As riveting as a World War II thriller, The Forger's Spell is the true story of Johannes Vermeer and the small-time Dutch painter, Han van Meegeren, who dared to impersonate Vermeer centuries later. The con man's mark was Hermann Goering, one of the most reviled leaders of Nazi Germany and a fanatic collector of art.

On a cold November day in Amsterdam, an angry young Muslim man, the son of Moroccan immigrants, killed celebrated and controversial Dutch filmmaker Theo van Gogh, great-grandnephew of Vincent and iconic European provocateur, for making a movie that "blasphemed" Islam. The murder horrified quiet, complacent, prosperous Holland, a country that prides itself on being a bastion of tolerance, and sent shock waves across Europe and around the world. Ian Buruma returned to his native Netherlands to try to make sense of it all and to see what larger meaning should and shouldn't be drawn from this story. The result is a true-crime page-turner with the intellectual resonance we've come to expect from this well-regarded journalist and thinker: the exemplary tale of our age, the story of what happens when political Islam collides with the secular West and tolerance finds its limits.--From publisher description

Much new research and writing on the Glorious Revolution of 1688-91 in England, Scotland, Ireland and North America, and on the Dutch role in the Revolution, has materialized in the last few years in connection with the tercentenary celebrations of 1988 and 1989 and the various accompanying conferences, symposia, and exhibitions in Britain, the Netherlands and the United States. There has also been a spate of associated publications. This is, however, the first large-scale work to emerge from the tercentenary commemoration, and the first to attempt to bring together the main strands of the new research and writing for the general reader and for the student, placing the English Revolution of 1688-89 for the first time in its full British, European and American setting, and showing how fundamentally our picture of the Revolution itself, as well as the Revolutionary process of 1688-91 as a whole, is now being transformed.

A beautiful novel exploring the little-known story of Anne Frank's life before she went into hiding - from bestselling, award-winning author Alice Hoffman and published in cooperation with the Anne Frank House. In soaring prose, bestselling author Alice Hoffman brings Anne Frank to life on the page, drawing from her extensive research in Europe and the United States, to depict her experiences from the moment the Nazis invade the Netherlands until her family is forced into hiding in the annex of her father's office building at 263 Prinsengracht, in Amsterdam. As state-sponsored discrimination turns ordinary people into monsters, the Jews of the Netherlands are caught in an inescapable swell of violence and hate, and Anne is shaped as both a young woman and as a writer who will change the world. WHEN WE FLEW AWAYfeatures archival content provided by the Anne Frank House, as well as information about Otto Frank's desperate bids to get his family to safety in America gathered from correspondence between Otto Frank and Nathan Straus, Jr., from the Straus Historical Society's Archives. A heart-wrenching exploration of Anne's life before the annex By New York Times bestselling author of The World We Knew, Alice Hoffman Featuring archival content provided by the Anne Frank House

"A brilliant, thorough, utterly mad book, the product of the most admirable sort of enthusiasm: total. You like soccer, you don't like soccer, it doesn't matter. If you think of yourself as a serious fan, if you want to continue on the path towards enlightenment and take your devotion to another level, you'd best check out the standard being set here." --ESPN.com On one level, Brilliant Orange is about a people whose unique point of view has led to the most enduring arts, the weirdest architecture, and a bizarrely cerebral form of soccer--Total Football--that led in 1974 to a World Cup finals match with arch-rival Germany, as well as to a devastating loss against Spain in 2010. On another, the book also offers, as a 5-star reviewer put it: "insight into the Dutch mindset beyond football. You learn about Dutch history, art, and society while learning about their great players and the total football. You don't actually need to be a football fan to enjoy the book." "One of those strangely informative books that will entertain those who have little interest in either soccer or the Netherlands." -- The Economist "Wry, obsessional, digressive, deep. This is football as art, metaphor, and cultural signifier." -- The Guardian

For nearly two centuries the Dutch Republic, despite its small size and population, functioned as the hub of world trade, shipping, and finance. This is the first detailed general account of that hegemony from its origins in the sixteenth century to the final collapse of the Dutch trading system in the eighteenth century. The economic structure of the early modern world was such that the Dutch Republic--particularly its chief business emporium, Amsterdam--was able to dominate the world economy to a far greater degree than any commercial power before or since. Using archival and secondary sources, this book explains how one small nation was able to maintain this ascendancy for so long, and details the mechanisms by which this was achieved and sustained, as well as the stages of its evolution.

