#1 New York Times Bestseller * #1 Wall Street Journal Bestseller From Daniel Silva, the internationally acclaimed #1 New York Times bestselling author, comes a riveting new thriller featuring art restorer and legendary spy Gabriel Allon. It was nearly one a.m. by the time he crawled into bed. Chiara was reading a novel, oblivious to the television, which was muted. On the screen was a live shot of St. Peter's Basilica. Gabriel raised the volume and learned that an old friend had died ... Gabriel Allon has slipped quietly into Venice for a much-needed holiday with his wife and two young children. But when Pope Paul VII dies suddenly, Gabriel is summoned to Rome by the Holy Father's loyal private secretary, Archbishop Luigi Donati. A billion Catholic faithful have been told that the pope died of a heart attack. Donati, however, has two good reasons to suspect his master was murdered. The Swiss Guard who was standing watch outside the papal apartments the night of the pope's death is missing. So, too, is the letter the Holy Father was writing during the final hours of his life. A letter that was addressed to Gabriel. While researching in the Vatican Secret Archives, I came upon a most remarkable book ... The book is a long-suppressed gospel that calls into question the accuracy of the New Testament's depiction of one of the most portentous events in human history. For that reason alone, the Order of St. Helena will stop at nothing to keep it out of Gabriel's hands. A shadowy Catholic society with ties to the European far right, the Order is plotting to seize control of the papacy. And it is only the beginning. As the cardinals gather in Rome for the start of the conclave, Gabriel sets out on a desperate search for proof of the Order's conspiracy, and for a long-lost gospel with the power to put an end to two thousand years of murderous hatred. His quest will take him from the Ponte Vecchio in Florence, to a monastery in Assisi, to the hidden depths of the Secret Archives, and finally to the Sistine Chapel, where he will witness an event no outsider has ever before seen--the sacred passing of the Keys of St. Peter to a newly elected pope. Swiftly paced and elegantly rendered, The Order will hold readers spellbound, from its opening passages to its breathtaking final twist of plot. It is a novel of friendship and faith in a perilous and uncertain world. And it is still more proof that Daniel Silva is his generation's finest writer of suspense and international intrigue.

#1 New York Times Bestseller - #1 USA Today Bestseller - #1 Wall Street Journal Bestseller Now you see her. Now you don't. THE NEW GIRL. A thriller of deception, betrayal, and vengeance. She was covered from head to toe in expensive wool and plaid, the sort of stuff one saw at the Burberry boutique in Harrods. She carried a leather bookbag rather than a nylon backpack. Her patent leather ballet slippers were glossy and bright. She was proper, the new girl, modest. But there was something else about her ... At an exclusive private school in Switzerland, mystery surrounds the identity of the beautiful raven-haired girl who arrives each morning in a motorcade fit for a head of state. She is said to be the daughter of a wealthy international businessman. In truth, her father is Khalid bin Mohammed, the much-maligned crown prince of Saudi Arabia. Once celebrated for his daring social and religious reforms, he is now reviled for his role in the murder of a dissident journalist. And when his only child is brutally kidnapped, he turns to the one man he can trust to find her before it is too late. What's done cannot be undone ... Gabriel Allon, the legendary chief of Israeli intelligence, has spent most of his life fighting terrorists, including the murderous jihadists financed by Saudi Arabia. Prince Khalid--or KBM, as he is known--has pledged to finally break the bond between the Kingdom and radical Islam. For that reason alone, Gabriel regards him as a valuable if flawed partner. Together they will become unlikely allies in a deadly secret war for control of the Middle East. The life of a child, and the throne of Saudi Arabia, hang in the balance. Both men have made their share of enemies. And both have everything to lose. Filled with dark humor, breathtaking twists of plot, and an unforgettable cast of characters, The New Girl is both a thrilling, page-turning tale of entertainment and a sophisticated study of political alliances and great-power rivalries in a dangerous world. And it is once again proof that Gabriel Allon is "one of fiction's greatest spies" (Kirkus) and Daniel Silva is "quite simply the best" (Kansas City Star) writer of foreign intrigue and suspense at work today.

