The media served a highly partisan and propagandistic role in Nato’s Kosovo war, uncritically reproducing official spin in a way that was incompatible with their proclaimed democratic role as objective purveyors of information. Degraded Capability is the first book to integrate a critical interpretation of Western policy toward the former Yugoslavia with analysis of media coverage of the Kosovo crisis and war. The first part of the book deals with the war itself and the build-up to it, placing this in the context of earlier Western intervention in Yugoslavia. Part two discusses key issues raised by the media coverage, including the demonisation of the enemy, and the role of CNN. In the final section, contributors analyse how the war was reported in different countries around the world, including the United States, Britain, Germany, India, Greece, Russia, and France. The book offers an important corrective to the hysteria and misinformation that permeated media coverage. Subjects covered include the role of the internet, the changing media-military relationship, the depiction and definition of ‘war crimes,’ and how Yugoslav television was presented as a legitimate military target. Contributors include John Pilger, Edward S. Herman, Phil Hammond, Diana Johnstone and Jim Naureckas.

The triumph of image over reality and reason is the theme of this book. New communication technologies have made possible the transportation of images and words in real time to hundreds of millions of people around the world. We thought we witnessed the Gulf War as we sat, mesmerized by the imagery. But the studies from the many countries assembled for this book suggest that it was not the war in the Persian Gulf that we witnessed but rather imagery orchestrated to convey a sense of triumph and thus to achieve results that reality and reason could never have achieved.The book offers contributions from thirty-four authors in eighteen countries, including short samplings from the media of several regions. The authors explore the social, economic, and political context of media coverage in their countries, the domination of one image in most of them, and the struggle for alternative perspectives. The authors probe the dynamics of image-making and pose some challenges for the future as well as provide us with a unique glimpse of how the world outside of the United States (as well as many Americans) viewed the war in the Persian Gulf and how the dynamics of image-making and information control operate.Triumph of the Image will be useful to scholars and students in communications and mass media, international relations, political science, cultural studies, propaganda, censorship, and contemporary history as well as to the general public.