"A rousing and humane tribute to D-Day troops" -New York Times Book Review From Alan Gratz, the highly acclaimed, New York Times bestselling author of the blockbuster Refugee, comes another thrilling multi-perspective novel, this time centered around D-Day. D-Day, June 6, 1944: the most expansive military endeavor in history. No less than world cooperation would bring down Hitler and the Axis powers. And so people -- and kids -- across the globe lent their part. From the young US soldiers in the boats to spies in the French countryside, the coordination of thousands came together. Alan Gratz, author of the New York Times bestselling Refugee, explores the necessity of teamwork and heroism in dismantling tyranny in this epic, yet personal, look at D-Day in time for the 75th anniversary of the operation. PRAISE FOR ALLIES "Both an excellent, inclusive narration of important historical events and a fast-paced, entertaining read." - Kirkus "A tautly paced and multifaceted portrait of the D-Day invasion."- Publishers Weekly "The stories and characters are meticulously researched, honest, and do not avoid the horror of the invasion. As well, despite the historical time setting, the issues the characters face are still timely." - School Library Journal "Gratz manages to provide distinct, complex personalities and a nail-biting plot."- BCCB "This excellent resource will allow teachers to collaborate across both the language arts and history curriculum due to its meditative look at the global scope, outcome, and human costs of war. Highly recommended."- School Library Connection

"It was a battle that would change the course of World War II ... Eleven-year-old Paul's French village has been under Nazi control for years. His Jewish best friend has disappeared. Food is scarce. And there doesn't seem to be anything Paul can do to make things better. Then Paul finds an American paratrooper in a tree near his home. The soldier says the Allies have a plan to crush the Nazis once and for all, but the soldier needs Paul's help. This is Paul's chance to make a difference. Soon he finds himself in the midst of the largest invasion in history. Can he do his part to turn horror into hope?"--Back cover

"Wise, witty, and wonderful . . . A great book, in a great historical tradition." CommentaryThe 14th century gives us back two contradictory images: a glittering time of crusades and castles, cathedrals and chivalry, and a dark time of ferocity and spiritual agony, a world plunged into a chaos of war, fear and the Plague. Barbara Tuchman anatomizes the century, revealing both the great rhythms of history and the grain and texture of domestic life as it was lived.

"The dramatic, inspiring story of the extraordinary women recruited by Britain's elite spy agency to sabotage the Nazis, shore up the Resistance, and pave the way for Allied victory in World War II."--Provided by publisher.

Biographer Lee gives us a new Edith Wharton--tough, startlingly modern, as brilliant and complex as her fiction. Born in 1862, Wharton escaped the suffocating fate of the well-born female, traveled adventurously in Europe and eventually settled in France. She developed a forceful literary professionalism and thrived in a luminous society that included Bernard Berenson, Aldous Huxley and most famously Henry James, who here emerges more as peer than as master. Wharton's life was fed by nonliterary enthusiasms as well: houses and gardens, relief efforts during the Great War, and the culture of the Old World, which she never tired of absorbing. Yet intimacy eluded her: unhappily married and childless, her one brush with passion came and went in midlife, an affair intimately recounted here. Lee interweaves Wharton's life with the evolution of her writing, the full scope of which shows her to be far more daring than her stereotype as lapidarian chronicler of the Gilded Age.--From publisher description.

Gaelle de Barbet is sixteen years old in 1940 when the German army occupies France and frightening changes begin. She is shocked and powerless when French gendarmes take away her closest friend, Rebekah Feldmann, and her family, and send them to a detention camp for deportation to an unknown, ominous fate. The local German military commandant makes Gaelle's family estate outside Lyon into his headquarters. Her father and brother are killed by the Germans; her mother fades away into madness and ill health. Trusted friends and employees become traitors. And by accident, Gaelle begins a perilous journey with the French Resistance, hoping to save lives to make up for the beloved friend she could do nothing to help