#1 New York Times Bestseller "The pace of "The Cel-list" never slack-ens as its ac-tion vol-leys from Zurich to Tel Aviv to Paris and be-yond. Mr. Silva tells his story with zest, wit and su-perb tim-ing, and he en-gi-neers enough sur-prises to star-tle even the most at-ten-tive reader."--Wall Street Journal From Daniel Silva, the internationally acclaimed #1 New York Times bestselling author, comes a timely and explosive new thriller featuring art restorer and legendary spy Gabriel Allon. Viktor Orlov had a longstanding appointment with death. Once Russia's richest man, he now resides in splendid exile in London, where he has waged a tireless crusade against the authoritarian kleptocrats who have seized control of the Kremlin. His mansion in Chelsea's exclusive Cheyne Walk is one of the most heavily protected private dwellings in London. Yet somehow, on a rainy summer evening, in the midst of a global pandemic, Russia's vengeful president finally manages to cross Orlov's name off his kill list. Before him was the receiver from his landline telephone, a half-drunk glass of red wine, and a stack of documents.... The documents are contaminated with a deadly nerve agent. The Metropolitan Police determine that they were delivered to Orlov's home by one of his employees, a prominent investigative reporter from the anti-Kremlin Moskovskaya Gazeta. And when the reporter slips from London hours after the killing, MI6 concludes she is a Moscow Center assassin who has cunningly penetrated Orlov's formidable defenses. But Gabriel Allon, who owes his very life to Viktor Orlov, believes his friends in British intelligence are dangerously mistaken. His desperate search for the truth will take him from London to Amsterdam and eventually to Geneva, where a private intelligence service controlled by a childhood friend of the Russian president is using KGB-style "active measures" to undermine the West from within. Known as the Haydn Group, the unit is plotting an unspeakable act of violence that will plunge an already divided America into chaos and leave Russia unchallenged. Only Gabriel Allon, with the help of a brilliant young woman employed by the world's dirtiest bank, can stop it. Elegant and sophisticated, provocative and daring, The Cellist explores one of the preeminent threats facing the West today--the corrupting influence of dirty money wielded by a revanchist and reckless Russia. It is at once a novel of hope and a stark warning about the fragile state of democracy. And it proves once again why Daniel Silva is regarded as his generation's finest writer of suspense and international intrigue.

WINNER OF THE 2019 NATIONAL BOOK AWARD FOR FICTION NATIONAL BESTSELLER "Electrifying" ( People ) - "Masterly" ( The Guardian ) - "Dramatic and memorable" ( The New Yorker ) - "Magic" ( TIME ) - " Ingenious" ( The Financial Times ) - A gonzo literary performance" ( Entertainment Weekly ) - "Rare and splendid" ( The Boston Globe ) - "Remarkable" ( USA Today ) - "Delicious" ( The New York Times ) - "Book groups, meet your next selection (NPR) In an American suburb in the early 1980s, students at a highly competitive performing arts high school struggle and thrive in a rarified bubble, ambitiously pursuing music, movement, Shakespeare, and, particularly, their acting classes. When within this striving "Brotherhood of the Arts," two freshmen, David and Sarah, fall headlong into love, their passion does not go unnoticed--or untoyed with--by anyone, especially not by their charismatic acting teacher, Mr. Kingsley. The outside world of family life and economic status, of academic pressure and of their future adult lives, fails to penetrate this school's walls--until it does, in a shocking spiral of events that catapults the action forward in time and flips the premise upside-down. What the reader believes to have happened to David and Sarah and their friends is not entirely true--though it's not false, either. It takes until the book's stunning coda for the final piece of the puzzle to fall into place--revealing truths that will resonate long after the final sentence. As captivating and tender as it is surprising, Susan Choi's Trust Exercise will incite heated conversations about fiction and truth, and about friendships and loyalties, and will leave readers with wiser understandings of the true capacities of adolescents and of the powers and responsibilities of adults.

NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND KIRKUS REVIEWS Hailed as “the indispensable critic” by The New York Review of Books, Harold Bloom— New York Times bestselling writer and Sterling Professor of Humanities at Yale University—has for decades been sharing with readers and students his genius and passion for understanding literature and explaining why it matters. Now he turns at long last to his beloved writers of our national literature in an expansive and mesmerizing book that is one of his most incisive and profoundly personal to date. A product of five years of writing and a lifetime of reading and scholarship, The Daemon Knows may be Bloom’s most masterly book yet. Pairing Walt Whitman with Herman Melville, Ralph Waldo Emerson with Emily Dickinson, Nathaniel Hawthorne with Henry James, Mark Twain with Robert Frost, Wallace Stevens with T. S. Eliot, and William Faulkner with Hart Crane, Bloom places these writers’ works in conversation with one another, exploring their relationship to the “daemon”—the spark of genius or Orphic muse—in their creation and helping us understand their writing with new immediacy and relevance. It is the intensity of their preoccupation with the sublime, Bloom proposes, that distinguishes these American writers from their European predecessors. As he reflects on a lifetime lived among the works explored in this book, Bloom has himself, in this magnificent achievement, created a work touched by the daemon. Praise for The Daemon Knows “Enrapturing . . . radiant . . . intoxicating . . . Harold Bloom, who bestrides our literary world like a willfully idiosyncratic colossus, belongs to the party of rapture.” —Cynthia Ozick, The New York Times Book Review “The capstone to a lifetime of thinking, writing and teaching . . . The primary strength of The Daemon Knows is the brilliance and penetration of the connections Bloom makes among the great writers of the past, the shrewd sketching of intellectual feuds or oppositions that he calls agons. . . . Bloom’s books are like a splendid map of literature, a majestic aerial view that clarifies what we cannot see from the ground.” — The Washington Post “Audacious . . . The Yale literary scholar has added another remarkable treatise to his voluminous body of work.” — The Huffington Post “The sublime The Daemon Knows is a veritable feast for the general reader (me) as well as the advanced (I assume) one.” —John Ashbery “Mesmerizing.” —New York Journal of Books “Bloom is a formidable critic, an extravagant intellect.” —Chicago Tribune “As always, Bloom conveys the intimate, urgent, compelling sense of why it matters that we read these canonical authors.” — Kirkus Reviews (starred review) “Few people write criticism as nakedly confident as Bloom’s any more.” — The Guardian (U.K.)

Written with a trenchant, sardonic edge, The Group is a dazzlingly outspoken novel and a captivating look at the social history of America between two world wars. "Juicy, shocking, witty, and almost continually brilliant."--CosmopolitanAward-winning Mary McCarthy's most celebrated novel follows the lives of eight Vassar graduates, known simply to their classmates as “the group.” An eclectic mix of personalities and upbringings, they meet a week after graduation to watch Kay Strong get married. After the ceremony, the women begin their adult lives -- traveling to Europe, tackling the worlds of nursing and publishing, and finding love and heartbreak in the streets of New York City. Through the years, some of the friends grow apart and some become entangled in each other's affairs, but all vow not to become like their mothers and fathers. It is only when one of them passes away that they all come back together again to mourn the loss of a friend, a confidante, and most importantly, a member of the group.

Set in 18th century Naples, based on the lives of Sir William Hamilton, his celebrated wife Emma, and Lord Nelson, and peopled with many of the great figures of the day, this unconventional, bestselling historical romance from the National Book Award-winning author of In America touches on themes of sex and revolution, the fate of nature, art and the collector's obsessions, and, above all, love.

"I wonder if Judy Blume really knows how many girls' lives she affected. I wonder if she knows that at least one of her books made a grown woman finally feel like she'd been a normal girl all along..." —from Everything I Needed to Know About Being a Girl I Learned from Judy Blume Whether laughing to tears reading Otherwise Known as Sheila the Great or clamoring for more unmistakable "me too!" moments in Are You There God? It's Me, Margaret , girls all over the world have been touched by Judy Blume's poignant coming-of-age stories. Now, in this anthology of essays, twenty-four notable female authors write straight from the heart about the unforgettable novels that left an indelible mark on their childhoods and still influence them today. After growing up from Tales of a Fourth Grade Nothing into Smart Women , these writers pay tribute, through their reflections and most cherished memories, to one of the most beloved authors of all time.

New York Times Notable Book of the Year Publishers Weekly Best Book of 1997 With an Introduction by Robert Giroux, The Complete Stories of Bernard Malamud is "an essential American book," Richard Stern declared in the Chicago Tribune when the collection was published in hardcover. His praise was echoed by other reviewers and by readers, who embraced the book as they might a displaced person in one of Malamud's stories, now returned to us, complete and fulfilled and recognized at last. The volume gathers together fifty-five stories, from "Armistice" (1940) to "Alma Redeemed" (1984), and including the immortal stories from The Magic Barrel and the vivid depictions of the unforgettable Fidelman. It is a varied and generous collection of great examples of the modern short story, which Malamud perfected, and an ideal introduction to the work of this great American writer.

With its depictions of the downtrodden prostitutes, bootleggers, and hustlers of Perdido Street in the old French Quarter of 1930s New Orleans, Nelson Algren's A Walk in the Wild Side has found a place in the imaginations of all generations since it first appeared. As Algren admitted, the book "wasn't written until long after it had been walked . . . I found my way to the streets on the other side of the Southern Pacific station, where the big jukes were singing something called 'Walking the Wild Side of Life.' I've stayed pretty much on that side of the curb ever since." Perhaps the author's own words describe this classic work best: "The book asks why lost people sometimes develop into greater human beings than those who have never been lost in their whole lives. Why men who have suffered at the hands of other men are the natural believers in humanity, while those whose part has been simply to acquire, to take all and give nothing, are the most contemptuous of mankind."

