A leading conservative thinker argues that a world of sovereign nations is the only option for those who care about personal and collective freedom.

"Why has nationalism come roaring back? Trump in America, Brexit in the U.K., anti-EU parties in Italy, Germany, France, the Netherlands, Austria, Poland, and Hungary, and nativist or authoritarian leaders in Turkey, Russia, India, and China -- why has nationalism suddenly returned with a vengeance? Is the world headed back to the fractious conflicts between nations that led to world wars and depression in the early 20th Century? Why are nationalists so angry about free trade and immigration? Why has globalization become a dirty word? Based on travels in America, Europe, and Asia, veteran political analyst John B. Judis found that almost all people share nationalist sentiments that can be the basis of vibrant democracies as well as repressive dictatorships. Today's outbreak of toxic "us vs. them" nationalism is an extreme reaction to utopian cosmopolitanism, which advocates open borders, free trade, rampant outsourcing, and has branded nationalist sentiments as bigotry. Can a new international order be created that doesn't dismiss what is constructive about nationalism? As he did for populism in The Populist Explosion, a runaway success after the 2016 election, Judis looks at nationalism from its modern origins in the 1800s to today to find answers"--Back cover.

Outlines a new approach to understanding the relationship between the United States and Israel, explaining that both nations embrace a philosophy that they were divinely chosen to influence the world for the better.

"Nationalism, often the scourge, always the basis of modern world politics, is spreading. In a way, all nations are willed into being. But a simple declaration, such as Grouvelle's, is not enough. As historian Liah Greenfeld shows in her new book, a sense of nation--nationalism--is the product of the complex distillation of ideas and beliefs, and the struggles over them. Greenfeld takes the reader on an intellectual journey through the origins of the concept "nation" and how national consciousness has changed over the centuries. From its emergence in sixteenth century England, nationalism has been behind nearly every significant development in world affairs over succeeding centuries, including the American and French revolutions of the late eighteenth centuries and the authoritarian communism and fascism of the twentieth century. Now it has arrived as a mass phenomenon in China as well as gaining new life in the United States and much of Europe in the guise of populism"--

In this sixtieth anniversary edition of The Idea of Nationalism , Craig Calhoun probes the work of Hans Kohn and the world that first brought prominence to this unparalleled defense of the national ideal in the modern West. At its publication, Saturday Review called it "an enduring and definitive treatise.... [Kohn] has written a book which is less a history of nationalism than it is a history of Western civilization from the standpoint of the national idea." This edition includes an extensive new introduction by Craig Calhoun, which in itself is a substantial contribution to the history of ideas. The Idea of Nationalism comprehensively analyzes the rise of nationalism, the idea's content, and its worldwide implications from the days of Hebrew and Greek antiquity to the eve of the French Revolution. As Calhoun explains, Kohn was particularly qualified to undertake this study. He grew up in Prague, the vigorous heart of Czech nationalism, participated in the Zionist student movement, studied the question of nationality in multinational cultures, spent the World War One years in Asian Russia, and later traveled extensively in the Near East studying the nationalist movements of western and southern Asia. The work itself is the product of Kohn's later years at Harvard University. In The Idea of Nationalism, Kohn presents the single most influential articulation of the distinction between civic and ethnic nationalism. This has shaped nearly all ensuing research and public discussion and deeply informed parallel oppositions of early and late, Western and Eastern varieties of nationalism. Kohn also argues that the age of nationalism represents the first period of universal history. Civilizations and continents are brought into ever closer contact; popular participation in politics is enormously increased; and the secular state is ever more significant. The Idea of Nationalism is important both in itself and because it so deeply shaped all the work that followed it. After sixty years his interpretations and analyses remain acute and instructive.

The first collection to emphasize the complex interaction between gender and postcoloniality. Most people in the world, from Africa to Asia and beyond, live in the aftermath of colonialism. Their day-to-day lives are defined by their past history as colonized peoples, often in ways that are subtle or hard to define. In Dangerous Liaisons, eminent contributors address the issues raised by the postcolonial condition, considering nationhood, history, gender, and identity from an inter-disciplinary perspective. Among the questions they address are: What are the boundaries of race and ethnicity in a diasporic world? How have women been so effectively excluded from national power? What have been the historical aftermaths of different forms of colonialism? What are the cultural and political consequences of colonial partitions of the nation-state? Representing an essential intervention, Dangerous Liaisons is a crucial guidebook for those concerned with understanding postcoloniality at the moment when it is becoming more and more widely discussed.

Archives, monuments, celebrations: there are not merely the recollections of memory but also the foundations of history. Symbols, the third and final volume in Pierre Nora's monumental Realms of Memory , includes groundbreaking discussions of the emblems of France's past by some of the nation's most distinguished intellectuals. The seventeen essays in this book consider such diverse "sites" of memory as the figures of Joan D'Arc and Decartes, the national motto of "Liberty, Equality, Fraternity", the tricolor flag and the French language itself. Pierre Nora's closing essay on commemoration provides a culminating overview of the series. Offering a new approach on history, culture, French studies and the studies of symbols, Realms of Memory reveals how the myriad meanings we attach to places and events constitute our sense of history. A monumental collective endevour by some of France's most distinguished intellectuals, Realms of Memory explores how and why certain places, events, and figures became a part of France's collective memory, and reveals the intricate connection between memory and history. Symbols , the third and final volume, is the culmination of the work begun in Conflicts and Divisions and Traditions .Pierre Nora inaugurates this final volume by acknowledging that the whole project of Realms of Memory is oriented around symbols, claiming "only a symbolic history can restore to France the unity and dynamism not recognized by either the man in the street or the academic historian." He goes on to distinguish between two very different types of symbols - imposed and constructed. Imposed symbols may be official state emblems like the tricolor flag or 'La Marsaillaise', or may be monuments like the Eiffel Tower - symbols imbued with a sense of history. COnstructes symbols are produced over the passage of time, by human effort, and by history itself.They include figures such as Joan d'Arc, Descartes, and the Gallic cock.Past I, Emblems, traces the development of four major national symbols from the time of the Revolution: the tricolor flag, the national anthem (La Marsaillaise), the motto Liberty, Equality, Fraternity" and Bastille Day. Far from having fixed identities, these representations of the French nations are shown to have undergone transformations. As French republics rose and regimes changed, the emblems of the French state - and the meanings accosiated with them - were also altered.Part II, Major Sites, focuses on those cities and structures that act as beacons of France to both Frenchman and foreigner. These essays range from the prehistory paintings in Lascaux - that cave which, though not originally French in any sense, has become the very symbol of France's immemorial national memory - to Verdun, the site of the terrible World War I battle, now a symbol of the nation's heaviest sacrifice for the "salvation of the fatehrland" and the most powerful image of French national unity.Identifications, the final section, explores the ways in which the French think of themselves. From the cock - that "rustic and quintessentially Gallic bird" - to the figures of Joan of Arc and Descartes, to the nation's twin hearts - Paris and the French language - the memory of the French people is explored.This final installment of Realms of Memory provides a major contribution not only to study the French nation and culture, but also to the study of symbols as cultural phenomena, offering, as Nora observes, "the possibility of revelation."