In Alice B.Toklas' only account of her life with Gertrude Stein, she portrays a relationship that spanned two world wars and included friendships with some of the most celebrated literary figures of the time.

Lesbian writers include some of the most innovative and adventurous writers of this century, but only recently have they been given their due attention in terms of critical study. This book is the first anthology to discuss the subject of lesbianism as it relates to the critical interaction among readers, writers, and literary critics. It explores lesbian texts in terms of identification, meaning, and interpretation, and examines the complex entanglements of identity, voice, intersubjectivity, textualities, and sexualities. "A wonderful exploration of the varieties of life choices lesbians can and do make. This book once again proves that telling the truth aboutyourself is a revolutionary act." — Rita Mae Brown "They will probably drum Karla Jay and Joanne Glasgow out of the academy for this one...A college text that is witty, literate, interesting, and can be read for fun. What's the world coming to? Lesbian Texts and Contexts : dry title, wonderful book." — Barbara Grier, Editor Naiad Press "To call this collection much-needed or eagerly awaited would be the understatement of the year. It's thrilling ot think of the new readings of classic texts, the new directions for theory, and—maybe best of all—the new range of literary encounters in the classroom, that will be enabled by this radical intervention on the critical scene." — Eve Kosofsky Sedgwick, Duke University "Excellent,...challenging, sexy,...never boring." — Outweek .

Queen Elizabeth I (1533-1603) -- William Shakespeare (1564-1616) -- Scarborough Fair -- Edmund Spenser (1552-1599) -- Christopher Marlowe (1564 - 1593) -- Sir Walter Raleigh (1552-1618) -- Greensleeves -- Francis Bacon (1561-1626) -- John Donne (1572 - 1631) -- Ben Jonson (1573 - 1637) -- Thomas Hobbes (1588-1679) -- King James Bible (1611) -- Robert Herrick (1591 - 1674) -- George Herbert (1593 - 1633) -- Sir Thomas Browne (1605-1682) -- Barbara Allen -- John Milton (1608 - 1674) -- Jeremy Taylor (1613 - 1667) -- The two brothers -- Richard Lovelace (1618-1657) -- Andrew Marvell (1621 - 1678) -- John Bunyan (1628-1688) -- Lord Randal -- John Dryden (1631 - 1700) -- John Locke (1632 - 1704) -- The girl i left behind me -- Isaac Newton (1642 - 1727) -- Our God, our help in ages past -- Joy to the world -- Jonathan Swift (1667 - 1745) -- Alexander Pope (1688 - 1744) -- Rule, Brittania -- John Wesley (1703 - 1791) -- Jesus, lover of my soul -- William Pitt (1708 - 1778) -- Heart of Oak -- Samuel Johnson (1709 - 1784) -- Thomas Gray (1716 - 1771) -- Adam Smith (1723 - 1790) -- God save the queen -- Edmund Burke (1729 - 1797) -- Oliver Goldsmith (1730 - 1774) -- William Cowper (1731 - 1800) -- William Blake (1757 - 1827) -- Mary Wollstonecraft (1859 - 1897) -- Robert Burns (1759 - 1796) -- Auld lang syne -- William Wilberforce (1759 - 1833) -- Amazing Grace -- William Wordsworth (1770 - 1850) -- Sir Walter Scott (1771 - 1832) -- Samuel Taylor Coleridge (1772 - 1834) -- Walter Savage Landor (1775 - 1824) -- William Hazlitt (1778 - 1830) -- Lord Byron (1788 - 1824) -- Percy Bysshe Shelley (1792 - 1822) -- John Clare (1793 - 1864) -- Felicia Hemans (1793 - 1835) -- John Keats (1795 - 1821) -- Thomas Carlyle (1795 - 1881) -- Thomas Hood (1799-1845) -- John Henry Newman (1801 - 1890) -- Elizabeth Barrett Browning (1806 - 1861) -- John Stuart Mill (1806 - 1873) -- Edward Fitzgerald (1809 - 1883) -- Alfred, Lord Tennyson (1809 - 1892) -- Charles Darwin (1809 - 1882) -- Edward Lear (1812 - 1888) -- Robert Browning (1812 - 1889) -- Emily Bronte (1818 - 1848) -- John Ruskin (1819 - 1900) -- Matthew Arnold (1822 - 1888) -- Thomas Henry Huxley (1825 - 1895) -- I know where I'm going -- Walter Bagehot (1826 - 1877) -- Christina Rossetti (1830 - 1894) -- Lewis Carroll (1832 - 1898) -- William Morris (1834 - 1896) -- Walter Pater (1839 - 1894) -- Thomas Hardy (1840 - 1928) -- Algernon Charles Swinburne (1843 - 1909) -- Gerard Manley Hopkins (1844 - 1889) -- W. E. Henley (1849 - 1903) -- The Major General's song -- Robert Louis Stevenson (1850 - 1894) -- Oscar Wilde (1854 - 1900) -- Emmeline Pankhurst (1858 - 1928) -- A. E. Houseman (1859 - 1936) -- David Lloyd George (1863 - 1945) -- There'll always be an England -- Roger Casement (1864 - 1916) -- Rudyard Kipling (1865 - 1936) -- William Butler Yeats (1865 - 1939) -- G. K. Chesterton (1874 - 1936) -- Edward Thomas (1878 - 1917) -- E. M. Forster (1879 - 1970) -- Virginia Woolf (1881 - 1941) -- D. H. Lawrence (1885 - 1930) -- Rupert Brooke (1887 - 1915) -- Keep the home fires burning -- T.S Eliot (1888 - 1965) -- Wilfred Owen (1893 - 1918) -- George Orwell (1903 - 1950) -- W.H. Auden (1907-1973) -- Dylan Thomas (1914-1953) -- Phillip Larkin (1922- 1985) -- Winston Churchill (1874 - 1965).