A stunning and considered collection of poetry and writings by one of the most intriguing and accomplished voices in contemporary literature. Paul Auster's penetrating and charged verse resembles little else in recent American poetry. This collection of Auster's poetry, translations, and composition notes from early in his career do much to reinforce the idea that Paul Auster is, indeed, a unique and masterful figure in the literary world. Taut, densely lyrical, and everywhere informed by a powerful and subtle music, this selection of writings begins with the compact verse fragments of Spokes (written when Auster was in his early twenties) and Unearth, continues on through the more ample meditations of Wall Writing, Disappearances, Effigies, Fragments From the Cold, Facing the Music, and White Spaces, then moves further back in time to include Auster's revealing translations of many of the French poets who influenced his own writing, as well as the provocative and previously unpublished "Notes From A Composition Book" (1967). An introduction by Norman Finkelstein connects biographical elements to a consideration of the work, and takes in Auster's early literary and philosophical influences. Powerful, haunting, and precise, this view from the past to the present will appeal to those unfamiliar with this aspect of Auster's work, as well as those already acquainted with his poetry.

Taken from the journals of distinguished writer Leonard Michaels, Time Out of Mind chronicles the author's life as a friend, lover, husband, and father. With wrenching dramatic intensity, it captures the character and the mind of an extraordinary talent -- from his days as a struggling young writer in Greenwich Village, through the turbulent Vietnam era, to his years as a professor of English literature at Berkeley. This is an unforgettable portrait of an artist in the world -- from one of the most acclaimed authors of our time.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"To confront American culture is to feel oneself encircled by a thin but strong presence. I call it Emersonian, an imprecise term but one that directs us to a dominant spirit in the national experience." Thus Irving Howe, America's distinguished social critic and a longtime reader of the Sage of Concord, begins this illuminating discussion of Emerson and his disciples and doubters. What is the Emersonian spirit? What inspired it, what propelled it? And what does it mean to us today? History gave Emerson his opportunity and then took it away. Coming to manhood during the 1830s and 1840s, the time of "the newness" when Americans beheld the world with unbounded expectations, Emerson became the spokesman for the self-reliant new man he believed had arisen, ready to thrust aside mossy traditions and launch a new revolution of freewheeling thought. But the rapid pace of the American experience overtook the Emersonian vision; in the 1850s, the rising problems of slavery, a boom-and-bust economy, the vulgarity of mass culture overwhelmed the idealist. His satellite spirits wavered and shrouded the Emersonian optimism: Hawthorne, with his stories of moral breakdown; Thoreau, rooted in nature yet inclined to the cranky and fanatical; Melville, his fathomless blackness waiting beneath archetypal fables of innocence and evil also Walt Whitman, Orestes Brownson, Twain--all were influenced by, yet reacted against, the Emersonian "newness." Howe identifies three kinds of response: the literature of work (Melville and Mark Twain), the literature of Edenic fraternity (James Fenimore Cooper, Whitman, Twain again), and the literature of loss (all the post-Civil War writers). He lays before us the intellectual and personal tragedy of the first great American man of letters, yet also shows that Emerson's belief in the untapped power of free men pervades not only the lives and works of his contemporaries but is also a permanent part of the American psyche.

From a small, bogside cabin in rural New England, 38-year-old Aimee Slater unravels the story of her life, attempting to make sense of the tangled thread that leads from her mother's house-a short, unbridgeable distance away-to the world she now inhabits. It is soon after the Civil War; Aimee lives alone, but is graced with visits from two friends, a crippled man and a troubled eleven-year-old girl. She is perpetually caught between the sensual world she so desires and the divine retribution passed down to her by her mother's scorn. How Aimee ultimately creates a life for herself and bridges that distance makes for a moving story of love and loss. Told in a voice of spare New England lyricism, Unravelling is a remarkably haunting account of the power of redemption.

The haunting story of a woman who desires “something more, as if something more had been promised her that was not yet given.” Vivian Carpentier, confined by her role as an upper class woman in the 1940s, gleans meaning only from erotic love. Troubled by the elusiveness of men, yet convinced that they run the world, she can barely conceal her desperation to entice. Struggling with motherhood and the failure of marriage, she takes jobs to bridge intervals between lovers. She sings in a hotel bar, sells dresses, and nurses her father’s friend through his last illness, hoping to atone for a self-centered life. The constant in Vivian’s life is her son, David. Having seen her worst and best moments, he provides her with consolation and a reason for living.