“The most influential biography of Marie Antoinette.” — Guardian “Bids fair to be the definitive life of that tragic queen.” —New York Times International Bestseller: One of the great writers of the 20th century paints a vivid portrait of one of the most famous, complex, and controversial characters in European history. Stefan Zweig based his biography of Marie Antoinette, who became the Queen of France at the age of fifteen, on the correspondence between her and her mother, and her great love the Count Axel von Fersen. Zweig analyzes the chemistry of a woman’s soul from her intimate pleasures to her public suffering as a Queen under the weight of misfortune and history. Zweig describes Marie Antoinette in the King’s bedroom, in the enchanted and extravagant world of the Trianon, and with her children. And in his account of The Revolution, he describes her resolve during the failed escape to Varennes, her imprisonment in the Conciergerie and her final tragic destiny under the guillotine. Stefan Zweig’s account has been the definitive biography of Marie Antoinette since its publication, inspiring Antonia Fraser and the recent film adaptation.

"Combining epic history with rich family stories, Michael Korda chronicles the outbreak of World War II and the great events that led to Dunkirk. In an absorbing work peopled with world leaders, generals, and ordinary citizens who fought on both sides of World War II, Alone brings to resounding life perhaps the most critical year of twentieth-century history. For, indeed, May 1940 was a month like no other, as the German war machine blazed into France while the supposedly impregnable Maginot Line crumbled, and Winston Churchill replaced Neville Chamberlain as prime minister in an astonishing political drama as Britain, isolated and alone, faced a triumphant Nazi Germany. Against this vast historical canvas, Michael Korda relates what happened and why, and also tells his own story, that of a six-year-old boy in a glamorous movie family who would himself be evacuated. Alone is a work that seamlessly weaves a family memoir into an unforgettable account of a political and military disaster redeemed by the evacuation of more than 300,000 men in four days--surely one of the most heroic episodes of the war. "The incredible, almost miraculous story of what happened at Dunkirk in the year 1940--and why--is unfolded in Alone with great narrative skill and superb delineation of a highly interesting cast of characters, including, importantly, the author himself and his own remarkable family." -- David McCullough

On the morning of November 7, 1938, a seventeen-year-old Jewish refugee, Herschel Grynszpan, walked into the German embassy in Paris and in an act of desperation assassinated Ernst vom Rath, a low-level Nazi diplomat. He did it, he said, out "of love for my parents and for my people." Two days later, vom Rath lay dead, and the Third Reich exploited his murder to inaugurate its long-planned campaign of terror against Germany's Jewish citizens, in the mass pogrom that became known as Kristallnacht. In a bizarre concatenation of events that would rapidly involve Ribbentrop, Goebbels, and Hitler himself, Grynszpan would become the centerpiece of a Nazi propaganda campaign that would later describe his actions as "the first shot of the Jewish War." Best-selling author Jonathan Kirsch brings to light this wrenching story, reexamining the historical details and moral dimensions of one of the most enigmatic cases of World War II. Was Grynszpan a crazed lone gunman, or was he an agent of the Gestapo, recruited to provide a convenient pretext for a major escalation of Nazi aggression? Was he motivated by a desire to strike a blow for the Jewish people as an early partisan fighter, or did his act of violence speak to an intimate connection between the assassin and his target, as Grynszpan later claimed?

During the most terrible years of World War II, when inhumanity and political insanity held most of the world in their grip and the Nazi domination of Europe seemed irrevocable and unchallenged, a miraculous event took place in a small Protestant town in southern France called Le Chambon. There, quietly, peacefully, and in full view of the Vichy government and a nearby division of the Nazi SS, Le Chambon's villagers and their clergy organized to save thousands of Jewish children and adults from certain death.

Two Lives is Janet Malcolm's stunning portrait of a legendary couple: Gertrude Stein, the modernist master, and Alice B Toklas, the 'worker bee' who ministered to Stein's needs throughout their forty-year expatriate 'marriage'. As Malcolm pursues the truth of the couple's charmed life in a village in Vichy France her subject becomes the larger question of biographical truth. 'The instability of human knowledge is one of our few certainties,' she writes. The portrait of their relationship that emerges is unexpectedly charged. The two world wars Stein and Toklas lived through together are paralleled by the private war that went on between them. This war, as Malcolm learned, sometimes flared into bitter combat. Janet Malcolm is at her finest in this extraordinary work of literary biography and investigative journalism.