"To Write Like a Woman is a rare example of a feminist tackling science fictuion using postmodern theory, which makes for a much more sophisticated and nuanced appraisal than the usual fare." ―Passion"Russ’ essays are witty and insightful. An excellent book for any writer or reader." ―Feminist Bookstore News"In her new book of essays... Russ continues to debunk and demand, edify and entertain.... Appreciative of surface aesthetics, she continually delves deeper than most critics, yet in terms so simple and accessible that her essays read like lively, angry, humorous dialogues conducted face-to-face with the author. Russ is the antithesis of the distant critic in her ivory tower." ―Paul Di Filippo, The Washington Post Book World"... 20 years of the author’s feisty reports from the front lines of literature." ―The San Francisco Review of Books"This is a book of imaginative and provoking essays, but you should read it for the sheer fun of it." ―The Women’s Review of Books"Collects more than two decades of criticism by Joanna Russ, one of the most perceptive, forthright and eloquent feminist commentators around." ―Feminist Bookstore News"... a super book....This is a book that, for once, really will appeal to readers of all kinds." ―Utopian Studies"If you enjoy science fiction, this is definitely a book that you’ll want to talk about. I found myself sneaking a few pages at times when I really didn’t have time to read." ―Jan Catano, AtlantisClassic essays on science fiction and feminism by Nebula and Hugo award-winning Joanna Russ. Here she ranges from a consideration of the aesthetic of science fiction to a reading of the lesbian identity of Willa Cather. To Write Like a Woman includes essays on horror stories and the supernatural, feminist utopias, popular literature for women (the "modern gothic"), and the feminist education of graduate students in English.

Based on an intensive study of the original German text of Freud's writings, letters and journals, S. S. Prawer's new book is the first to make a full and systematic map of Freud's use of English literature. The great psychoanalyst has long been acclaimed as a polymath, as a practical doctor who was also a theoretician, as a writer of non-fiction which was also a counterpoint to the great novels of the early twentieth century, and as an essayist who, like Montaigne, absorbed all of the cultural world around him. Freud was fascinated by writings from many nations and languages, and his use of English shows the great range of his reading: from Shakespeare to Bernard Shaw, Henry Fielding to George Eliot, Mark Twain to Thornton Wilder; from scientific works by Maxwell and Darwin to the economics of Adam Smith, Malthus and Keynes, and from psychology and anthropology to the origins of religion. Though Freud's genius was unique, his sense of being a citizen of a world far wider than Vienna was not, and it can tell us much about the exchange of ideas across national and linguistic frontiers. Though he was a reader par excellence, he was also a case study in how world literature can be used by men and women who are not professional literary scholars or critics -- and of how much it can come to mean to them, and for their sense of who they are.

The scientific achievements of the modern world failed to impress the leading writers of this century, leaving them instead profoundly disturbed by a sense of lost values and of the insignificance of the individual in a universe seemingly indifferent to human concerns. In The Search for Selfhood in Modern Literature Roston explores the strategies adopted by such mid-century authors as Greene, Salinger, Osborne, Baldwin and others in their attempt to cope with the spiritual vacuity - strategies including the emergence of the anti-hero and of literary existentialism - and offer in the course of the investigation fascinatingly new insights into their work.

Eminent Anglo-Saxonist Nicholas Howe explores how the English, in the centuries before the Norman Conquest, located themselves both literally and imaginatively in the world. His elegantly written study focuses on Anglo-Saxon representations of place as revealed in a wide variety of texts in Latin and Old English, as well as in diagrams of holy sites and a single map of the known world found in British Library, Cotton Tiberius B v. The scholar's investigations are supplemented and aided by insights gleaned from his many trips to physical sites. The Anglo-Saxons possessed a remarkable body of geographical knowledge in written rather than cartographic form, Howe demonstrates. To understand fully their cultural geography, he considers Anglo-Saxon writings about the places they actually inhabited and those they imagined. He finds in Anglo-Saxon geographic images a persistent sense of being far from the center of the world, and he discusses how these migratory peoples narrowed that distance and developed ways to define themselves.