"David Koker's diary is one of the most notable accounts of life in a German concentration camp written by a Jew during the years of the Holocaust. First brought to attention when the Dutch historian Jacob Presser-Koker's history teacher in high school-quoted from Koker's diary in his monumental history, published in English as The Destruction of the Dutch Jews (1968), the diary itself became a part of the Dutch literary canon when it was published in 1977 as Dagboek geschreven in Vught (Diary Written in Vught). It has remained in print ever since, and is notable for its literary qualities, weaving poetry and powerful observations of the emotional life of a camp prisoner, including reflections after an in-person visit by Heinrich Himmler. Surprisingly, the book has never before been translated into English. During his time in the Vught concentration camp, the 21-year-old David recorded on an almost daily basis his observations, thoughts, and feelings. He mercilessly probed the abyss that opened around him and, at times, within himself. David's diary covers almost a year, both charting his daily life in Vught as it developed over time and tracing his spiritual evolution as a writer. Until early February 1944, David was able to smuggle some 73,000 words from the camp to his best friend Karel van het Reve, a non-Jew. With an informative introduction, annotation, and list of dramatis personae by Robert Jan van Pelt, At the Edge of the Abyss offers an immediate and wholly original look into the life of a concentration camp prisoner"--Publisher's description.

Twenty years ago, Benjamin Moser followed a love affair to an ancient Dutch town. In order to make sense of this new place, he threw himself into the Dutch museums. Soon, he found himself unearthing the strange, inspiring and sometimes terrifying stories of the artists who shaped one of the most luminous moments in the history of human creativity, the Dutch Golden Age. As he explored the hidden world of the Dutch Masters (and one Mistress), Moser met a crowd of fascinating personalities- the stormy Rembrandt, the intimate Ter Borch, the mysterious Vermeer. Through their art, he got to know their country, too- from Pieter Saenredam's translucent churches to Paulus Potter's muddy barnyards, and from Pieter de Hooch's cozy hearths to Jacob van Ruisdael's tragic trees. Over the years, Moser found himself on increasingly intimate terms with these centuries-dead artists, and found that they, too, were struggling with the same questions he was. Why do we make art? What is art, anyway - and what is an artist? What does it mean to succeed as an artist, and what does it mean to fail? The Upside-Down World is an invitation to ask these questions, and to turn them on their heads- to look, and then to look again. It is a brilliant, colourful and learned book for anyone, whether lifelong scholar or curious tourist, who has ever felt the lure of the Dutch galleries. It shows us art, and artists, as we have never seen them before.

It is the winter of 1945, the last dark days of World War II in occupied Holland. A Nazi collaborator, infamous for his cruelty, is assassinated as he rides home on his bicycle. The Germans retaliate by burning down the home of an innocent family; only twelve-year-old Anton survives. Based on actual events, The Assault traces the complex repercussions of this horrific incident on Anton's life. Determined to forget, he opts for a carefully normal existence: a prudent marriage, a successful career, and colorless passivity. But the past keeps breaking through, in relentless memories and in chance encounters with others who were involved in the assassination and its aftermath, until Anton finally learns what really happened that night in 1945—and why.

Letters of Flip (Philip) Slier, written to his parents in 1942 while he was in a forced labor camp during the German occupation of the Netherlands.