"In the post-war era Jews have been incomparably less numerous than before and often deeply assimilated. Still, their presence's felt as big. The book is scholarly and also deeply personal. Most of the events and processes described here have a strong connection to the author's life, particularly the post-1968 mini-renaissance of Jewish life, especially in its religious variety, and advances in the realm of Jewish-Christian relations and particularly of Jewish-Christian dialogue. In addition to an account of the history of Jews in Poland after 1945, Jewish-Christian dialogue in that period, including meeting with the Polish pope, the chapters treat the concept of de-assimilation used as a key to understand the most recent phase of the story, analyze how Jewish were Jewish Communists, ponder what were the assumptions behind the post-war section of the core exhibition in POLIN, and offer an original proposal why the Holocaust is widely considered as unique"--

Elie Wiesel (1928-2016) is best known as the author of Night, survivor of Auschwitz and a powerful, enduring voice of the Holocaust. A recipient of the Nobel Peace Prize and the Presidential Medal of Freedom, he was a hero of human rights, professor and author of more than 50 books. Among his accomplishments, Wiesel co-founded Moment Magazine with Leonard Fein in 1975 to be a place of conversation for America's Jews. For editor-in-chief Nadine Epstein, he became a mentor and friend after she took over the magazine in 2004. In this striking volume, Epstein shares her memories of Wiesel and brings together 36 interviews with friends, colleagues and others who knew him - including, his son Elisha, Michael Berenbaum, Wolf Blitzer, Father Patrick Debois, Ronald S. Lauder, Bernard Henri-Levi, Kati Marton, Natan Sharansky, Ben Kingsley, and Oprah Winfrey. The foreword is by British Rabbi Jonathan Sacks and the afterword is by broadcaster Ted Koppel. To celebrate this humanitarian and keep his inspiration alive, Epstein presents readers with a visual history of Wiesel's life and examines the influence of Night. This chilling story of the Holocaust has already gripped the souls of millions of readers. Epstein includes a selection of his speeches and writings, lively conversations with teenagers about Night and discussion questions. The book features more than 100 photos. Says Rabbi Jonathan Sacks: "This book of reflections is a fitting tribute to the legacy of Elie Wiesel. In its pages and through the words of its contributors, you will feel a promise, not just to the souls who perished, but also to Elie and all those who survived Europe's darkest night." From the Inside Flap "It is absolutely imperative for this legacy of Elie Wiesel's to continue. It has to, and if it doesn't, it is our loss, and it will be an unfathomable loss." ―Ben Kingsley "Wiesel taught us that we must not forget; that there is no greater sin than that of silence and indifference. In doing so he has not just illumined the past, he has illumined the future" ―Oprah Winfrey "There was something burning inside of Elie, a flame ignited by injustice and pain. He was willing to share that part of himself. Pain can make people retreat from life, but opened Elie to the world." ―Kathleen Kennedy Townsend "He performed the alchemy of converting pain, injustice and horror into love, compassion and tolerance. We remember him not so much because he so often succeeded but because he never stopped trying." ―Ted Koppel "I believe there is a risk of Elie Wiesel, the Holocaust, and other genocides being forgotten. Without a real effort to retain their memory, they may simply disappear from history. Elie Wiesel was a light in the night for the whole world, not just the Jewish one." ―Father Patrick Desbois About the Author Editor: Nadine Epstein, Editor-in-Chief of Moment Magazine, is the founder and executive director of the Center for Creative Change and founder of the Daniel Pearl Investigative Journalism Initiative. An award-winning journalist and author, she reported for the City News Bureau of Chicago and the Chicago Bureau of the New York Times and covered the U.S.-Mexico border. She was a Knight-Wallace Fellow at the University of Michigan, where she also taught journalism. She is also an artist and the creator of the iShadow Project. Foreword: Rabbi Lord Jonathan Sacks is the former Chief Rabbi of the United Kingdom. He is the author of more than 25 books, most recently Not in God's Name: Confronting Religious Violence. Ted Koppel was the anchor and managing editor of ABC News Nightline for 25 years. He is currently a contributor to CBS News Sunday Morning and author of Lights Out.

