Those of us who have already discovered Stephen Fry know him as the brilliant British comedian behind TV series such as Jeeves & Wooster and Blackadder, and the author of two enormously funny novels, The Liar and The Hippopotamus. But his new film (in which he plays Oscar Wilde) and his new novel (this one) represent a somewhat alarming departure from his previous work: They're more serious. Though humor is still an essential ingredient of both, Fry's fans are finally getting to witness the emotional depth that this brilliant polymath usually keeps hidden. In Making History, Fry has bitten off a rather meaty chunk by tackling an at first deceptively simple premise: What if Hitler had never been born? An unquestionable improvement, one would reason--and so an earnest history grad student and an aging German physicist idealistically undertake to bring this about by preventing Adolf's conception. And with their success is launched a brave new world that is in some ways better than ours--but in most ways even worse. Fry's experiment in history makes for his most ambitious novel yet, and his most affecting. His first book to be set mostly in America, it is a thriller with a funny streak, a futuristic fantasy based on one of mankind's darkest realities. It is, in every sense, a story of our times. "From the Hardcover edition.

Bulgaria, 1934. A young man is murdered by the local fascists. His brother, Khristo Stoianev, is recruited into the NKVD, the Soviet secret intelligence service, and sent to Spain to serve in its civil war. Warned that he is about to become a victim of Stalin’s purges, Khristo flees to Paris. Night Soldiers masterfully re-createsthe European world of 1934–45: the struggle between Nazi Germany and Soviet Russia for Eastern Europe, the last desperate gaiety of the beau monde in 1937 Paris, and guerrilla operations with the French underground in 1944. Night Soldiers is a scrupulously researched panoramic novel, a work on a grand scale --

In the cauldron of Germany in the 1930s, two men from different worlds become key actors in the turbulent history of their time. Herschel Grynszpan, an undocumented Jewish adolescent living in Paris, wants to be a champion of his suffering people. Max Schmeling, a world champion boxer, becomes a reluctant symbol of the Third Reich. Their lives intertwine without touching, eventually converging in the concentration camp of Sachsenhausen. Dark haired, slight, and with deep-set, haunted eyes, Herschel receives a postcard from his parents--recently taken from their Hanover flat, put on a train, and dumped, with 12 thousand others, on the Polish border. Enraged, Herschel buys a gun and kills a minor German official in the German Embassy. The repercussions of this act trigger Kristallnacht, the opening curtain to the tragedy of the Holocaust. Meanwhile, Max, as a result of his victory over the then-"invincible" Joe Louis in 1936, has become a poster boy for the Nazis. He and his movie-star wife, Anny Ondra, are feted by the regime--tea with Hitler, a passage on the airship Hindenburg--until his brutal two-minute beating in the rematch with Louis less than two years later. His story reaches a climax during Kristalnacht, where the champion performs an act of quiet heroism. Champion tells a story of tragedy and humanity as World War II unfolds. Set against a backdrop of racism, war, and displacement, it shines a light on those times as it holds a mirror to our own.

God bless you, England, on this glorious Year of Our Lord, 1145. Things are definitely not right in Nottingham. Rebecca, daughter of a Jewish money-lender, has a sense for it. A mad monk schemes to resurrect the Christ from body parts. A bone harpist murders creatures of legend for a price. A fae creature binds its wings and embraces a new God and his son. And don't even mention the Hood. The Man in Green. The Prince of Thieves. The tick-tock taker of the ten-toll tax. What hope have the series of sheriffs sent to hold the peace? It's the forest, you see. Sherwood. Ice Age ancient, impenetrable, hiding a dark and secret heart. But hearts, no matter how black, no matter how hidden, are not immune to change. The old world is dying... and a terrifying new one is waiting to take its place. Rebecca senses an opportunity. But how far is she willing to go, and what price - because there is always a price - will she have to pay? The Hood is Lavie Tidhar's narcotic reweirding of an ancient English myth, a tale stitched together from legends lost to time, a tale told and retold, reworked and renewed for each passing century. A tale, reader, for today. 'A wild, inventive tapestry of myth and magic, with a wry sense of humor. Tidhar's writing is wonderfully vibrant' Silvia Moreno-Garcia, bestselling author of Mexican Gothic

When Mycroft Holmes is murdered, it is up to retired shadow detective Smith to track down his killer, leading him to stumble onto the greatest conspiracy of his life. Young Lucy Westerna, Holmes' protégé, must follow her own path to the truth, while on the other side of the world, a young Harry Houdini must face his greatest feat of escape -- death itself. As their paths converge the body count mounts up, the entire world is under threat, and in a foreboding castle in the mountains of Transylvania a mysterious old man weaves a spider's web of secrets and lies.

A remarkable insight into Jewish history in Britain, 'My Mother's House' is a poignant story of belonging, nationhood and identity set in Wales, England and Palestine. The first novel from the acclaimed author of Eunice Fleet - a poignant story of belonging, nationhood and identity set in Wales, England and Palestine. First novel from the acclaimed author of EUNICE FLEET a poignant story of belonging, nationhood and identity set in Wales, England and Palestine Simon is a troubled young manborn in Wales, of Jewish heritage, and in love with Englishness and an English heiress. He determines to reject his Jewish and Welsh identity and the industrial valleys he grew up in and seeks to fulfil his ambition to rise in the Civil Service. His experiences in love and his professional life see him reject Edith on discovering that she is not what he believed her to be, and taking up arms in the fight against Englands enemies in the Great War. Ultimately, he must embrace his family and his heritage before he can experience a sense of wholeness. Simons experience raises questions of belonging, language, nationhood and identity that are as relevant now as they were in 1931 when the novel was first published. Lily Tobiass sensitive individual and communal portraits illuminate some of the most topical personal, social and political issues of the twenty-first century.