three empires is an epic in the tradition of Kipling, the bard of empire, and Winston Churchill, who fought in the final destruction of the Mahdi's army. It is a sweeping and very modern tale of God and globalization, slavers and strategists, missionaries and messianists. A pro-Western regime collapses from its own corruption, a jihad threatens the global economy, a liberation movement degenerates into a tyrannical cult, military intervention goes wrong, and a temporary occupation lasts for decades. In the rise and fall of empires, we see a parable for our own times and a reminder that, while American military involvement in the Islamic world is the beginning of a new era for America, it is only the latest chapter in an older story for the people of the region.

"A mix of autobiography and lucid invention, this highly personal work offers a deeply affecting exploration of the meaning of identity and pedigree. With his signature blend of candor, mystery, and bewitching elusiveness, Patrick Modiano weaves together a series of interlocking stories from his family history: his parents' courtship in occupied Paris; a sinister hunting trip with his father; a chance friendship with the deposed King Farouk; a wistful affair with the daughter of a nightclub singer; and the author's life as a new parent. Filled with a coterie of dubious characters - Nazi informants, collaborationist refugees, and black-market hustlers - Modiano's riveting vignettes capture the drama that consumed Paris during World War II and its aftermath. Written in tones ranging from tender nostalgia to the blunt cruelty of youth, this is a personal and revealing book that brings the enduring significance of a complicated past to life."--Publisher.

In his book "Ramses II and His Time", Immanuel Velikovsky continues his reconstruction of ancient history. This volume covers the best-known of old Egypt's pharaohs, Ramses II. Velikovsky points out how little we know about this famous ruler. His revised chronology places Ramses II firmly into the 7th century B.C. and not, as we have been led to believe, hundreds of years earlier in the 13th century B.C.. Ramses II's adversary was thus none other than Nebuchadnezzar. We are made privy to fascinating personal details about this great Chaldean ruler, whose autobiography Velikovsky was able to locate. As in the first part of the series "Ages in Chaos", this volume unearths a string of erroneous theories and dismisses as pure fantasy several other aspects of the traditional written history concerning the ancient world. We learn, for example, that the so-called Hittite Empire is an historical invention and, in another critical paragraph, Velikovsky leads us the to the proper understanding of the Bronze- and Iron Ages. In the extensive supplement, Velikovsky deals with the age-calculating method of radiocarbon dating and its surprising connections to his own theories.

Both before and after 1948, Marxists advocated a two-state solution to Arab-Israeli conflict. This book examines how this proposal, endorsed by international consensus in 1947-49, had ceased to figure on the political agenda by the 1960s.

The People Of The Book: From The Creation To The Death Of Moses offers a detailed exploration of the formative years of the Jewish people, as recounted in the Hebrew Bible. Maurice Henry Harris presents a narrative spanning from the creation of the world to the death of Moses, examining key events and figures that shaped Jewish identity and faith. This volume delves into the stories of the patriarchs, the exodus from Egypt, the giving of the Law at Sinai, and the challenges faced by the Israelites in their journey to the Promised Land. Harris provides historical context and theological insights, making the ancient texts accessible to contemporary readers. Explore the origins of 'The People Of The Book' and their enduring legacy. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Thea: To Alexandria, Jerusalem and Freedom - is a movng and exciting story of life in Egypt during the tumultuous thirties and forties. The kaleidoscope of human events described, over sixty years of our century, gives the reader a sense of having lived and witnessed important moments of history. It is a book which makes a strong protest against war. But most of all it is the story of ordinary people performing extraordinary feats of love for their fellowmen. This is a sincere, well-written and poignant book with universal appeal.

They are voices that have been silent for centuries: those of captives and refugees, widows and orphans, the blind and infirm, and the underclass of the "working poor." Now, for the first time, the voices of the poor in the Middle Ages come to life in this moving book by historian Mark Cohen. A companion to Cohen's other volume, Poverty and Charity in the Jewish Community of Medieval Egypt , the book presents more than ninety letters, alms lists, donor lists, and other related documents from the Geniza, a hidden chamber for discarded papers, situated inside a wall in a Cairo synagogue. Cohen has translated these documents, providing the historical context for each. In the past, most of what we knew of the poor in the Middle Ages came from records and observations compiled by their literate social superiors, from tax collectors to the inquisitor's clerk, from criminal judges to the benefactors of the helpless, from makers of Islamic waqf deeds to authors of Arabic chronicles, and in Judaism, from Rabbis who wrote responsa to compilers of Jewish-law codes. What distinguishes this book is that it contains the voices of the poor themselves, found in documents heretofore largely ignored. Because an ancient custom in Judaism prohibited the destruction of pages of sacred writing, the documents were preserved, largely unharmed, for as many as nine centuries. The Voice of the Poor in the Middle Ages provides access to the attitudes and philanthropic activities of the charitable, alongside the dramatic writings of the poor themselves, whether penned in their own hands or dictated to a scribe or family member. The book also allows a rare glimpse into the women of the Middle Ages, as well as into the world of private charity--an area long elusive to the medieval historian. For researchers and students alike, this book will be an invaluable social history source for years to come.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.