Originally published in 1984, this book broke new ground in assessing Freud as both an exemplary late-Victorian and as a pivotal figure in the creation of modern thought and culture. In his close reading of various of Freud's theoretical and clinical texts, including two of the most famous case histories, Steven Marcus uncovers the steps in the development of Freud's thought, the dynamics and contradictions and 'the intellectual and emotional urgings, forces and conflicts that were at work... as the first original insights and discoveries that constituted the inception of psychoanalysis as a theory, discipline of inquiry, and new kind of therapy, came suddenly, often unexpectedly and without being bidden, upon Freud'. Central to Professor Marcus' inquiry is the relationship of Freud's work to cultural change and to the very process of disclosure, formation and construction in the transition to modernity. Freud's writings, and the psychoanalytic discipline of which they are the foundations, are placed in the context of their contribution to modern modes of thought, and of their influence on our notions of the centres of significance of each existence as a whole. Freud and the Culture of Psychoanalysis is a major contribution to our understanding of how ideas and theories become internalized into the intellectual framework of our lives and affect the way we think about the world. By moving backward and forward from pre-Freudian to post-Freudian thinkers, Professor Marcus takes us on a journey through cultural transition that is also an exploration of how the individual interacts with his own moment in history to forge new modes of consciousness.

Whom do we choose when we fall in love? How do we make the love-object into what we want? These are questions which only became important at the end of the nineteenth century, as Freud began to formulate a new discipline which would be called psycholanalysis. Freud argues Klaus Theweleit, was the first theoretician of the new situation: boy versus girl in the world series of love. Theweleit looks at a number of relationships: Alfred Hitchcock and Alma Reville; the triangle of Hannah Arendt, Martin Heidegger and Elfriede Heidegger; Jung and Sabina Spierlrein. But the key figure is Freud himself. Who would, who could Freud choose? As it happened, Freud proposed to Martha Bernays. The 1,500 letters of Freud’s courtship became something like the first psychoanalysis; without knowing it, Martha Bernays became an analytic-instance. But Object-Choice is not only a study of the founder of psychoanalysis, it is also an illuminating lexicon of love in the twentieth century. Freud is accompanied here by Jimi Hendrix, the Kinks and the Velvet Underground. Like Theweleits’s Male Fantasies , this is a collage book, mixing auto-biography, theory and pop culture, and always haunted by history, above all the history of Nazism. As an epilogue, Theweleit brings Freud back to the scene of his courtship, and the Beatles back to Hamburg, in an exploration of that city’s Wandsbek district, once home to an important Jewish community. His comments on the transformations and destruction that Wandsbek has endured form an elegiac tribute to German Jewry, and a powerful conclusion to this remarkable book.

Based on an intensive study of the original German text of Freud's writings, letters and journals, S. S. Prawer's new book is the first to make a full and systematic map of Freud's use of English literature. The great psychoanalyst has long been acclaimed as a polymath, as a practical doctor who was also a theoretician, as a writer of non-fiction which was also a counterpoint to the great novels of the early twentieth century, and as an essayist who, like Montaigne, absorbed all of the cultural world around him. Freud was fascinated by writings from many nations and languages, and his use of English shows the great range of his reading: from Shakespeare to Bernard Shaw, Henry Fielding to George Eliot, Mark Twain to Thornton Wilder; from scientific works by Maxwell and Darwin to the economics of Adam Smith, Malthus and Keynes, and from psychology and anthropology to the origins of religion. Though Freud's genius was unique, his sense of being a citizen of a world far wider than Vienna was not, and it can tell us much about the exchange of ideas across national and linguistic frontiers. Though he was a reader par excellence, he was also a case study in how world literature can be used by men and women who are not professional literary scholars or critics -- and of how much it can come to mean to them, and for their sense of who they are.