"Carine, and her vision of French Vogue, embodies all that the world likes to think of as Parisian style: a sense of chic that's impeccable and sometimes idiosyncratic and which forever lives on a moonlit street as seen through the lens of Helmut Newton."--Anna Wintour Karl Lagerfeld once said that if you close your eyes and imagine the ideal French woman, it would be Carine Roitfeld. She is a fashion visionary and a muse. Since the start of her career in the early 1990s, through her collaborations with the legendary photographer Mario Testino, Roitfeld has been credited with launching Tom Ford's career at Gucci, as well as turning French Vogue into one of the industry's most worshipped magazines. This elegant volume is a visual history of Roitfeld's fearless career. A daring instigator, she is known for pushing the limits with her subversive styling ideas. Featuring a selection of 250 magazine tear sheets and covers from pivotal editorial shoots and advertising campaigns, as well as intimate visual ephemera, this book gives an inside view into Roitfeld's creative thought process and sensibility. A must-have for those interested in cutting-edge fashion and femininity, this book will empower women to follow Roitfeld's lead and take risks with their personal style.

Historians agree: the diary of Léon Werth (1878-1955) is one of the most precious--and readable--pieces of testimony ever written about life in France under Nazi occupation and the Vichy regime. Werth was a free-spirited and unclassifiable writer. He is the author of eleven novels, art and dance criticism, acerbic political reporting, and memorable personal essays. He was Jewish, and left Paris in June 1940 to hide out in his wife's country house in Saint-Amour, a small village in the Jura Mountains. His short memoir 33 Days recounts his struggle to get there. Deposition tells of daily life in the village, on nearby farms and towns, and finally back in Paris, where he draws the portrait of a Resistance network in his apartment and writes an eyewitness report of the insurrection that freed the city in August 1966. From Saint-Amour, we see both the Resistance in the countryside--derailing troop trains, punishing notorious collaborators--and growing repression: arrests, torture, deportation, and executions. Above all, we see how Vichy and the Occupation affect the lives of farmers and villagers and how their often contradictory attitudes evolve from 1940 to 1944. Werth's ear for dialogue and novelist's gift for creating characters animate the diary: in the markets and in town, we meet real French peasants and shopkeepers, railroad men and the patronne of the café at the station, schoolteachers and gendarmes. They come off the page alive, and the countryside and villages come alive with them. With biting irony, Werth records, almost daily, what Vichy-German propaganda was saying on the radio and in the press. We follow the progress of the war as people did then, day by day. These entries make interesting, often amusing reading, a stark contrast with his entries on the persecution and deportation of the Jews. Deposition is a varied and complex piece of living history, and a pleasure to read. --

"From the bestselling master espionage writer, hailed by Vince Flynn as "the best in the business," comes a riveting novel about the French Resistance in Nazi-occupied Paris. Paris, 1941. The City of Light, occupied by the Nazis, is dark and silent at night. Streetlamps are painted blue and apartment windows draped or shuttered in the blackout ordered by the Germans. But when the clouds part, the silvery moonlight defies authority, and so does a leader of the French Resistance, known as Mathieu. In Paris and in the farmhouses, barns, and churches of the French countryside, small groups of ordinary men and women are determined to take down the occupying forces of Adolf Hitler. Mathieu leads one such Resistance cell, helping downed British airmen escape back to England. This suspenseful, fast-paced thriller by the author whom Vince Flynn calls "the most talented espionage novelist of our generation" captures this dangerous time as no one ever has before. Alan Furst brings Paris and occupied France to life, along with courageous citizens who outmaneuver collaborators, informers, blackmailers, and spies, risking everything to fulfill perilous clandestine missions. Aiding Mathieu as part of his covert network are Lisette, a seventeen-year-old student and courier; Max de Lyon, an arms dealer turned nightclub owner; Chantal, a woman of class and confidence; Daniel, a Jewish teacher fueled by revenge; Joëlle, who falls in love with Mathieu; and Annemarie, a willful aristocrat with deep roots in France, and a desire to act. As the German military police heighten surveillance, Mathieu and his team face a new threat, dispatched by the Reich to destroy them all. Shot through with the author's trademark fine writing, breathtaking suspense, and intense scenes of seduction and passion, Alan Furst's A Hero of France is at once one of the finest novels written about the French Resistance and the most gripping novel yet by the living master of the spy thriller. Praise for Alan Furst "Furst never stops astounding me."--Tom Hanks "Suspenseful and sophisticated. No espionage author, it seems, is better at summoning the shifting moods and emotional atmosphere of Europe before the start of World War II than Alan Furst."--The Wall Street Journal "Though set in a specific place and time, Furst's books are like Chopin's nocturnes: timeless, transcendent, universal. One does not so much read them as fall under their spell."--Los Angeles Times "[Furst] remains at the top of his game."--The New York Times "A grandmaster of the historical espionage genre."--The Boston Globe"--

