The quintessential depiction of 1980s New York and the downtown scene from the artist, actor, musician, and composer John Lurie “A picaresque roller coaster of a story, with staggering amounts of sex and drugs and the perpetual quest to retain some kind of artistic integrity.”— The New York Times In the tornado that was downtown New York in the 1980s, John Lurie stood at the vortex. After founding the band The Lounge Lizards with his brother, Evan, in 1979, Lurie quickly became a centrifugal figure in the world of outsider artists, cutting-edge filmmakers, and cultural rebels. Now Lurie vibrantly brings to life the whole wash of 1980s New York as he developed his artistic soul over the course of the decade and came into orbit with all the prominent artists of that time and place, including Andy Warhol, Debbie Harry, Boris Policeband, and, especially, Jean-Michel Basquiat, the enigmatic prodigy who spent a year sleeping on the floor of Lurie’s East Third Street apartment. It may feel like Disney World now, but in The History of Bones , the East Village, through Lurie’s clear-eyed reminiscence, comes to teeming, gritty life. The book is full of grime and frank humor—Lurie holds nothing back in this journey to one of the most significant moments in our cultural history, one whose reverberations are still strongly felt today. History may repeat itself, but the way downtown New York happened in the 1980s will never happen again. Luckily, through this beautiful memoir, we all have a front-row seat.

There's No Bones in Ice Cream, by Sylvain Sylvain, is the inside story of glam heroes the New York Dolls - outrageous, defiant, sleaze kings, transgender posers, drug casualties and victims, not just of their own excess but of an unsympathetic music industry that simply didn't know how to process them. Sylvain, one of only two surviving members of the original New York Dolls, offers a fly-on-the-wall, sincere and often hilarious account of the rise and fall of the Dolls, the group that flew so close to the sun that they exploded in a fireball that lit the touch paper under punk rock. Though their brief, sensation-filled yet doomed career produced just two albums, the Dolls exerted an influence on rock that changed it forever. A cross between the Rolling Stones and the Sex Pistols, the Dolls became the link in the chain between them, offering a crash course in mischief, cross-dressing and anarchy, but like unheralded prophets of Biblical times they were cast aside until the world finally caught up. "Other people turned the New York Dolls into legends. We just went along for the ride."

Product Description The Mind of a Mnemonist is a rare phenomenon―a scientific study that transcends its data and, in the manner of the best fictional literature, fashions a portrait of an unforgettable human being. Review A distinguished Soviet psychologist's study…[of a] young man who was discovered to have a literally limitless memory and eventually became a professional mnemonist. Experiments and interviews over the years showed that his memory was based on synesthesia (turning sounds into vivid visual imagery), that he could forget anything only by an act of will, that he solved problems in a peculiar crablike fashion that worked, and that he was handicapped intellectually because he could not make discriminations, and because every abstraction and idea immediately dissolved into an image for him. It is all fascinating and delightful. ( New Yorker) Luria's essay is a model of lucid presentation and is an altogether convincing description of a man whose whole personality and fate was conditioned by an intellectual idiosyncrasy. ( Times Literary Supplement) [A] compassionate and vivid portrait. ( Los Angeles Times Book Review) A welcome re-issue of an English translation of Alexander Luria's famous case-history of hypermnestic man. The study remains the classic paradigm of what Luria called 'romantic science,' a genre characterized by individual portraiture based on an assessment of operative psychological processes. The opening section analyses in some detail the subject's extraordinary capacity for recall and demonstrates the association between the persistence of iconic memory and a highly developed synaesthesia. The remainder of the book deals with the subject's construction of the world, his mental strengths and weaknesses, his control of behaviour and his personality. The result is a contribution to literature as well as to science. ( Psychological Medicine) About the Author A. R. Luria was Professor of Psychology at Lomonosov Moscow State University. Jerome Bruner is University Professor at New York University.

