"WILD THINGS is queer theorist Jack Halberstam's account of sexuality in general, and queerness in particular, after nature. As the heterosexual/homosexual binary emerged in the late 19th-century and coalesced in the 20th-century, discourses of both heterosexuality and homosexuality defined sexuality in relation to nature and the natural world. The most well-known is the homophobic framing of homosexuality as unnatural, aberrant, and "against" nature, but of equal importance is the 19th-century male dandy's positioning of artifice and camp-and through it homosexuality-as anti-natural. On the other hand, heterosexuality was often held up as the "natural" sexuality and, later in the 20th-century, gay scientists tried to prove that homosexuality was a natural, biological desire. In this book, Halberstam mobilizes wildness as an analytic through which an alternative history of sexuality and desire outside of heterosexuality, homosexuality, and taxonomical classifications can emerge. To that end, Halberstam turns back to the orderly, taxonomical, and classified homosexuality and heterosexuality of the 19th and 20th-centuries and asks: what embodiments and desires were swept under the carpet in the process of creating identitarian sexualities? Halberstam claims these excluded and unruly figures as "wild" lives lived out in embodiments and desires which eluded the orderly classifications of their era. Wildness, for Halberstam, thus becomes a way to claim an "epistemology of the ferox," a way of being and knowing in the world which is not the opposition of order but order's absence: a force which "disorders desire and desires disorder." Although he is clear that wildness and queerness are not interchangeable, Halberstam sees in wildness and "wild thought" queer theory's anti-identitarian impulse to explore life outside of the limits of the human and liberal governance. More than just a project of recuperating queer figures lost in the archive, Halberstam's WILD THINGS argues for a revision of queer history, one in which "nature" and the "natural world" does not function as that which sexuality defines itself with and against"--

The present volume is the first collection of studies by Charles Mopsik to be published in English. It contains the contents of two separate volumes published in French, with an additional study which was published elsewhere. These seven studies focus on the function and character of sex and gender in Jewish Mysticism: (1) The Primeval Couple and the Primordial One in the Religions of the World; (2) The Masculine Woman; (3) Creation and Procreation: Beyond the Bounds of the Body - From the Hebrew Bible to Medieval Jewish Mysticism; (4) Genesis 1: 26-27: The Image of God, Man and Wife, and the Status of Women in the writings of the Early Kabbalists; (5) Genesis 2:24: 'They Become One Flesh': Several Interpretations by Medieval Jewish Mystics; (6) Union and Unity in the Kabbalah: The Proclamation of the Divine Unity and the Male/Female Couple; (7) The Secret of the Marriage of David and Batsheva.

"The term ars erotica refers to the styles and techniques of lovemaking with the honorific title of art. But in what sense are these practices artistic and how do they contribute to the aesthetics and ethics of self-cultivation in the art of living? In this book, Richard Shusterman offers a critical, comparative analysis of the erotic theories proposed by the most influential premodern cultural traditions that shaped our contemporary world. Beginning with ancient Greece, whose god of desiring love gave eroticism its name, Shusterman examines the Judaeo-Christian biblical tradition and the classical erotic theories of Chinese, Indian, Islamic, and Japanese cultures, before concluding with medieval and Renaissance Europe. His exploration of their errors and insights shows how we could improve the quality of life and love today. By using the engine of eros to cultivate qualities of sensitivity, grace, skill, and self-mastery, we can reimagine a richer, more positive vision of sex education"--

"The term ars erotica refers to the styles and techniques of lovemaking with the honorific title of art. But in what sense are these practices artistic and how do they contribute to the aesthetics and ethics of self-cultivation in the art of living? In this book, Richard Shusterman offers a critical, comparative analysis of the erotic theories proposed by the most influential premodern cultural traditions that shaped our contemporary world. Beginning with ancient Greece, whose god of desiring love gave eroticism its name, Shusterman examines the Judaeo-Christian biblical tradition and the classical erotic theories of Chinese, Indian, Islamic, and Japanese cultures, before concluding with medieval and Renaissance Europe. His exploration of their errors and insights shows how we could improve the quality of life and love today. By using the engine of eros to cultivate qualities of sensitivity, grace, skill, and self-mastery, we can reimagine a richer, more positive vision of sex education"--

CONTENTS: Introduction The Release of Sexual Restraints War Wives and Immorality Eroticism of Nurses Sensuality in the Trenches Venereal Diseases Women Soldiers and Female Battalions Homosexuality and Transvestitism Regulation of Army Brothels Prostitution Behind the Lines Lust in the Conquered Areas Civilian Debauchery Back Home Genital Injuries, War Eunuchs, Etc. Sex Life of War Prisoners Amatory Adventures of Female Spies Eroticism Behind Military Drill Propaganda and Sex Lies The Bestialization of Man Sadism, Rape, and Other Atrocities Post-War Revolution and Sexuality Appendix-U.S. Starts Cleanup of Camp Followers