The Great American Novel (1923) is an experimental novel by William Carlos Williams. Although he is predominately known as a poet, Williams frequently pushed the limits of prose style throughout his career. In the defining decade of Modernism, Williams sought to try his hand at the so-called "Great American Novel," a concept fueling impassioned debate in academic and artistic circles nationwide. Far from conventional, Williams' novel is a metafictional foray into matters more postmodern than modern, a commentary masquerading as narrative and a satire of the all-American overreliance on cliché in form and content. "If there is progress then there is a novel. Without progress there is nothing. Everything exists from the beginning. I existed in the beginning. I was a slobbering infant. Today I saw nameless grasses--I tapped the earth with my knuckle. It sounded hollow. It was dry as rubber. Eons of drought. No rain for fifteen days. No rain. It has never rained. It will never rain." Williams' novel begins with the word and a birth. Language describes the experience of awakening to experience, of coming into consciousness as a living being in a living world. Using words from everyday speech, he builds a novel out of observations, a book that remains conscious of itself throughout. Like the child whose first experience with the written word often comes from names and slogans stretched over trucks and billboards, the reader eventually comes to accept their new reality, a world where people love and succeed and fail, where history and art intercede to make meaning where they can. The Great American Novel showcases Williams' experimental form, stretching the meaning of "novel" to its outermost limit. This edition of William Carlos Williams' The Great American Novel is a classic of American literature reimagined for modern readers. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A long-form poem of negation and egoism, of scorn and cynical delight. Included is a URL for a free full audiobook read by Kevin I. Slaughter. Benjamin DeCasseres (is) the Pontius Pilate of America. -H.L. Mencken A passionate, erratic poet... strives to shake the foundation of the world. -The Saturday Review of Literature He occupies a niche that is all his own and asks space to stand for no other man . -The Nation DeCasseres is the most fiery and independent writer that I know of. -Remy de Gourmont There is but one Benjamin DeCasseres. And he is perhaps the one living wonder of the literary world. It is fortunate that such an one must be born, that he cannot be made; especially that he cannot be imitated, for if every one wrote like DeCasseres readers would go mad. That he can keep in any semblance of thought-order such whirls of words is something to marvel at. Yet to read him once, twice, is to experience the greatest mental exhilaration. -New York Times

Poetry. Jewish Studies. RENDING THE GARMENT is a narrative tapestry encompassing persona poems, prose poems, flash fiction, imagined meetings with historical figures, ancestral appearances, and ephemera. This series of linked poems explores the life and times of one Jewish family. "RENDING THE GARMENT tells a familiar tale, the Jewish immigrant family romance, but with an important difference: using shifting points of views and narrative interruptions (biographical essays, scolding notes from school Principals, diary entries), not to mention a cast of characters as lively as a borscht belt revue, Willa Schneberg tells her story from the inside, where grief and love live side by side in bed, 'neither old, nor young' bodies outside of time. A fresh, original and moving addition to our literature." Philip Schultz "RENDING THE GARMENT draws us intimately into one family and through them into the world of immigrant Jews born almost a century ago and their lives in America. Willa Schneberg has a fine ear and her poems capture their voices, their cadences, the way they think, mixing Yiddish with English, the old and the new. The people of her poems come alive on the page: irreverant, beautiful, flawed, funny, sad, loving, opinionated, stubborn, real. They embody a wealth of contradictions, perfectly exemplified in these lines that her mother who smoked so glamorously and lost her voice to cancer writes in a notebook near the end of her life, 'I'm Jewish. / There is no God.' I recognize these people and I come to care for them deeply." Ellen Bass "In RENDING THE GARMENT, Willa Schneberg juxtaposes humor and heartbreak, Jewish Brooklyn's cultural/ linguistic referents and post-modernity. Readers hear the iconic, self-mocking conversation of familial bickering and the deep devotion of a daughter charged with helping her parents die 'good' deaths. 'Soon it will be as if language never knew him, ' says one speaker of her father. With precise, unsparing detail, Schneberg's language rewards our journey into the difficult, mortal territory we all share." Robin Becker "In one memorable episode in Willa Schneberg's RENDING THE GARMENT, the author's dying mother sits by the hospital bed of the Israeli poet Abba Kovner. 'Stars don't go out when we die, ' he writes on her notepad. 'Now you're talking, ' she writes in reply. This funny, poignant imagined moment is representative of the moments Schneberg has gathered to create her richly woven memoir in poetry of a loving, contentious Jewish family and the world they lived in of junk men, corset shops, and immigrant ambitions." Lee Sharkey"