Heavy Tales is the detailed, never before told story as lived by Jonny Zazula of how he founded Megaforce Records out of a flea market in New Jersey with his wife, Marsha and built a dynasty unmatched by others, forever changing the scope of Heavy Metal. The bands they worked with would go on to release some of the most prolific and important albums in heavy metal history, giving it its Golden Era. Jonny Zazula was a renegade youth who went from living on the New York City streets, to later working on Wall Street, and then moving unexpectedly towards the music business. In the winter of 1982, while working in a flea market, he received an unexpected demo tape from underground, unsigned band Metallica. Eager and determined to have the music heard by the entire world, Jonny Z and Marsha founded Megaforce Records in 1983, and soon after released Metallica's debut album, Kill 'Em All. Through this release Megaforce had cemented its position as the de-facto music label in America for Heavy Metal - but that's just the start. Heavy Tales details the stories of how Jonny Z worked miracles by managing and releasing albums by Metallica, Anthrax, Testament, Mercyful Fate, Raven, Overkill, Exciter, Stormtroopers of Death, Method of Destruction, Ace Frehley, King's X, Ministry, Mindfunk, Nudeswirl, Warren Haynes, Disco Biscuits and others, and how one night in 1984, he jokingly created Rap Metal before anyone else conceived the idea. With the foreword written by Chuck Billy, plus over 100 rare photographs unearthed from the MegaVault and photographer friends, Heavy Tales is the definitive American story of a family man with a dream, determined to prove to the world that heavy metal belonged on the stage, on the radio and in your living room.

Admirers and detractors of Vladimir Nabokov have viewed him as an ingenious contriver of literary games, teasing and even outsmarting his readers through his self-reflexive artifice and the many codes and puzzles he devises in his fiction. Nabokov himself spoke a number of times about reality as a term that always has to be put in scare quotes. Consequently, many critics and readers have thought of him as a writer uninterested in the world outside literature. Robert Alter shows how Nabokov was passionately concerned with the real world and its complexities, from love and loss to exile, freedom, and the impact of contemporary politics on our lives. In these essays, Alter spans the breadth of Nabokov's writings, from his memoir, lectures, and short stories to major novels such as Lolita. He demonstrates how the self-reflexivity of Nabokov's fiction becomes a vehicle for expressing very real concerns. What emerges is a portrait of a brilliant stylist who is at once serious and playful, who cared deeply about human relationships and the burden of loss, and who was acutely sensitive to the ways political ideologies can distort human values.

"If there is one genre that has captured the imagination of people in all walks of life throughout the world, it is the fairy tale. Yet we still have great difficulty understanding how it originated, evolved, and spread--or why so many people cannot resist its appeal, no matter how it changes or what form it takes. In this book, renowned fairy-tale expert Jack Zipes presents a provocative new theory about why fairy tales were created and retold--and why they became such an indelible and infinitely adaptable part of cultures around the world. Drawing on cognitive science, evolutionary theory, anthropology, psychology, literary theory, and other fields, Zipes presents a nuanced argument about how fairy tales originated in ancient oral cultures, how they evolved through the rise of literary culture and print, and how, in our own time, they continue to change through their adaptation in an ever-growing variety of media. In making his case, Zipes considers a wide range of fascinating examples, including fairy tales told, collected, and written by women in the nineteenth century; Catherine Breillat's film adaptation of Perrault's "Bluebeard"; and contemporary fairy-tale drawings, paintings, sculptures, and photographs that critique canonical print versions. While we may never be able to fully explain fairy tales, The Irresistible Fairy Tale provides a powerful theory of how and why they evolved--and why we still use them to make meaning of our lives."--Jacket.

Please Please Me and With The Beatles, along with their associated singles, introduced the Beatles first to England and then to several countries across the world, including Canada and the United States. Although often overlooked due to the excellence of the group' s later albums, these early albums contain the exciting songs that fueled Beatlemania. These albums showcased the songwriting talents of John Lennon and Paul McCartney, as well as incredible cover versions of songs from the group' s stage show. Had the Beatles not evolved and matured, the group would still be well respected for the quality of the recordings on these two albums.In addition to the usual chapters on the British, American and Canadian perspectives, the book contains chapters on the Decca audition and the EMI artists test session. There are also chapters on the recording sessions and album covers, as well as on the news, music and films of the era to place these albums in their proper context.It is a 9" x 9" hardcover book to match the other books in Bruce Spizer' s Beatles Album Series. It is 272 pages long and contains over 290 color and original black and white images.

The Beatles Magical Mystery Tour and Yellow Submarine is the latest installment in the Beatles Album Series by Beatles historian Bruce Spizer. The book covers the songs and projects undertaken by the Beatles shortly after completion of their album Sgt. Pepper's Lonely Hearts Club Band in April 1967. In following ten months, the group wrote and recorded the song "All You Need Is Love" for the Our World TV program that was broadcast by satellite throughout the world, wrote the songs for and filmed the TV spectacular Magical Mystery Tour , wrote the songs for their feature length cartoon film Yellow Submarine , and recorded the songs "Lady Madonna" and "Across The Universe" before heading to India to study transcendental meditation in mid-February 1968. The book covers these remarkable achievements from the British, American, and Canadian perspectives, and includes chapters on the packaging of the albums and the writing and recording of the songs. It also has chapters on how the Beatles influenced our world, the friendly rivalry between the Beatles and the Rolling Stones, the Beatles Saturday morning cartoons, dozens of fan recollections, and more. The book has over 150 images.