Written in alternating chapters, W or the Memory of Childhood , tells two parallel tales, in two parts. One is a story created in childhood and about childhood. The other story is about two people called Gaspard Winckler: one an eight-year-old deaf-mute lost in a shipwreck, the other a man despatched to search for him, who discovers W, an island state based on the rules of sport. As the two tales move in and out of focus, the disturbing truth about the island of W reveals itself. Perec combines fiction and autobiography in unprecedented ways, allowing no easy escape from these stories, or from history.

"A rare eyewitness account by an important author of fleeing the Nazis' march on Paris in 1940, featuring a never-before-published introduction by Antoine de Saint-Exupery. In June of 1940, Leon Werth and his wife fled Paris before the advancing Nazis Army. 33 Days is his eyewitness account of that experience, one of the largest civilian dispacements in history. Encouraged to write 33 Days by his dear friend, Antoine de Saint-Exupery, author of The Little Prince, Werth finished the manuscript while in hiding in the Jura mountains. Saint-Exupery smuggled the manuscript out of Nazi-occupied France, wrote an introduction to the work and arranged for its publication in the United States by Brentanos. But the publication never came to pass, and Werth's manuscript would disappear for more than fifty years until the first French edition, in 1992. It has since become required reading in French schools. This, the first-ever English language translation of 33 Days, includes Saint-Exupery's original introduction for the book, long thought to be lost. It is presented it here for the first time in any language. After more than seventy years, 33 Days appears--complete and as it was fully intended"--

Originally published in Algiers in 1943, Joseph Kessel's Army of Shadows is one of the first books to have been written about the French Resistance. Now available in paperback, Contra Mundum Press is proud to present the first new translation in over 70 years, and the first edition since Jean-Pierre Melville's iconic 1969 film. "What, then, when it comes to recounting the story of France, an obscure, secret France, which is new to its friends, its enemies, and new especially to itself? France no longer has bread, wine, fire. But mainly it no longer has any laws. Civil disobedience, individual or organized rebellion, have become duties to the fatherland. The national hero is the clandestine man, the outlaw. Nothing about the order imposed by the enemy and by the Marshal is valid. Nothing counts. Nothing is true any more. One changes home, name, every day. Officials and police officers are helping insurgents. One finds accomplices even in ministries. Prisons, getaways, tortures, bombings, scuffles. One dies and kills as if it's natural. France lives, bleeds, in all its depths. It is toward the shadow that its true and unknown face is turned. In the catacombs of revolt, people create their own light and find their own law. Never has France waged a nobler and more beautiful war than in the basements where it prints its free newspapers, in its nocturnal lands, and in its secret coves where it received its free friends and from where its children set out, in torture cells where, despite tongs, red-hot pins, and crushed bones, the French died as free men."

Reflects on the interrelationship between war, genocide, and identity in the 20th century. Contends that World War I provided a pattern for the industrial killing that reached its apex in the Nazi Holocaust. Comparing France and Germany, both of which looked for an "elusive enemy" to help them cope with the trauma of World War I, notes that Germany found it in the Jews. This perception allowed the Germans to see themselves as victims and their actions against the Jews as self-defense. The search for "elusive enemies" (to blame for perpetrating the genocide) and "elusive victims" (e.g. the French or German people) continued after the war. Compares the French, German, and Jewish postwar discourses of the Holocaust. Presenting themselves as the main victims of Nazism, the French and Germans have tended to neglect Jews as the main victims. Criticizes writings by Hannah Arendt, Ka-Tzetnik, and some other postwar writers on the Holocaust and its roots.