"An epic and beautifully written World War II family history that spans Europe, telling of two happy families uprooted by war, their incredible suffering in Hitler's and Stalin's camps, and the near-miraculous survival and rescue of the author's parents who met after the war. Daniel Finkelstein's grandfather Alfred Wiener was a German Jewish intellectual leader who tolled an early warning of the impending Holocaust and became an archivist of Nazi crimes. He relocated his family to safety in Amsterdam, where they became close with Anne Frank's family. But they were eventually separated, and Daniel's mother Mirjam was sent to Bergen-Belsen with her mother and sisters while Alfred worked feverishly to free them. Finkelstein's father, Ludwik, grew up in a prosperous Jewish family in Poland where his father was a patriotic hero of the Great War. But when Stalin took control, Finkelstein's grandfather was deported to Siberia, while Ludwik and his mother were sent to Kazahkstan, where they barely survived freezing winters and harrowing forced labor conditions. Love and Murder is a page-turning account of ingenuity, bravery and the almost unbelievable coincidences that brought Daniel's parents together. The story features secret archives, forgery and theft, and sweeps across Europe to show the expanse of the war. Moving, engrossing and inspiring, Love and Murder will profoundly touch all who read it"--

" ... explores the myths of Holland's "Good War" -- the brave nation that hid Anne Frank from the Nazis -- by using the story of soccer in Holland and the Amsterdam club Ajax to puncture the tales that post-war Holland lives by. Through interviews with Resistance fighters, survivors, wartime soccer players and more, Kuper uncovers a history that has been largely ignored. Ranging far beyond the Netherlands and examining the stories of soccer and war in England, German and France, Kuper writes an alternative history of Europe at its darkest hour. He helps change the way we understand ordinary people's experience of the war in Europe." -- Back cover.

A biography of Gertrude van Tijn (1891-1974), born as Gertrud Franzisca Cohn in Braunschweig, Germany. From 1911-15 she lived in London, but was forced to immigrate because of her status as an enemy alien. She then went to Holland, where she became a fervent Zionist. In 1920 she married Jacques van Tijn, a Dutch Jew, and gave birth to two children. As he was a mining engineer, they lived in different countries until 1932 when they returned to Holland; in 1937 they were divorced. Focuses on her life and activities during 1933-45, when she worked for organizations dealing with the resettlement of Jewish refugees from Germany who fled to Holland, as well as with emigration of Dutch Jews, in particular for the Committee for Jewish Refugees. In April-May 1941 van Tijn, with Nazi approval, traveled to Portugal to coordinate, together with Portuguese authorities and the Joint Distribution Committee, the transit of Jewish refugees through Portugal and across the Atlantic. Her task proved to be very difficult, but some Jews got through, including her daughter. Her son served in the Allied army in France and Belgium. Van Tijn became head of the emigration department of the Jewish Council in Amsterdam; however, her achievements in this capacity were modest. In September 1943 she was deported to Westerbork, and in March 1944 to Bergen-Belsen. In the summer of 1944 she was freed with a group of prisoners in exchange for Germans arrested in Palestine. She stayed in Palestine for a few months, traveled back to Europe in 1945, and eventually settled in the USA, living close to her daughter. While in Palestine she wrote a report of what she had witnessed, which is found in the Leo Baeck Archives in New York, but was never published. Soon after the war van Tijn was criticized and censured as a dupe of the Nazis, guilty at the least of false credulity and at the most of collaboration, but she was later exonerated.

Overview: The name Erasmus of Rotterdam conjures up a golden age of scholarly integrity and the disinterested pursuit of knowledge, when learning could command public admiration without the need for authorial self-promotion. Lisa Jardine, however, shows that Erasmus self-consciously created his own reputation as the central figure of the European intellectual world. Erasmus himself--the historical as opposed to the figural individual--was a brilliant, maverick innovator, who achieved little formal academic recognition in his own lifetime. What Jardine offers here is not only a fascinating study of Erasmus but also a bold account of a key moment in Western history, a time when it first became possible to believe in the existence of something that could be designated "European thought."--