Symposium of the Whole traces a discourse on poetry and culture that has profoundly influenced the art of our time, with precedents going back two centuries and more. Beginning with a reassertion of the complexity of poetry among peoples long labeled “primitive” and “savage,” many recent poets have sought to base a new poetics over the fullest range of human cultures. The attempt to define an ethnopoetics has been significantly connected with the most experimental and future-directed side of Romantic and modern poetry, both in the Western world and, increasingly, outside it. As a visionary poetics and as a politics, this complex redefinition of cultural and intellectual values has involved a rarely acknowledged collaboration between poets and scholars, who together have challenged the narrow view of literature that has excluded so many traditions. In this gathering, the Rothenbergs follow the idea of an ethnopoetics from predecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos by poets and social thinkers such as Olson, Eliade, Snyder, Turner, and Baraka. The themes range widely, from the divergence of oral and written cultures to the shaman as proto-poet and the reemergence of suppressed and rejected forms and images: the goddess, the trickster, and the “human universe.” The book’s three ethnographic sections demonstrate how various poetries are structured and composed, how they reflect meaning and worldview, and how they are performed in cultures where all art may be thought of as art-in-motion. Among the poetries discussed are the language of magic; West African drum language and poetry; the Huichol Indian language of reversals; chance operations in African divination poetry; picture-writings and action-writings from Australia and Africa; and American Indian sacred-clown dramas and traditional trickster narratives. The cumulative effect is a new reading of the poetic past and present—in the editors’ words, “a changed paradigm of what poetry was or now could come to be.”

This book is a more personal history than has ever before been written by or about Marianne Faithfull. Anecdotal, conversational, intimate and revealing, this is her no-holds-barred account of her life, her friends, her triumphs and mistakes. A decade after the publication of ‘Faithfull’, one of the most acclaimed rock autobiographies of all time, Marianne Faithfull is back, vowing periodically leave her wicked ways behind and grow up, but finding that somehow strange things keep happening. A wry observer of her slightly off-kilter world, Marianne muses nostalgically about afternoons languishing on Moroccan cushions at George and Pattie's, getting high and listening to new songs. She fondly recalls the outlandish antics of her Beat friends Allen Ginsberg and William Burroughs; is frequently baffled at her image in the press (opening the paper to read of her own demise: 'Sixties Star in Death Plunge'); terrified by the curse sent by Kenneth Anger; mortified by her history of reckless behaviour; not to mention her near-death experience in Singapore while looking for an opium den. Marianne peoples her anecdotal memoir with legendary characters one can imagine only Marianne assembling around her, both the eccentric and the beautiful, from Henrietta Moraes and Donatella Versace to Sofia Coppola, Juliette Greco, and Yves St. Laurent's dog. Here is Marianne on the dark side of the sixties and the bright side of the nineties, which saw her collaborating with the likes of Blur and Jarvis Cocker; compelling recollections of an unconventional childhood in her father's orgiastic literary commune to a hilariously decadent few days at Lady Caroline Blackwood's deathbed. Here she is her blossoming movie career, on her records as subliminal autobiography. This is as intimate a portrait as we've ever had of Marianne, as she meditates on sex and drugs, confronts her alter-ego, the Fabulous Beast, and faces her own mortality in her battle with breast cancer. Since her last book Marianne has, in her own words, 'made quite a few records, gone on many tours, tried to play it straight, and... Well, the rest is the subject of this book.'

"The Fairy Green" is an ancient Children's poetry story book written by Rose Fyleman. This amazing story comes within the delusion and fairy story genres, taking young readers on a fable adventure through a wonderful the world complete of fairies, goblins, and other terrific animals. Fyleman's fabulous writing and ingenious storytelling take site visitors to the inexperienced lands of the Fairy Green, wherein wooded area sprites dance below the whole moon and depraved elves play tricks on unsuspecting vacationers. Each of the poems in the collection is a little works of art, full with shiny imagery and charming characters that pique the curiosity and excite the senses. "The Fairy Green" is a ways greater than a collection of poems; it's far a gateway to the lovely women of nature and the strength of the thoughts. Fyleman's eternal memories remind visitors of the importance of marvel and enchantment in some surroundings wherein humans are all too frequently distracted through the commonplace. Through its whimsical appealing people and ageless enchantment, "The Fairy Green" has charmed readers of each technology, motivating destiny generations to trust within the magic that exists simply backstage of fact.

Analyzes poetry by four Americans, none of whom directly experienced the Holocaust. For these poets, writing becomes a moral obligation as commemoration, catharsis, atonement, history, insistence on human sensitivities, resistance to brutalization, indifference, and flight from consequences. Plath attempts to work herself out of her private turmoil by using the Holocaust as a metaphor for this pain. While God and the Holocaust are equally impenetrable and unfathomable, Plath's recourse is to be found in Christian symbolism. Heyen, whose parents emigrated from Germany in 1928, leaving behind members of the family who became Nazis, felt driven to confront history as part of his own background. Stern, who grew up in the safety of America, must expiate this guilt by envisaging and transposing himself into the victims. When Rothenberg visited Poland, he realized that his parents' native town was only 15 miles from Treblinka, where nearly all of his relatives were murdered. The silence of the death camp created for him "a vacuum in which the dead are free to speak". States that if Adorno's proposition - "to write poetry after Auschwitz is barbaric" - were to be taken literally, it would undermine the validity of this endeavor. But poets from time immemorial did not permit their world to collapse because of catastrophe and calamity. Includes an introductory chapter addressing the issue raised by Adorno, as well as a survey and interpretation of the components of the Holocaust genre.

The Jazz Book of Two Lifetimes NEA Jazz Master saxophonist Dave Liebman and pianist Richie Beirach have enjoyed a fifty-year friendship on and off the bandstand. They've performed with Miles Davis, Elvin Jones, Stan Getz, Chet Baker, Freddie Hubbard, and their own bands. Ruminations and Reflections takes readers on a rollicking journey through their musical lives. Along the way, they share their views on jazz education, prominent musicians, and musical preparation. Liebman and Beirach pay tribute to their musical mentors, tour their discography, and suggest essential recordings to study. The book's conversational style will delight students, professionals, and music lovers alike. "We really don't have an exact name for musicians like Dave and Richie. Across decades of recordings and concerts, their aspirations obliterate the definitions of any single genre. This volume reveals the deep insight and wisdom required to resolve their shared quest for meaning in music. Both are master players who continue to strive for what goes beyond and what lies beneath. Reading their words and following their stories in this wonderful book affirms the feeling that they share on the bandstand as one of the great long-term partnerships in this music." - Pat Metheny A masterclass in the art and skill of jazz Ruminations and Reflections is more than just a jazz biography, it is a masterclass in how to improvise, jazz theory, how to listen to jazz, and the business of being a musician in today's world. Never shy, these two friends share fascinating and revealing stories of growing into their musical selves, late night hangs with legendary musicians, and the jazz life. Known for their virtuosity and playing free, Liebman and Beirach share their secrets for preparing for the ultimate exercise of musical improvisation. Both musicians use their deep devotion to classical music as a basis for improvisation, crossing genres and boundaries to create spontaneous and beautiful musical experiences. As veteran educators, Dave and Richie share their wisdom and life lessons to keep the legacy of jazz improvisation and free jazz alive. Jazz musicians and students will find value in their masterful analysis of duo playing, comping, and musical leadership. For fans of jazz masters and legends Ruminations and Reflections showcases never before told anecdotes and opinions about musical legends including, John Coltrane, Bill Evans, McCoy Tyner, Jack DeJohnette, Wayne Shorter, Michael Brecker, Randy Brecker, Chick Corea, Lee Konitz, Sonny Rollins, Herbie Hancock, and Wynton Marsalis. Jazz fans will delight in the in-depth analysis of over twenty of this duo's best recordings, providing insight and history to this important discography. A journey through modern jazz history Jazz aficionados will enjoy the personal accounts of their formative years in Brooklyn, developing a passion for music that has lasted a lifetime. A road trip through Brooklyn and Manhattan sets the scene for reminiscences about the New York City jazz scene today and in days gone by. Jazz clubs like Birdland and the Village Vanguard come to life with tales of the musicians who played there. Ruminations and Reflections chronicles the intersection of jazz and rock and roll in the fertile early 1970's New York loft scene. Beirach and Liebman were pioneers in the jazz fusion era and recount tours, jam sessions, and recordings with their bands Lookout Farm and Quest. They continue to marvel audiences in any musical setting. Along their journey, Liebman and Beirach have created a legacy of excellence and dedication to fans, fellow musicians, and the music. This book is a celebration of musical lives well-lived and a gift to us all.